Oral history interviews with John Fudenberg conducted by Barbara Tabach and Claytee D. White on May 3, 2018 and May 23, 2018 for the Remembering 1 October Oral History Project. In this interview, John Fudenberg, the coroner for Clark County in Las Vegas, Nevada, gives an account of his experience during the October 1, 2017 mass shooting on the Las Vegas Strip and what his role was during the tumultuous days after the shooting. He explains how he and the staff of the coroner's office prepared for the large number of casualties as well as their arrival at the Route 91 Harvest festival venue. Fudenberg speaks of setting up the Family Assistance Center at the convention center and how it supported the community but also aided the coroner's office in gathering information about the deceased and identifying them. Fudenberg discusses the main job of the Coroner's Office during the first week after the shooting, which was to autopsy the bodies and communicate with the families, as well as the Police Department. He also talks about the emotional impact the shooting and its aftermath had on him and his staff members and the wellness program they implemented, of which trauma yoga and meditation had a large impact.
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From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.
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Oral history with Chris Davis, Debbie Davis, and Mynda Smith conducted by Claytee D. White and Barbara Tabach on May 24, 2018 for the Remembering 1 October Oral History Project. In this interview, Debbie and Chris Davis and Mynda Smith discuss the murder of their daughter and sister (respectively), Neysa Davis Tonks, at the Route 91 Harvest Country Music Festival on October 1, 2017. They discuss plans to form Fifty-Eight Loved and Never Forgotten, a foundation to help educate the children of the 58 families affected that night. Neysa, a single mother, left behind three sons, 24, 18, and 15 years of age. The family members recall how they were first alerted to Neysa's death, and having to locate and identify her body at the coroner's office twenty-four hours later. Chris, David, and Mynda reflect on Neysa's life, her work, and legacy. Debbie, Chris, and Mynda believe that "darkness cannot exist in the presence of light. Neysa's light will shine forever."
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The Nevada Mining Collection is comprised of records that document mining and mines in Nevada from 1842 to 1966. The majority of the collection includes records of various mines and mining companies located in the Esmeralda, Lincoln, Clark, White Pine, and Nye counties, dating from 1900 to 1928. The collection includes financial, administrative, and business related records; photographs of miners, mining camps, and towns; correspondence; maps; newspaper clippings, pamphlets, newsletters, and booklets.
Archival Collection
The collection is comprised of architectural records (1947-2001) of American architect, Homer Rissman and the architectural firm, Rissman and Rissman Associates Ltd, a partnership of Homer Rissman and his brother Marshall. The collection includes 825 items from over 40 major projects and over 110 minor projects. The Rissmans' work represented in the collection focused on Las Vegas, Reno, and Lake Tahoe, Nevada, Los Angeles, Southern California, and Arizona, with Homer's early career design work in Chicago, Illinois. The materials feature hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents, and a number of artist’s renderings, used for presentations and promotional materials. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for: hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.
Archival Collection
The C. A. Earle Rinker Papers (1880-1960) contain materials that document the history of early twentieth century Goldfield, located in central Nevada, as well as the life of Rinker. Materials in the collection include correspondence, mining prospectuses, maps, ledgers, souvenirs, photographic negatives, and ephemera that document mining and daily life. Also included is biographical material that tells the story of Earle Rinker and his family before 1906 and after 1909, documenting his life in Indiana and Illinois.
Archival Collection
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
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