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Box 394, LLB, 3, SCA Main Stacks, Industrial Shelf [Aisle: 7, Section: 1, Shelf: 2], MS--01036, Howard Hughes Film Production Records, Series IV.

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Archival objects in this container:

  1. Mario Zamparelli painting of Jane Wyman in The Blue Veil: Ektachrome photographic transparencies, 1951 August 06
  2. Ren Wicks paintings of supporting actors in The Blue Veil: Ektachrome photographic transparencies, 1951 August 06
  3. Mario Zamparelli painting of Jane Wyman in The Blue Veil: Ektachrome photographic transparencies, 1951 August 07
  4. Ren Wicks paintings of supporting actors in Flying Leathernecks: Ektachrome photographic transparencies, 1951 August 07
  5. Alberto Vargas painting of Farley Granger in Behave Yourself: Ektachrome photographic transparencies, 1951 August 10
  6. Ren Wicks paintings of Janet Leigh and Tony Martin in Two Tickets to Broadway: Ektachrome photographic transparencies, 1951 September 19
  7. Goode Davis paintings of Ida Lupino and Robert Ryan in On Dangerous Ground: Ektachrome photographic transparencies, 1951 October 25
  8. Ren Wicks paintings of Groucho Marx and Jane Russell in Double Dynamite: Ektachrome photographic transparencies, 1951 November 07
  9. Mario Zamparelli painting of William Bendix, Groucho Marx, and Marie Wilson in A Girl in Every Port: Ektachrome photographic transparencies, 1951 November 09
  10. Mario Zamparelli painting of Victor Mature and Jane Russell in The Las Vegas Story: Ektachrome photographic transparencies, 1951 December 19
  11. Goode Davis paintings of torture scene with Cornel Wilde in At Sword's Point: Ektachrome photographic transparencies, 1951 December 19
  12. Goode Davis paintings of Cornel Wilde as a swordsman in At Sword's Point: Ektachrome photographic transparencies, 1951 December 19
  13. Mario Zamparelli painting of Mel Ferrar and Arthur Kennedy in Rancho Notorious: Ektachrome photographic transparencies, 1951 December 26
  14. Mario Zamparelli painting of Kirk Douglas and Elizabeth Threatt in The Big Sky: Ektachrome photographic transparencies, 1952 March 05