Search Results
Mary Carol Melton interview, March 5, 1981: transcript
Date
Archival Collection
Description
On March 5, 1981, collector Kathy Ricks interviewed Mary Carol Melton (b. April 4th, 1900 in Rockville, Missouri) about her life in Nevada and the development of the United Methodist Church in Las Vegas. Melton speaks about moving to Las Vegas, Nevada because of her husband’s health, her time working with attorney offices and in the Las Vegas Courthouse, and the different homes in which her family lived. Moreover, Melton talks extensively about starting the first Sunday school in North Las Vegas in a garage as well as the church she and her husband built. Melton discusses the programs and minstrels performed in the church, the crafts sold to make money for the church and the organ they purchased. Lastly, Melton talks about going to the Hoover Dam nearly every week to see new developments, her participation in the Daughters of the American Revolution (DAR), and watching the above ground atomic tests.
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Transcript of interview with Tom Wright by Claytee White, February 14, 2005
Date
Archival Collection
Description
Dr. Tom Wright was born and grew up in Illinois. His father finished his PhD in Chicago and then taught at Illinois College in Jacksonville. His mother suffered from arthritis and was told to seek a warmer climate, so John Wright packed up his family and moved to Las Vegas. Tom was 14, ready for high school, and his two brothers were elementary school age. Tom attended Las Vegas High School, which was close to the Crestwood community where the family had purchased their first home. He remembers that UNLV had no buildings when his dad first started teaching there. Instead, he conducted class in high school classrooms and church Sunday school rooms. Dr. Wright started off at a community college as a Geology Major, but a class with Bud Poland convinced him that history was his passion. He transferred to Pomona to continue his bachelor's degree. He spent his junior year in Peru on a study-abroad program, and that experience made him a Latin Americanist. The information he gath
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Transcript of interview with John Grayson by Elizabeth Patrick, May 23, 1983
Date
Archival Collection
Description
On May 23, 1983, collector Elizabeth N. Patrick interviewed gaming professional John Grayson (born May 25, 1898 in Grayson, Missouri) at the University of Nevada, Las Vegas. The interview covers John Grayson’s experience with gaming in Arizona, California, and Nevada. Also present during John Grayson’s interview is Billy H. Gray, a longtime gaming associate of his, who helps Mr. Grayson go into greater detail about key events.
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Transcript of interview with Judy Laliberte by LaVaun Hendrix, February 27, 1979
Date
Archival Collection
Description
On February 27, 1979, collector Judy Laliberte interviewed local school teacher LaVaun Hendrix in her home in Las Vegas, Nevada. The two discuss how Hendrix originally came to Nevada, her occupational history, and differences between the school system in Las Vegas and other states that she’s lived in. Hendrix explains how a changing school system has affected her job as a teacher and her students. She goes on to talk about the above-ground atomic tests, Helldorado, changes to the desert, and Nevada during World War II. The interview concludes with Hendrix describing her travels through Nevada.
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Transcript of interview with Hugh E. Key by Bob Bush, February 21, 1980
Date
Archival Collection
Description
On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.
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Transcript of interview with Mary Ellen Campbell by Ronald Robinson, March 6, 1977
Date
Description
On March 6, 1977, Ronald Robinson interviewed Mary Ellen Campbell (born 1886 in Panaca, Nevada) about her life in Nevada. Campbell first talks about her parents’ move to the United States from England and her own life growing up in Panaca. She also talks about living in Pioche and the conditions of living in these two small Nevada towns. Also present during the interview is Mary’s grandson, Allen Campbell, who sometimes asks a few questions as well.
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Transcript of interview with Bert Hood by Dennis McBride, June 16, 1998
Date
Archival Collection
Description
Bert Hood is celebrated in Las Vegas's gay history for his ownership of the Red Barn, one of our most famous gay bars. This is another of those serendipitous interviews I've conducted with someone I very much wanted to interview but didn't know how to find. Bert's in Las Vegas from Oklahoma City for just a short while visiting old friends, and I was lucky enough to have found him through Bill Schafer, president of the Southern Nevada Gay and Lesbian Historical Society. I want to thank you, Bert, for donating these two hours of your vacation time to me so I can preserve your stories for the gay community.
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Paul Velez oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Paul Velez conducted by Barbara Tabach on February 22, 2018 for the Remembering 1 October Oral History Project. In this interview, Paul Velez, a University of Nevada, Las Vegas (UNLV) campus officer, discusses his experience at the Thomas & Mack Center during the night of the October 1, 2017 mass shooting in Las Vegas, Nevada. He shares his goal of creating a safe atmosphere for the survivors and providing them with all of their needs, including helping separated survivors find their loved ones and friends. Velez also describes his move to Las Vegas in 2008 and his time with the New York City police force, talking about his experience as a first responder at Ground Zero during the 9/11 attacks. He discusses the effect these attacks have had on general and campus security measures and on him as an individual.
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Transcript of interview with Alfred "Al" Isola by Stephen Kalish, March 15, 1976
Date
Archival Collection
Description
On March 15, 1976, Stephen Kalish interviewed Alfred “Al” Isola (born August 3rd, 1917 in Oakland, California) in his office about his garbage company and early Southern Nevada. The two discuss Las Vegas’ lack of a unified garbage system and how dumping sites have had to adjust their practices in order to limit their impact on pollution. Isola also explains the different disposal protocols for wet and dry trash. On the second tape of the interview, an unidentified woman enters the conversation.
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Photographs of Treasure Island signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Treasure Island Hotel and Casino (Las Vegas, Nev.)
Site address: 3300 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: Next to the Mirage, this property complements its sister property
Sign condition: Structure 5 Surface 5 Lighting 5 Signage is in good condition
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The Treasure Island Hotel and Casino sits between the Mirage and Spring Mountain road. Fitting right into the themed hotel resort genre that dominates this side of the strip, the Treasure Island provides one of the more unique facades. Just past the bust of Siegfried and Roy, the dense foliage and trees continue on almost fluently between properties. The first elements you see headed north is the giant sculpted pylon for the resort, set beside a sweeping incline drive, leading to the porte-cohere. The pylon is a collection a heavily crafted and sculpted elements, creating a framework for two message cabinets and a marquee banner on either side. At the base, steel poles exit the ground in a "V" shape, into the interior of the area designated for the LCD and backlit cabinets. Steel poles forma grid work between the "V" shape. The message boards are bordered by steel piles made to appear as if they are pieces of bamboo lashed together at the corners, extending past the joints in an irregular fashion. Two base poles and inner grid are finished in the same fashion. Above the message cabinet a three-dimensional sculpted crows nest sits just below a giant skull adorned with a scarf. The tip of the bottom of green finished crows nest just reaches the top of the two cabinets. The fully three dimensional skull is finished in a realistic fashion. Two giant swords cross each other in an X pattern behind the crow's nest and underneath the skull. The resultant effect is the pirate emblem of the "skull and cross bones" or "jolly roger." The hilts of the two swords come to rest on top of the message centers also. A grid work of false bamboo poles can be seen , providing a buffer between the two halves of the sign. Above the head of the pirate an arched steel cabinet ,creates a banner, which reads "Treasure Island" in white channel letters and filled with incandescent bulbs. Decorative scrollwork adorns the top of the banner as well as the two sides of the skull. The Treasure Island tower is also in the popular Y shaped configuration. The 38 story building stands 456 feet tall, with the text hung on the top of the tower in a couple of different fashions. On the face created by the north and southeast wings of the tower, Treasure Island is spelled in giant channel letters, but the two words are in close proximity to each other, resting in the angle created by the joining of the two wings into the center structure. The southwest face created by the west and southeast wings have the text separated. Treasure on the west towers and island on the southeast tower. The northwest side is appropriately displayed only on the north face of the wing, so the southbound traffic on I-15 can read the letters clearly. The Treasure Island also has two additional signs located toward the back of the property. Those would include a small pylon facing east west actually situated in the rear of the property. The pylon is a simple square supported with two square posts. The other resides on Spring Mtn Rd. headed east on the south side of the street. It resides on the corner of the main traffic flow from the parking garage and inner sanctum of roads leading to the porte- cochere.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The only animation present is in the channel letters themselves. The incandescent bulbs on the interiors oscillate wildly
Sign environment: The front spectacular of the pirate show truly creates the theme of the pirate island, and is where most of the pedestrian traffic for the hotel is present. The pylon is just south of the spectacular, towering high overhead. The Treasure Island's environment is abruptly halted by Spring Mtn road but at the same time, it also wraps the corner of the hotel, and continues west. It is the bookend piece to the other major MGM resorts, which reside south of the Treasure Island. Even though it is a smaller child of the bigger properties, it still looms as a giant to its neighbors the Vagabond and Tam O'Shanter
Sign manufacturer: Atlandia Design
Sign - date of installation: 1993
Sign - thematic influences: The theme of the Treasure Island is painfully apparent, from its name to its live pirate show. The signage truly reflects it as well. Treasure Island is definitely in the class of properties, which can be called a themed resort. The main pylon looks to be constructed out pieces of a wrecked ship, with the most commonly seen symbol for a pirate, in the Jolly Roger skull, being the most impactful piece up there. Steel beams are finished to look like wooden masts, and giant ropes, slinging the entire sign together. It utilizes the three dimensional aspects, yet retains the design of a pylon. Unlike its neighbor to the south the mirage, the Treasure islands theme encompasses the main pylon, with the exception of the pylon in the rear of the property. The surroundings, which provide the background for the pylon, as well as the environment for the property, reflect them as well. The landscaping boasts tropical plants emitting false bird noises, which stretch around to the face of the property, where the pirate village and ships reside in cold waters, and faux cliffs. The wooden planks resembling pier docks, provide a tidy border for the arena and spectators. The theme has been seen before in one sense or related from a slight distance. None has actually utilized the name of the novel, and been so garish with the pirate theme, but it can be tied to propertied that are more island, and paradise themed. Such properties include the Mirage, the Tropicana, and the Castaways.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics
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