Search Results
Photographs of Welcome to Fabulous Las Vegas sign, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Welcome to Las Vegas neon sign
Site address: 5200 S Las Vegas Blvd
Sign owner: YESCO
Sign details: The sign sits as a welcome to travelers entering the Las Vegas experience via Las Vegas Blvd The sign itself resides in the middle of traffic median directly in the middle of the road.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon
Sign-specific description: The sign itself is a classic roadside pole design which faces North/South. It is double backed, internally lit with a border of yellow incandescent bulbs along the flat edge of its width. Across the top of the sign seven white neon circles house separate red neon letters which form the word welcome. Crowning the sign at the very peak, above the word welcome, is a seven pointed neon star comprised of orange and yellow neon. The cabinet itself is faced with translucent white plastic and treated with blue and red painted text. The South side of the sign reads with the Neon welcome word then in blue painted text "To Fabulous" in a 50's style text reminiscent of that used in the Last Frontier property, and cursive. The Words "Las Vegas" are spelled in all caps, in red block text. And below that in smaller blue text the word "Nevada" are spelled in all caps block text.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The famous Welcome to Las Vegas sign sits alone at the South end of the strip and is often the very first sign a traveler encounters when entering the strip. It casts a surprisingly powerful glow over the barren median which it stands. It stands as a gateway to the extravaganza that is Las Vegas. When leaving the main drag headed south the sign has an equal effect of being a lone gateway in and out of the Strip.
Sign manufacturer: YESCO
Sign designer: Betty Willis
Sign - date of installation: 1959
Sign - thematic influences: Although it has no specific theme, it is from a specific period in Las Vegas History. It is the quintessential roadside pylon design. With an exposed steel center pole double backed marquee it is reminiscent of the common design of the roadside motor inn.
Sign - artistic significance: This sign has become perhaps the most copied icon of Las Vegas, as it was never copyrighted. It is a ubiquitous symbol of the city.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics
Mixed Content
Photographs of Stratosphere signs, Las Vegas (Nev.), March 6, 2017
Date
Archival Collection
Description
Site address: 2000 S Las Vegas Blvd
Sign owner: American Casino and Entertainment Properties
Sign details: This location was the site of Bob Stupak's Vegas World that opened in 1979. The Stratosphere opening in this location in 1996, the Stratosphere includes the tallest freestanding observation tower in the United States. Developed by Bob Stupak, the Stratosphere was meant to be a landmark for the city of Las Vegas. As the years progressed, plans for restaurants and thrill rides came to fruition and the hotel now boasts several popular attractions. From 1996 to 2010, the Stratosphere went through bankruptcy, remodeling, renovations, additions, and new ownership. The current owner, American Casino and Entertainment Properties, also owns three other properties in the Las Vegas area.
Sign condition: About 4-5, appears to have relatively low damage, if any
Sign form: Porte cochere near main entrance
Sign-specific description: Stratopshere in orange neon, three vertical, squiggly lines (red, blue) pointing up toward triangular shape; second neon sign on right side of front facade, "Stratopshere" in orange, overlaid on top of blue cloud shape and orange, poles
Sign - type of display: Neon and plastic back lit sign
Sign - media: Steel and Electronic Media Screen
Sign - non-neon treatments: Electronic Media Screen and plastic back lit sign
Sign animation: Flashing for the design behind their logo on their sign
Sign environment: Located on the North end of the strip on Sahara, just across the street from the SLS Casino.
Sign architect of record: Skidmore, Owings, and Merrill
Sign - date of installation: Circa 1996 around opening
Sign - date of redesign/move: Around 2014/15 the background colors of the sign switched from a blue sky color to a pink/purple design.
Sign - thematic influences: Design similar to radio transmission towers; Stupak compared his design to Eiffel Tower and Space Needle (Seattle).
Survey - research locations: Stratosphere website http://www.stratospherehotel.com/?&mkwid=s0JHs4Hf3_dc&pcrid=102775265532&pkw=stratosphere%20las%20vegas&pmt=p&gclid=CjwKCAjwhOvPBRBxEiwAx2nhLp_Mtg7n6c-FUkbwYgY8MD3TJzgUWEp4WX1IgzePUlk1y-Rat_wmexoCJs8QAvD_BwE, recorder's office, Assessor's page
Survey - research notes: The top of the Stratosphere has blinking lights, but it is not confirmed if they are LED or Neon.
Surveyor: Carlyle Constantino
Survey - date completed: 2017-07-12
Sign keywords: Porte-cochère; Neon; Plastic; Steel; Flashing; Video screen; Incandescent
Mixed Content
Gary Guy Wilson Architectural Drawings
Identifier
Abstract
The collection is comprised of drawings (1965-1996) completed by American architect Gary Guy Wilson and/or his architectural firm, Gary Guy Wilson, AIA, Architect Studios and contains 613 sets of drawings from over 250 different projects. Primarily focused on the Las Vegas, Nevada area, the materials feature hand-drawn architectural drawings, ranging from preliminary sketches to construction documents, and a number of printed computer aided drawings. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The drawings include: commercial and professional buildings of varying scales, such as convenience stores, hotels, casinos, shopping centers, and office developments; schools; military buildings at both Nellis and Indian Springs Air Force Bases; multi-family residential developments; and custom single-family homes located throughout the Southwest (United States).
Archival Collection
Richard Ronzone Photographs
Identifier
Abstract
The Richard Ronzone Photographs depict Las Vegas, Nevada storeowner and politician Richard “Dick” Ronzone and his family from 1920 to 1989 and 2001. The photographs primarily depict Ronzone at Ronzone’s Store in Las Vegas, at events with politicians such as Nevada Governor Paul Laxalt, or at the Las Vegas Valley Water District. The photographs also depict Ronzone during his service with the Nevada National Guard; portraits of Ronzone, his wife Ann Roeth Ronzone, and his mother Bertha Ronzone; and events during Ronzone’s tenure as a Clark County Commissioner from 1972 to 1980.
Archival Collection
Transcript of interview with Dorothy George by Claytee White, October 13, 2003
Date
Archival Collection
Description
After serving as a nurse in World War II in Hawaii, Okinawa and Japan, Dorothy returned home to Chippewa Falls, Wisconsin. She experienced a particularly bad winter and she set out for California but stopped in Las Vegas to visit the family of her traveling companion, a girlfriend from her home town. The girlfriend returned to Wisconsin and George applied for a nursing license and got it within three days. She never left. Dorothy met her husband while working the night shift at Clark County Hospital. He would come in regularly to assist his patients in the births of their babies. Their occupations and their service in World War II drew them together in a marriage that has lasted over fifty years. From 1949 to this interview in 2003, Dorothy George has seen Las Vegas grow from a town that she loved to a metropolitan area that is no longer as friendly. She reminisces about the Heldorado parades, family picnics at Mount Charleston, watching the cloud formed by the atomic bomb tests, raising six successful children, leading a Girl Scout Troop, and working in organizations to improve the social and civic life of Las Vegas.
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Transcript of interview with Jim Olson by Stefani Evans and Claytee D. White, February 2, 2017
Date
Archival Collection
Description
As Las Vegas native Jim Olson looks back on his law career, he keeps returning to the case that gouged a sooty scar on his memory, altered legal practice and technology in Southern Nevada, captured the world's imagination, and changed international building codes-the MGM Grand Hotel and Casino fire of November 21, 1980, that killed 85 people and took eight years to litigate. Olson became involved with the litigation because his firm, Cromer, Barker, and Michaelson, represented the MGM Grand's insurance company, INA, Insurance Company of North America. Juggling thousands of claims, Olson ended up working with the MGM's corporate counsel in Los Angeles, a legal firm in Denver, Lloyd's of London, and a special master; renting additional office space for taking depositions; hiring graveyard-shift transcribers, and purchasing the legal world's latest technological marvel-a fax machine. As a first grader, five-year-old Jim was known to walk home during the school day whenever the St. Joseph nuns scared him. As an attorney whose career path was inspired by Perry Mason and augmented by his argumentative streak, Jim offers insights into litigation about some of Southern Nevada's most iconic buildings, signs, and spaces. In this interview, he recalls his mentors, Al Gunderson, George Cromer, Bill Barker, and Kent Michaelson. He talks of construction defect cases including his first MGM Grand litigation, in which his firm represented the architect, Martin Stern, when faulty siding fell off the building, and the 1994 lawsuits that followed when the top of the newly constructed, 365-foot Las Vegas Hilton sign blew down in a windstorm. He shares tales of legendary fellow attorney Mike Hines and his annual Nevada Bar Association parties on the Mike Hines Ranch, and he speaks to litigation between Hank Greenspun, Howard Hughes, and Hughes Tool Company.
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Interview with Jacob "Chic" Hecht, May 11, 2004
Date
Archival Collection
Description
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Interview with Ernest Benjamin Williams, October 27, 2004
Date
Archival Collection
Description
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