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Margie Llorente Gonzales oral history interview

Identifier

OH-03804

Abstract

Oral history interview with Marietta "Margie" Llorente Gonzales conducted by Cecilia Winchell, Vanessa Concepcion, and Stefani Evans on November 1 and 22, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Margie Llorente-Gonzales discusses her upbringing in Manila, the Philippines and her family history within the country, recalling the lives of her parents, grandparents, and great grandparents. She talks about her childhood, educational pursuits, and courtship with her husband in the Philippines. Margie shares how she and her husband immigrated to the United States, how she adapted to her new life as an immigrant dependent on her extended family, and how she and her husband came to settle in Las Vegas. She talks about her artistic pursuits in the forms of dance choreography and performing, scriptwriting, broadcasting, and publishing newsletters. Margie also discusses her employment at McCarran Airport and her political activism, canvassing, and committee work in the Philippines and the United States.

Archival Collection

Gregory, Matt, 1921-2000

Las Vegas, Nevada producer, manager, and agent Matthias Gregory Gluchowski (a.k.a. Matt Gregory) was born November 21, 1921 in Araucaria, Parana, Brazil. He was the son of an aristocratic Polish diplomat serving as Ambassador to Brazil. Matthias was raised in southern Poland on a large estate that bordered Czechoslovakia. He was educated at the Marian Fathers Lyceum in Warsaw, Poland, and later came to New York during his father's tenure as diplomat to the United States.

Person

Transcript of interview with Breck Wall by Claytee White, July 3, 2003

Date

2003-07-03

Archival Collection

Description

Breck Wall grew up tough and honed that toughness into solid business acumen. He also grew up talented and that talent took him to movie sets in Los Angeles and allowed him to produce shows in Dallas, New York, Tahoe, and Las Vegas. Though his family became nonexistent early in his life, he formed his own broad family from a group of faithful friends around the country. One special friendship makes this interview worth reading — the one with Jack Ruby. Wall's talent though is the primary reason that this interview is good history. He did many shows and had up to five running simultaneously. The creative process was the fun part that allowed him to produce Passion , Alias, and Night Beat among many others. Bottoms Up is his signature production and has been at several venues in Las Vegas for the past 40 years. Breck Wall is living a full and interesting life. A good example is a phone call from The London Times'. "Mr. Wall?" 1 said, "Yes." He said, "Are you aware that your best friend, Jack Ruby, just shot Oswald?" I said, "What" I was in shock. I said, "No I'm not." And I talked to him very briefly,and I hung up the phone." The phone continued to ring as calls came in from the Dallas Morning News, The Washington Post, The New York Times, etc, etc.

Text

Margie Llorente Gonzales oral history interview: transcript

Date

2021-11-01

Description

Oral history interview with Marietta "Margie" Llorente Gonzales conducted by Cecilia Winchell, Vanessa Concepcion, and Stefani Evans on November 1 and 22, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Margie Llorente-Gonzales discusses her upbringing in Manila, the Philippines and her family history within the country, recalling the lives of her parents, grandparents, and great grandparents. She talks about her childhood, educational pursuits, and courtship with her husband in the Philippines. Margie shares how she and her husband immigrated to the United States, how she adapted to her new life as an immigrant dependent on her extended family, and how she and her husband came to settle in Las Vegas. She talks about her artistic pursuits in the forms of dance choreography and performing, scriptwriting, broadcasting, and publishing newsletters. Margie also discusses her employment at McCarran Airport and her political activism, canvassing, and committee work in the Philippines and the United States.

Text

Photograph showing a production of Pzazz! 70 staged by Donn Arden, Desert Inn Hotel, Las Vegas, circa 1970

Date

1969 to 1971

Archival Collection

Description

On a wooden stage decorated with yellow tables and a red and yellow curtain backdrop, entertainers perform Act 9: "Chicago," Scene 2: "Club Royale" of the show Pzazz! 70 staged by Donn Arden at the Desert Inn Hotel, Las Vegas. At the center of the stage stands a female performer clothed in a glittery, yellow dress with a matching yellow feather headpiece. Located to the female's left is a man in mid-step who is dressed as a waiter. He is wearing a red tuxedo, a black bow tie, and is holding a metal serving tray. Dancing on either side of the waiter and central woman are other female and male performers who are paired together in a female-male fashion. The males are wearing black tuxedoes with white gloves as the females are sporting short, black dresses, a matching feathery black headpiece, black tights, and varying colored high heels. A crowd of onlookers enjoy the performance from beneath the stage.
Show Name: Pzazz! 70
Performance Name: Chicago: Club Royale

Image

Costume design drawing, Spanish dance couples, Las Vegas, circa 1970s

Date

1970 to 1979

Archival Collection

Description

Costume Details: Two couples in rust and peach-colored flamenco costumes. Women are in beaded long silk dresses, men in boleros trimmed with jewels, frilled shirts and high-waisted trousers; one woman has fox fur trim on her dress and is wearing a tiara-type headpiece, all the others are wearing felt hats. Notations on back of sketch: "Danseurs Espagnols. Opening: Femme - Robe en faille recouverte en strass, chapeau et boucles d'orielles. Homme - Pantalon et gilets alpaga marron, chemise avec jabot dentelle. Reuers veste et garniture en strass - chapeau feutre. Finale: Robe en satin brodee de strass - Renard beige - boucles - peignes - bracelets - et boules pendantes en strass. Boy: Pantalon en alpaga - gilet satin - garnitures en strass - chapeau beige feutre."
Show Name: Casino de Paris
Performance Name: Finale
Site Name: Dunes (hotel and casino)

Image

Costume design drawing, mini-skirt costumes with black and white paisley tops, Las Vegas, 1967

Date

1967

Description

Costume Details: Six variations on costume featuring micro mini-skirt with black belt, black shoes with white buckles, short flared coats or tops in black and white large paisley design, matching hats. First costume is sleeveless and has yellow collar and two large buttons vertically over the chest; second costume is sleeveless and features red lining and red bow tied across the chest; third costume features orange bow tied under the chest; fourth costume has long right sleeve, sleeveless on left side, features green lining, green bow tied under chest; fifth costume features purple lining, long sleeves; sixth costume is long sleeved and features two slits in front of top, blue lining. "Turquoise" is written by third costume. Also includes black and white sketches of costumes.
Show Name: Mad, Mod World
Performance Name: Finale
Site Name: Sahara Hotel and Casino

Image