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ent000447-017

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ent000447-017
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    Publisher

    University of Nevada, Las Vegas. Libraries

    #25 ON CUE: (IN VIEW OF AUDIENCE) "TILT" PARIS (FILING TO HORIZONTAL AND LIFT TO REVEAL "PARIS CAFE". #26 OSI CUE: AFTER REPRISE OF 2ND CAN CAN FLY IN #1 HOUSE CURTAIN. VIII BARCLAY SHAW'S ACT BEGIN ACT IN FRONT OF #1 ?f e-*/ A/<sT #27 ON CUE: FLY IN #19 BEHIND, AS SOON AS POSSIBLE OPEN #1, ^EZ?║?·3I2BSQF APgJ^;mE #1 AGAIN AND FLY OUT #19 TO COMPLETE FINALE SET UP (DURING BARCLAY'S ACT: STRIKE PARIS CAFE, TABLES AND CHAIRS, FLY OUT #48 CYC SET UP FIRST FINALE LOOK: FLY IN #50 STAR DROP AND #2 LASER RING, PLACE MIRRORED Ati??*&?Q, v .s^^tq^ 6/c/<^T/v As>\r'v'\'S'cvfoy PEDESTAL FROM SPANISH J^ffiSSBR WITH OUT TABLE TOP.)^ &r?z?l IX FINALE: AUSTRALIAN MUSIC 1965 - 1985 #29 ON CUE: OPEN #1 HOUSE CURTAIN. "THE ONE YOU LOVE" CSET MOTOR CYCLES IN CBIACE FOR MOTIANCE) #30 ON CUE: (IN VIEW OF AUDIENCE) FLY OUT #2 LASER RING, FLY IN #35 MIRROR AND #13 AND #14? #22 AND #2: A "DISCO" "YOU SHOULD BE DANCIN' " (MOTOR CYCLES ENTER) AC/DC "HIGHWAY TO HELL" P32 AND #3> ELECTRICAL PIPES TO CREATE #31 ON CUE: CLOSE #1 HOUSE CURTAIN "JESSE'S GIRL" (DURING THIS SCENE FLY IN #10 DIAMOND DROP),