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Slide of protesters at the Reclaim the Test Site demonstrations near the Nevada Test Site, March 12, 1988

Date

1988-03

Description

Color image of musicians on a stage during a 10-day protest known as "Reclaim the Test Site" that was organized by American Peace Test, an anti-nuclear testing group. One of the banners on the stage reads: "Our children ask the world of us."

Image

Johnny Pate and Jillean Williams oral history interview

Identifier

OH-01443

Abstract

Oral history interview with Johnny Pate and Jillean Williams conducted by Claytee D. White on March 04, 2004 for the Boyer Early Las Vegas Oral History Project. Johnny Pate discusses his best friend, Joe Williams, and talks about his career as a renowned jazz musician. Jillean Williams then talks about Joe Williams, her late husband, and about living in Las Vegas, Nevada.

Archival Collection

Barbara and Norman Kaye oral history interviews

Identifier

OH-00989

Abstract

Oral history interviews with Barbara and Norman Kaye conducted by Claytee D. White on February 24, 2010, March 09, 2010, and December 06, 2011 for the Boyer Early Las Vegas Oral History Project. Barbara Kaye begins the interview by discussing her career as a showgirl and moving to Reno, Nevada in 1955 to work as a dancer in a show at the Mapes Hotel in 1955. She then talks about later moving to Las Vegas, Nevada to dance at the Riviera Hotel & Casino. She also describes living briefly in Hawaii with her husband, Norman Kaye, his career as a musician, and the life of a Las Vegas showgirl. Norman Kaye discusses his career as a musician in the Mary Kaye Trio with his sister, Mary Kaye. He recalls when they performed at the El Rancho Hotel and Casino, Tropicana Hotel, and Sahara Hotel and Casino, as well as his songwriting outside of the group and being named the poet laureate of Nevada by Governor Grant Sawyer. Lastly, he talks about his career in real estate and his company, Norman Kaye Real Estate.

Archival Collection

Transcript of interview with Bobby Morris by Cork Proctor, September 7, 2004

Date

2004-09-07

Description

This interview conducted by Cork Proctor and is part of the Arnold Shaw Collection at UNLV University Libraries Special Collections. It has been added to the Southern Nevada Jewish Heritage Project with Mr. Morris?s permission. In this conversation, Morris reflects upon his career, how he got started as a musician, and the wide range of influential artists he has worked with over the years, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on his albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration.

Text

Las Vegas Jazz Society Records

Identifier

MS-01039

Abstract

The Las Vegas Jazz Society Records (approximately 1975-2003) are comprised of organizational records including meeting agendas, minutes, and membership statistics of the Las Vegas Jazz Society (LVJS). Included in the collection are issues of the LVJS's newsletter Jazz Notes, promotional materials, blank membership applications, correspondence, information on other regional jazz societies, and photographic prints depicting various events and festivals. A portion of this collection documents LVJS's involvement in saving the KUNV 91.5 FM radio station.

Archival Collection

Transcript of interview with Santo Savino by Lisa Gioia-Acres, September 23, 2008

Date

2008-09-23

Description

Santo was born in the Bronx, New York in 1937. Santo’s family includes his father who was a butcher, and his mother who mostly stayed at home to raise the children, as well as a brother who currently lives with Santo. Santo recalls that it was great growing up in the Bronx, and he spent most of his life there until he joined the Air Force when he was 17. Santo’s immediate family was not musically oriented, but he learned to play the drums from a cousin. Music came easy for Santo, and he started getting paid for playing when he was 12. At 17, Santo joined the Air Force with a group of friends. He auditioned for and was accepted into the Air Force band where he played drums for four years. Santo was married with a child and another child on the way when he ended his military career and moved to California. After jobs working as a security guard and on an assembly line, Santo knew he just wanted to play and came to Las Vegas in 1960 to play with a band. It took several years before Santo was able to get on with a permanent band. Once Santo broke into the scene in Las Vegas, he played for six years at the Flamingo. Following that he was on the road for a couple of years with Paul Anka. Upon returning to Las Vegas, Santo worked for 14 years at the Sahara. Santo talks about when “the boys” had the hotels before the corporations came in and how everything changed. Currently, Santo does a lot of work with trumpet player Carl Saunders, frequently traveling to Los Angeles to do recordings together.

Text

Calvin Shields oral history interview

Identifier

OH-02613

Abstract

Oral history interview with Calvin Shields conducted by Claytee D. White on May 07, 2009 for the Boyer Early Las Vegas Oral History Project. Shields begins by discussing his upbringing in Florida and his early interest in playing the trumpet before being drafted into the United States Army during World War II, where he learned how to play the drums in a military orchestra. Shields describes his career as a musician following his military service, playing as a drummer for singers such as Sammy Davis Jr. and Billy Williams and in various club and casino orchestras in Las Vegas, Nevada. Shields provides his experiences of segregation in Las Vegas as an African American man, and discusses how African American culture has changed and progressed.

Archival Collection