Abstract
The MX (Missile eXperimental) Reviews and Reports (1980-1981) contain impact study reports and committee reports from various Southern Nevada agencies. There are also correspondence and newspaper clippings from the Shoshoni Sacred Land Association.
Finding Aid PDF
Date
Extent
Related People/Corporations
Scope and Contents Note
The MX (Missile eXperimental) Reviews and Reports (1980-1981) contain impact study reports and committee reports from various Southern Nevada agencies. There are also correspondence and newspaper clippings from the Shoshoni Sacred Land Association.
Access Note
Collection is open for research.
Publication Rights
This material is made available to facilitate private study, scholarship, or research. It may be protected by copyright, trademark, privacy, publicity rights, or other interests not owned by UNLV. Users are responsible for determining whether permissions are necessary from rights owners for any intended use and for obtaining all required permissions. Acknowledgement of the UNLV University Libraries is requested. For more information, please see the UNLV Special Collections policies on reproductions and use or contact us at special.collections@unlv.edu.
Arrangement
Material is arranged alphabetically.
Biographical / Historical Note
The LGM-118 Peacekeeper, known as the MX missile (for Missile-eXperimental) was a United States program started in 1986, although the roots of the project can be traced back to the 1960s. Under the START II treaty, the missiles were to be removed from the United States nuclear arsenal in 2005. Despite the demise of the START II treaty, the MX was decommissioned on September 19, 2005.
Preferred Citation
MX (Missile eXperimental) Reviews and Reports, 1980-1981. MS-00215. Special Collections and Archives, University Libraries, University of Nevada, Las Vegas. Las Vegas, Nevada. http://n2t.net/ark:/62930/f1qw2b
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Acquisition Note
Material was donated in 1981 by an unknown donor; accession number T157/81-53.
Processing Note
Material was processed in 2016 by Joyce Moore.
