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Transcript of interview with Shecky Greene by Barbara Tabach, June 5, 2018

Date

2018-06-05

Description

At the time of this interview, Shecky Greene (1926 - ) is energetically snuggled into his modest Henderson home. His wit and signature sense of humor are at in full swing. Shecky sees a joke in every nook and cranny of a conversation and seamlessly spins the moment with a tune or voice characterization. A native of Chicago, his given name is Fred Sheldon Greenfield. His Jewish parents, Bessie and Carl Greenfield raised Shecky and his older two brothers in a secular but kosher setting. He recalls honing his humor as a child and creating his path to a decades-long career in comedy lounges and in film. His narrative glitters with names of Las Vegas entertainment history. He also talks about his passion for the St. Judes Ranch in Boulder City.

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Transcript of interview with Gene Segerblom by Layne Karafantis, February 7, 2009

Date

2009-02-07

Description

Interviewed by Layne Karafantis; Genevieve "Gene" Segerblom contributed in a multitude of ways to her home of more than fifty years--Boulder City, Nevada. She is a third-generation Nevadan and was born in Ruby Valley, Nevada, in 1918. Gene and her future husband Clifford moved from Reno where they both had attended the University of Nevada, Reno to Boulder City in 1940. After they came back from Panama in 1948 where Clifford had a photographing assignment, she ran a day care center and did freelance writing of articles about the Nevada landscape with her husband providing the photographs. Gene taught high school in Boulder City. She was elected city councilwoman in Boulder City in 1979. Gene served four terms in the State Assembly from 1993 to 2000. Her grandfather was a state senator and her mother was an assemblywoman. Today her son Richard "Tick" Segerblom serves in the State Assembly, so they are the only family to have had four generations serve in the Nevada legislature. She was involved in the creation and restoration of the Boulder City Hotel and Museum and was involved in the American Association of University Women, the Boulder City Chamber of Commerce, and the Community Club. Gene did charity work for other groups. too. The theater in the Boulder Dam Museum was named the Segerblom Theatre in her honor. She passed away on January 4, 2013, at the age of 94.

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Transcript of interview with Daryl Morris by Barbara Tabach, February 16, 2016

Date

2016-02-16

Description

Daryl Morris discusses growing up in Las Vegas and his love of acting.

Daryl Morris is a native of Las Vegas. Born in 1961, he is one of three sons born to Paula and Bobby Morris. He recalls his childhood of the 1960s and 1970s with great fondness of the fast friendships formed within the Jewish community. His day job is in insurance, but his great love is for acting. He tells of being smitten at the age of 11 and taking acting lessons as a youngster and then later studying with actor Jeff Goldblum. He has an impressive list of films in which he has appeared, including the opening scene of Mall Cop 2. He enjoys voice-over acting and teaching acting classes. He also tells about his Navy service, attending UNLV, and coming to settle in Las Vegas-the place he calls home. Daryl also participated in the January 31, 2016, Growing Up Jewish in Las Vegas panel discussion for the Southern Nevada Jewish Heritage Project.

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Transcript of interview with Sally Halko by Roberta Farmer, March 11, 1978

Date

1978-03-11

Description

On March 11, 1978, Roberta Farmer interviewed Sally Halko (born 1921 in Gowen, Oklahoma) about her life in Las Vegas, Nevada. Halko first talks about her family background, education, traveling, and church membership. She later talks about the development Las Vegas casinos, racial minorities, housing growth, Lake Mead, and the first theaters.

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UNLV Libraries Collection of Elsinore Corporation Reports and Publicity Materials

Identifier

MS-00963

Abstract

The UNLV Libraries Collection of Elsinore Corporation Reports and Publicity Materials includes annual reports, financial reports, press releases, promotional materials, and newspaper clippings for Elsinore Corporation in Las Vegas, Nevada, dating from 1979 to 1995.

Archival Collection

Transcript of interview with Toni Clark by Joanne Goodwin, July 2, 1996

Date

1996-07-02

Archival Collection

Description

Toni Clark (born Lena Gaglionese) spent her youth in Seattle, Washington where she was born on April 4, 1915 to Angelene and Salvatore Gaglionese. Her father and mother moved to the Seattle area when they immigrated to the United States from Naples, Italy years earlier. Salvatore worked as a street cleaner for the city of Seattle and Angelene cared for the house and family until her early death. Toni grew up with three siblings, her father and step-mother, and an uncle and cousins next door. After attending Seattle’s Franklin High School for three years, she left. “I just didn’t like school so I quit,” she said, and spent the next couple of years at home. From these simple origins, Toni became “the first lady of Las Vegas” as some admirers called her, referring to the role she played in the transformation of Las Vegas from a frontier town into a glamorous resort town during the 1950s and 1960s. In 1941, before the Second World War began, Toni traveled to San Diego to visit friends and decided to stay. After a year of caring for a young boy, she moved into the Barbara Worth Hotel which was owned by Wilbur Clark. Clark’s father ran the hotel and suggested that Toni apply for a job at his son’s new bar and restaurant, the Monte Carlo. She had not met Wilbur Clark at the time and her shyness dissuaded her from making the move. Nevertheless, she did apply and went to work as the hostess of the Monte Carlo in downtown San Diego. Wilbur and Toni’s courtship began slowly. He gave her the name Toni, saying she “looked more like a Toni than a Lena,” and she kept it. In 1944, around the time Wilbur Clark relocated to Las Vegas where he had purchased the El Rancho Hotel, the couple married in Reno, Nevada and permanently made Las Vegas their home. Clark’s involvement in Las Vegas clubs and gambling expanded with the Monte Carlo downtown and the Player’s Club on the strip. But his dream to create a luxury resort hotel came to fruition when the Desert Inn opened in 1950. The fifth major property on the strip, the Desert Inn had several features that distinguished it from other places. The Skyroom offered a private club atmosphere for talking, music, and dancing. The Monte Carlo Room served French cuisine. The Doll House provided round-the-clock childcare for children of hotel guests. The Painted Desert Room, the property’s showroom, featured top performers and the Donn Arden Dancers. All these features combined to create a resort that offered guests an exquisite setting for a gambling vacation. Toni Clark had a special place at the heart of the Desert Inn’s social life. She brought a gracious and elegant charm to social events associated with the property. Although she said she was never involved in the business of the hotel-casino, she played a unique role setting a new tone for the enterprise. She entertained guests and dignitaries at the hotel as well as her home; organized fashion shows featuring the top designers of the time for the wives of high-rollers; and created celebrations of special events, notably her husband’s late December birthday, with annual parties. When Wilbur Clark died in 1965, Toni Clark remained active in the city’s social life. She did not disappear as others had, but continued to plan and attend social functions. As part of her service to the community, she took particular pleasure in her work with the Variety Club. She continued to reside in Las Vegas until her death in 2006.

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Matt Gregory Entertainment Papers

Identifier

MS-00381

Abstract

Collection is comprised of the papers of Las Vegas producer, manager, and agent Matt Gregory from 1959 to 1986. Included are contracts, costume sketches, press releases, videos, show reviews, and advertisements. Also included are correspondence, public relations material, business related material, costume and set design drawings and sketches, slides, negatives, photographs, transparencies, and videos, mostly from the 1960s through the 1980s.

Archival Collection