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Photographs of Stardust signs, Las Vegas (Nev.), 2002

Date

2002

Description

Nighttime views of the Stardust Resort and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Stardust Resort and Casino
Site address: 3000 S Las Vegas Blvd
Sign owner: Boyd Gaming
Sign details: This is a large casino property that is clearly a center of attention.
Sign condition: Structure 4 Surface 4 Lighting 4
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Even though the facade of the Stardust has gone through many changes, streamlining itself over the years, yet retains aspects of it's original flavor. The tower faces northwest and southeast and is adorned with horizontal bars of red neon underlining each floor. The top tube only stretches approximately one-quarter of the way across the face, and with each floor, the neon gets increasingly longer. The result is the building being cut across the face at an angle, with one half being illuminated by the red neon and the other by ambiently blue lighting. Large Channel letters spelling "Stardust," are bordered by red neon and filled with incandescent bulbs. The Majority of the external signage is on the low rise structure close to the street, with the tower located to the northwest behind it. The array is comprised of two small pylon message centers, a porte cochere, the main pylon, and assorted entrance signs. On the south side of the building alongside a large parking lot, an entrance sign hangs above a two-sided corner entrance, Wrapping this small corner, polished gold raceways and trim create borders for the accordion surfaced pediment, and shoot up vertically into the sky on the far ends. Blue neon shines from behind the shining trim above the door to illuminate the whit accordion facade. The trim above that is adorned with two tubes of gold neon on the top and the bottom, hidden in recessed channels to cast a gold halo from behind. The two vertical edges are lined with incandescent bulbs. On the south wall of the small corner, channel letters stand on the top edge of the golden molding, reading "Casino." They are black on the exterior, painted white on the interior, and filled with incandescent bulbs, and bordered with red neon. On the Southeast edge of the building another entrance of a bit more design Above a set of doors, and the blue lit accordion facade and golden halo cast metallic trim, a Squared "U" shape made of polished metal raceways, holds a back lit message center housed on a black cabinet. On either side of the vertical legs of the "U" shape, another single raceway rises slightly higher in the air. All the raceways are lined with incandescent bulbs. Above the cabinet, black channel letters, spell "Stardust." They are finished white on the exterior, filled with incandescent bulbs, and outlined in red neon. Moving around to the eastern facade of the building, the facade is a three leveled pediment in the accordion pattern, and separated with the polished trim. The Yellow and blue lighting illuminate this facade also. The pattern is only interrupted by oval shaped back lit cabinets, placed every so often. Eventually you come to the porte. It is no longer finished with mirrors, but still retains the raceways lined with incandescent bulbs. The surface in between is filled with white stucco finish. What is left is a series of 5 hexagonal shapes crafted out of raceways and hung a section ceiling lower than the rest. Geometric patterns radiate from this center piece. North, past the porte cochere a section of building juts out to the east. It contains an entrance on the north and south faces, and two on the east face which are parts wrapping around from the previously mentioned entrances. Over the north and south entrances the "U" shaped polished metallic raceways and external flanking raceways, as seen before on the southeast entrance, play host to a narrow LED message center and channel text spelling stardust. The letters have the same treatment as the previous sign as well, and spell "Stardust" in channel letters. They too are filled with incandescent bulbs and bordered with red neon. Above the text, channel pans are in the shape of four pointed stars as seen on the main pylon, are slightly scattered as if to be showering over the text. They are multi colored, centered with arrays of incandescent bulbs and interior neon contours. The accordion facade and lighting are below the composition. Below the accordion pediment, a polished gold bullnose creates a pediment above the door and wraps around to the east face of the structure. A pointed end polished metallic cabinet is placed in the section of the bullnose over the door, spelling "Casino Entrance" in channel letters and filled with red neon. The surface of the bullnose is laden with incandescent bulbs. The facade wraps around the front with another pointed end cabinet reading entrance in the same fashion as the previously mentioned text. A small section of foliage and shrubbery line the west face of this extension of the casino before the same arrangements of sign are seen repeated on the north face. Passing the entrance the property opens up into a courtyard with an arrangement of low rising concrete cylindrical fountains created a multi-leveled garden of spurting water and plants. Just past the courtyard another entrance is found created out of the northeast corner of the building. Like the other entrances, elements such as the blue lit accordion face, double rows of vertical metallic raceways, properly treated channel letters, are present. The gold raceways wrap the corner with backlit cabinets on the east and north faces. The channel letters read "Stardust" on the east face and "Casino" on the northern face. The ceiling that the overhang creates is finished in polished metallic material and laden with incandescent bulbs. Just outside the last entrance the first of two low rise message pylons. The one located on the north end of the property is larger and more spectacular. The large triangular cabinet's faces are backlit, slightly concave message boards. The tops of each o these cabinets in adorned with a smaller, purple steel cabinet, approximately eighteen inches tall, and running the length of the cabinet. "Stardust is spelled across the length of the cabinet in channel letters, and filed with rose neon. The cabinet is laden with incandescent bulbs, creating a canvass for the letters to reside. The three edges, which is the gap where the three signs meet and the bottom of the cabinet are covered in incandescent bulbs. The surfaces are treated with polished metal. The pole which the cabinet sits is a white, two sided, support with two peaks growing out horizontally about two-thirds up the height. The shape, along with a Stardust style star channel pan in its center, is a representation of the repeated image associated with the logo of the property. The edge of the post is treated with a border of purple paint and lined with purple incandescent bulbs. Just inside the border stripe a channel recesses forming another border for a tube of purple neon. The star pan channel in the center is bordered in teal neon and filled with incandescent bulbs. A top the entire cabinet is an array of stardust stars of various colors, bordered in neon, and or filled incandescent bulbs. The array is assorted again to appear as if they are being showered, tapering to one single star at the top. The entire cabinet rotates slowly from right to left. The cousin to this sign is at the extreme south end of the property, set before an entrance give a larger double backed cabinet sits off center on a square post. The white plastic face is housed in a white steel cabinet with rounded edges. The top or the sign is comprised of the same purple cabinet and channel letters seen in tops of the concave message boards of the rotating relative at the north end. The width of the cabinet is strewn with incandescent bulbs, continuing underneath as well. The post is painted two tones.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: To the south of the Stardust is the Westward Ho, and to the North is Circus Circus. It stands with these two as well as the Frontier as vestiges of an older era of Las Vegas resorts. The Riviera also resides across the street. Vast shoots of concrete, spread out in front of the hotel, creating a continual plaza which runs from north to south. It contains lush flowers and fountains that toss water to each other is shooting arcs. In the daytime, the white of the remodeled facade is almost blinding against the concrete.
Sign manufacturer: Ad-Art (pylon); Sign Systems, Inc (porte cochere)
Sign designer: Paul Miller (pylon) Brian K. Leming ( porte cochere and facade)
Sign - date of installation: 1968
Sign - date of redesign/move: The original Electra-Jag style letters were replaced in 1991 by a sleeker Helvetica type face, as well as the letters for Enter the Night being changed to read "The Wayne Newton Theatre" in 1999. Also in this year, the facade was changed to a reserved white finish. The accordion shape is still present but no longer tri colored. The move was presumably made in an attempt to compete and fit in with its bigger corporate competitors.
Sign - thematic influences: The Stardust's theme revolves around an outer space/science-fiction theme, which was exceptionally popular during the era which it was created. When the original design, no longer present, was created in 1958, the Russian space project of Sputnik was just realized.
Sign - artistic significance: This is one of the most widely-admired and imitated signs on all the Strip.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Paint; Graphics

Mixed Content

Transcript of interview with Velma Haselton by Catherine Bellver, September 13, 2001

Date

2001-09-13

Description

Interviewed by Catherine Bellver. Velma Haselton was born in St. Louis, Missouri, in 1914. She worked as an assistant bookkeeper for Hart, Schaffner and Marx and rose to Assistant Credit Manager. Velma worked at various jobs after she married for the second time and her son was born. She also represented the San Francisco CPA firm Lybrand, Ross Brothers and Montgomery (now Coopers Lybrand) in various capacities, both in California and St. Louis, eventually attaining the position of controller. Velma moved to Las Vegas for the first time in the 1950s, where she and her husband Don ran a coffee shop at the Park Lane Motel on South Fifth Street. Family requirements necessitated a move back to California. In 1971, Velma and her third husband, Charles Haselton, "retired" to Las Vegas. Velma immediately went to work as a cost accountant for United Pipeline, and later as an accountant for Kafoury Armstrong, a CPA firm. She eventually ran her own accounting business. Velma also held memberships and offices in various women's service groups.

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Pete Barbutti interview, September 24, 2008: transcript

Date

2008-09-24

Description

Pete Barbutti (also spelled Barbuti) played the accordion, the piano, and the trumpet. He was also a comedian and appeared numerous times on the Tonight Show starring Johnny Carson and toured with Nat King Cole. He and his family have lived in Las Vegas since 1960

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Transcript of interview with Elaine Cali McNamara by Claytee White and Stefani Evans, October 5, 2016

Date

2016-10-05

Description

This ability to greet each day with a challenge has laid the foundation for a long history of success for Elaine McNamara as she has navigated through local beauty pageants, an illustrious real estate career, serving on the Las Vegas-Clark County Library board during their decade of expansion to authorship. Her story of resilience starts when she became ill at approximately seven or eight with erythema nodosum that impeded her ability to walk for five months when she started collecting pictures of movie stars. Her favorite movies were any of Roy Rogers, Abbott and Costello, Dean Martin and Jerry Lewis. Her family moved to Las Vegas, where she attended Las Vegas High School as well as UNLV majoring in elementary education and minoring in language arts. While she attended high school, she studied modeling in the evenings to help overcome her shyness and to become more outgoing. Becoming more involved with local and state beauty pageants, she met the likes of Phyllis Diller, Natalie Wood,

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Apolonio Sauceda interview, August 13, 2019: transcript

Date

2019-08-13

Description

Interviewed by Barbara Tabach and Monserrath Hernández. Born in 1927 to Mexican immigrant parents, Apolonio spent his youth in the Kansas City, Kansas area. Arrived in Las Vegas and was a map maker for Clark County. Very involved in local Latino community, NALA, Veterans organizations, and was an actor on the side. Subjects: NALA, American Legion, Lt. Colonel in Nevada Color Guard

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Transcript of interview with Willie Jones, James Jones, and Jamet Jones by Robbin Mc Laurin, March 5, 1980

Date

1980-03-05

Description

On March 5, 1980, collector Robbin McLaurin interviews three members of the Jones family, Willie, James, and Jamet Jones (born 1923, 1920, and 1961, respectively) in the Jones home. Mr. and Mrs. Jones were born in Forest, Mississippi, and relocated to Las Vegas, Nevada, for employment related purposes. This interview covers Las Vegas, past and present.

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Transcript of interview with Daniel Kaminski by Brian Corcoran, March 14, 1978

Date

1978-03-14

Description

On March 14, 1978, Brian Corcoran interviewed Twenty-One dealer Daniel Kaminski (born November 17th, 1947 in New Jersey) about his life in Southern Nevada. The two discuss Kaminski’s occupational history and gambling practices amongst tourists. They then go in depth on the rise of gambling establishments across the United States and the impacts it may have on Las Vegas. The interview concludes with a discussion on the role of dealers in casinos.

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Transcript of interview with Kenny Kerr by Dennis McBride, May 29 & 30, 2001

Date

2001-05-29
2001-05-30

Archival Collection

Description

In the years following this interview, Kerr continued entertaining, although he never returned to the Las Vegas Strip. Kerr performed at OUTfest Phoenix, at Palm Springs’ Awesome August celebrations, Las Vegas’ National Coming Out Day event, and for the Gay and Lesbian Community Center’s Youth Service’s Division. Kerr also gave shows at small bars and restaurants such as Café Nicolle and DeStefano’s in Las Vegas, the Wilde Goose in Cathedral City, California, and the Plush Room in San Francisco. There were rumors that Kerr was set to replace emcee Joey Arias in Cirque du Soliel [2004] and Frank Marino in La Cage [2005], but neither turned out to be true. Instead, Kerr performed in such local gay nightclubs as Flex, Sasha’s, Krave, Suede, and, on July 31, 2012, at the Onyx Theatre in Commercial Center. In 2006, Kerr made peace with his former rival, Frank Marino. Kerr’s son, Kristin Vidal, made Kenny a grandfather with his own son, Alexander. It was clear during his July 2012 performan

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Transcript of interview with Marian Beltran Decaro by Frank Murillo, March 27, 1977

Date

1977-03-27

Description

On March 27, 1977, Frank Murillo interviewed housewife Marian Beltran Decaro (born September 7th, 1914 in Flagstaff, Arizona) in her home in Las Vegas, Nevada. This interview covers the history of Las Vegas, Nevada’s first Mexican restaurant. Mr. Decaro is also present during the interview. Additionally, Mrs. Decaro recalls the first atomic bomb test in Las Vegas and also offers an overview of the growth of the area, overall, including the development and demographic details of such distinct historical communities as the Westside.

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Transcript of interview with Patricia Hesse by James M. Greene, February 5, 1975

Date

1975-02-05

Description

On February 5, 1975, James M. Greene interviewed Mrs. Patricia Hesse (born 1895 in Beaumont, Texas) in her home in Las Vegas, Nevada. The two discuss Hesse’s personal history and the general social life of early Las Vegas. Hesse also shares experiences that she has had with her friends while living in Las Vegas.

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