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ent000447-016
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I agree.VI SPAIN #19 ON CUE: FLY OUT #1- HOUSE CURTAIN TO REVEAL SPANISH SHAWL (BETWEEN CUE #18 AND CUE #19 FLY OUT #26 AND STRIKE CAR) SET UP SPAIN: PLACE MIRRORED TABLE BASE AND TABLE TOP. FLY IN #35 SPANISH MIRROR AND #28 SPANSIH RED SILK BANNER CURTAIN. #20 ON CUE: FLY OUT #4 SPANISH SHAWL (IN VIEW OF AUDIENCE) I I i #21 ON CUE: (IN VIEW OF AUDIENCE) FLY OUT #28 AS MALE DANCERS 'PULL j DOWN' HALF OF THE RED SILK BANNERS TO USE AS PROPS (EVERY OTHER ONE) FOLLOW IMMEDIATELY BY TILTING MIRROR FORWARD TO REFLECT TABLE TOP. VII PARIS #22 ON CUE: ON BLACK OUT AFTER SPAIN, QUICKLY PLACE 'BOUDOIR MIRROR' ON STAGE R. AS #10 DIAMON DROP FLIES IN. PARIS TALK AND BOUDOIR SCENE TAKE PLACE. (DURING THIS SCENE: STRIKE SPANISH TABLE AND BASE, FLY OUT #35. SET UP PARIS 'FIRST LOOK': PLACE RAILINGS AND LAMP POSTS, FLY IN #49 QflSD /^T ?·>/?GP MAYBE #45) SET HORSE AND CARRIAGE IN POSITION FOR ENTRANCE. ) #23 ON CUE: ON BLACK OUT STRIKE BOUDOIR MIRROR AND FLY OUT #10 TO REVEAL PARIS BY NIGHT AT END OF VOCAL (PARIS SKIES) HORSE AND CARRIAGE ENTER AND EXIT. #24 ON CUE: (IN VIEW OF AUDIENCE) FLY IN #17 AND 18 - PARIS CEILING (VERTICAL) :?· #19 HOUSE CURTAIN/BORDER. (DURING THIS SCENE STRIKE PARIS LAMP POST AND RAILINGS AND FLY OUT #49 PARIS DROP.) SET UP PARIS CAFE INTERIOR: FLY IN #48 WHITE CYC AND PLACE 3 CAFE UNITS AND TABLES AND CHAIRS.