The Donna Andress Papers (1890-2021) contain the personal papers of Donna Andress, a longtime resident and activist in Southern Nevada. Materials include correspondence and newspaper clippings from the Nevada Welfare Committee, on which Andress served as chairperson during the 1970s, in addition to pamphlets and newsletters from various Nevada historical organizations and committees. The papers reflect her involvement with community organizations throughout Southern Nevada.
The Jay Sarno Photograph Collection (1947-1983) contains photographs from hotel and casino developer Jay Sarno. The photographs primarily depict Sarno and his family. The photographs also depict some of Sarno's development projects, including Circus Circus, Caesars Palace, and the Grandissimo. The photographs depict construction of the hotels, events, and famous figures.
The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.
The Lake-Eglington Family Photograph Collection contains photographs of the Lake-Eglington Family in and around Las Vegas, Nevada from 1900 to 1976. The materials include photographs of early Las Vegas resident Olive Lake-Eglington and her family shortly after they moved to Las Vegas in 1904, as well as her eventual husband Earle Eglington after he moved to Las Vegas in 1911. The materials also include photographs of Native American artifacts, schools in Clark County, Nevada, artesian wells, the Hoover (Boulder) Dam, the Colorado River, Mt. Charleston, the Mormon Fort, the Stewart (Kiel) Ranch, the Las Vegas Ranch, and many early residents of Las Vegas.
The Linda Miller Papers (2008 to 2023) document Dr. Linda Miller's historic preservation work in Las Vegas, Nevada including her work portraying early Las Vegas resident, Helen J. Stewart, at historical events across Southern Nevada. The collection documents Miller's efforts to erect a statue of Helen Stewart at the Las Vegas, Nevada Old Mormon Fort, as well as her contributions to the programming for Sarah Winnemucca Day in 2018. The collection documents Miller's appearances as Helen J. Stewart through photographs, pamphlets, video recordings, digital files, and curriculum used for her outreach work. The collection also documents Dr. Miller's activities as chair for the Nevada State Society chapter of the National Society of the Daughters of the American Revolution (NSDAR).
The Eileen Brookman Papers date from 1934 to 2002 and document Brookman's personal life and political career. Brookman was active in the Las Vegas Jewish community. Personal papers include programs from B'nai B'rith, scrapbook materials, correspondence, and photographs. The collection includes documentation from the White House Conference on Aging. She served several terms in the Nevada State Assembly from 1967 to 1977 and again from 1987 to 1989. Political materials include legislative information, bumper stickers, election returns, and newspaper clippings.
Information about the High Hat Regency that sits at 1300 S Las Vegas Blvd. Site address: 1300 S Las Vegas Blvd Sign owner: Tarighi Bahman and Farideh Sign details: The building was constructed in 1958 (Assessor). A vintage postcard from the 1950's-- or more likely the 1960's (based upon the automobiles pictured)-- shows that the business was previously named the Chevron Motel (Las Vegas motels then and now). Sign condition: Condition is 3-4, fair to good. The pole, cabinets and reader board are in good condition. Moderate rust is evident around the edges of the top cabinet. The paint is generally in good condition, although there white patches (from repairs?) on the chevron. The neon tubing is entirely intact. Most of the incandescent light bulbs are present, except for the underside of the lower cabinet, where they are completely absent. Sign form: Pole Sign Sign-specific description: A single round white metal pole supports the sign, which is cantilevered toward the street. The cabinets form a rectangular "C" which is open on the motel side. The interior of the "C" surrounds a chevron which points toward the motel. On top of the motel side of the upper cabinet is a metal top hat and cane. The sign is attached to the pole at the side of the lower cabinet, the point of the chevron and the bottom of the upper cabinet. The background color of the sign is sky blue. The bottom of the face of the lower cabinet has the word "VACANCY" painted in white sans serif letters. The letters are traced in white skeleton neon. To the left, the word "NO" is spelled out in clear skeleton neon sans serif letters. Above the neon letters is a white metal reader board which has a row of clear incandescent light bulbs running along the top, bottom and motel side edges. A single row of clear incandescent light bulbs runs the entire length of the street side of the sign. On the street side of the chevron is a blue metal cabinet with the word "MOTEL" spelled in white channel letters. The channels are outlined by white neon tubes, while the interior of the channels are filled with clear or white incandescent light bulbs. On the motel side of the "MOTEL" cabinet is a blue chevron which is covered with clear or white incandescent light bulbs. The top cabinet features the words "High Hat" spelled out in white cursive letters. Below is the word "REGENCY" painted in white sans serif letters. All wording is traced by white skeleton neon. On top of the motel side of the upper cabinet is a white top hat with a blue hat band. Running through the hat is a white cane. The hat and cane are traced by white skeleton neon. The hat is covered with white or clear incandescent light bulbs. Sign - type of display: Neon, incandescent, reader board Sign - media: Steel, plastic Sign - non-neon treatments: reader board Sign animation: Light bulbs flicker Sign environment: Las Vegas Boulevard South, north of the Las Vegas Strip near other motels and wedding chapels. Sign - date of installation: c.1950s Sign - thematic influences: Elegance, sophistication, high society, boomerang/chevron, 1950's, 1960's, mid-century Survey - research locations: Assessor's website Survey - research notes: Connolly, D. (2012 July 21). Chevron Motel. Retrieved from https://www.flickr.com/photos/dennisconnolly5059yahoocom/7635650456 Hagopian, M. (2011 January 28). No vacancy in vintage Vegas. Retrieved https://hyperallergic.com/15738/no-vacancy- vintage-vegas/ Las Vegas motels then and now. (n.d.). Chevron Motel. Retrieved from http://stefanidrivesvegas.com/8.html RoadsideArchitecture. (n.d.). High Hat Regency Motel. Retrieved from http://www.roadarch.com/signs/nvvegas.html Seltzer, D. J. (2014 June 1). High Hat Regency Motel sign in Las Vegas [Video recording]. Retrieved from https://www.youtube.com/watch?v=-bQdw48LVrA Survey - other remarks: A vintage postcard circa 1950's-1960's shows the Chevron Motel sign as a simple pole mounted with a reader board and two light boxes which form a "C" shape open toward the motel (Las Vegas motels then and now, n.d.). A later postcard features the same sign with a chevron in the center and a semi-circular arch which encloses a light ball above the upper cabinet (Connolly, 2012). The current sign retains the chevron, the metal frames of the light boxes and reader board (Las Vegas motels then and now, n.d.). A hat and cane have replaced the arch and light ball at the top of the sign (Las Vegas motels then and now, n.d.). The light boxes have been replaced with metal cabinets with incandescent and neon displays (Las Vegas motels then and now, n.d.). The sign is pictured in a vintage postcard circa 1950's-1960's (Las Vegas motels then and now, n.d.). At that time it advertised the Chevron Motel. Surveyor: Mitchell Cohen Survey - date completed: 2017-09-06 Sign keywords: Neon; Incandescent; Steel; Plastic; Reader board; Pole sign; Flickering
Gilbert Yarchever was one of nine siblings, born and bred in Pittsburgh, Pennsylvania. He describes the way his mother?s family was granted the last name of ?Kurfeersf" by Emperor Franz Joseph (of Austria-Hungary), explains the Seder (the Jewish observation of the exodus of Hebrews from Egypt), and tells what it was like to survive the Depression. Gilbert describes the jobs he held after high school and the government examination he took that led to his lifetime of adventure and travel. He moved to Washington, D.C., in 1940 and kept himself busy working for the government and taking classes at George Washington University, as well as working part time at Hecht Department Store and as a freelance court reporter. Following the attack on Pearl Harbor in 1941, Gilbert was sent to Africa on a merchant ship, helped smuggle Jewish survivors into Jerusalem, and was assigned the task of negotiating with Arab sheikhs for laborers to build a road. In the years after that, he worked in Europe, Panama, Alaska, Japan, and Hawaii and describes many of the jobs he was responsible for and many of the individuals he met. He also married and had children, kept up with university classes whenever he could, and collected art objects and paintings. Following his retirement in 1977, Gilbert and his family came to Las Vegas and bought a condo in Regency Towers. He did some consulting work for a couple of years, and then he and his wife began traveling around the states and going abroad. He was involved with UNLV?s EXCEL program, the music department, and the Las Vegas Art Museum. (He and his second wife Edythe presented the first major exhibition on Holocaust art at the museum.) These days Gilbert often donates pieces from his art collection to churches, synagogues, and charitable organizations.
Gilbert Yarchever was in the Navy during World War II, helped smuggle Jewish refugees into Jerusalem, worked as a civil servant in many countries, and moved to Las Vegas in 1977. He helped found the EXCEL program at University of Nevada, Las Vegas and was an art collector with his wife, Edythe Katz-Yarchever.