For the first 19 years of her life, Mary Martell Shaw called Central America home. Then thanks to misrouted luggage, she met the love of her life Rollin H. Shaw, a civil engineer, at a time in when his atomic energy career was taking off. In October 1943, they married in Costa Rica and for the next two decades traversed the country: Hawaii to California to Panama—wherever a project required Ronnie's engineering skills. Mary supported her husband every step of the way, with every new location. As a traditional homemaker of the era, she became adept at raising their four kids while packing boxes, enrolling them in school and setting up a warm home wherever they landed. The move to Las Vegas in September 1964, however, left her a bit challenged: there was a shortage of adequate housing, a concern for where to send her two daughters and two sons to school, and the feeling that they wouldn't be here long. Years later, Mary and Ronnie would retire to the city where their roots ran deepest, Las Vegas. With great wit, Mary recalls the long absences demanded by Ronnie's work with the Atomic Energy Commission. She also tells stories of the great fun they and their fellow Nevada Test Site employees had at parties, of her learning to paint with watercolors, and the pride she has of all her children's successes based on their education in Las Vegas.

Dennis Wilson an experienced musician was born in Arabi, Louisiana in 1951. His parents both served in the Marine Corps. Dennis started playing the clarinet in the 4th grade but he did not stop there by the time he was in college he could play the alto saxophone, flute, and clarinet. He received a scholarship to Loyola University in New Orleans. The first introduction to Las Vegas was in 1971. At this time Dennis played for Wayne Cochran and the C.C. Riders traveling all around the United States with the band. In 1979 Dennis moved back to Las Vegas after a short stay in New Orleans. On his return to Las Vegas Dennis recalls his experiences playing with relief bands and performing weekly at Stardust, Dunes, Flamingo, Tropicana, Sands and Caesars. Dennis recalls what it was like working in Las Vegas and the rigorous schedule of a musician. Dennis has had a successful carrier as a musician he went on to play for Burt Bacharach and Dionne Warwick traveling the world. He then settled back in Vegas working on prominent shows such as Avenue Q, Spamalot, and Phantom of the Opera. Dennis still resides in Las Vegas and is now a paraprofessional at Johnson Junior High.

Las Vegas has been home to Irene Fisher (1940 - ) since the early 1970s. It felt like home as she connected with the Jewish community, including a dear friendship with Roberta ‘Bobbie’ Gang, who sits with her during this interview. During their oral history conversation, the seemingly common concerns of any mother are touched upon. In their case they were young Jewish women looking out for the well-being of their children. They cover a range of topics, from b’nai mitzvahs to Hanukkah to shopping in those years of raising children, being active in the community, and maintaining career paths. Irene begins by describing her ancestral background that includes parents who emigrated from Poland to New York. In New York she met and married a young doctor who she followed to Nellis Air Force Base. Irene was a recent graduate of Brooklyn Law School. In Las Vegas, though Irene did not practice law here, she immersed herself into civic contributions. Chief among those was with the Clark County

always thought I'd be more urban. I would live in a downtown city. I wouldn't have a car. I would walk around. I would work on these big skyscrapers.” At one point in his life, architect Craig Galati dreamt of designing large buildings in some of the nation’s biggest cities. Instead, he was drawn back to his childhood home of Las Vegas, where he created projects meant to preserve the city’s integrity, such as the Grant Sawyer State Office Building and the first building at the College of Southern Nevada Charleston Campus. He speaks to his work in preservation at the Las Vegas Springs Preserve and in welcoming visitors to Mount Charleston with his Spring Mountains Visitor Gateway design. In this interview, Galati talks about his parents’ decision to move from Ohio to Nevada and what it was like growing up in Las Vegas. He recalls his first teenage jobs in the Las Vegas of his youth and his studies in architecture at the University of Idaho. He recounts the dilemma of struggling to find architecture work he enjoyed and how that vision drew him back to Vegas. He describes various projects in his portfolio from his early years to the present. He speaks highly of his partnership with Ray Lucchesi and the basis for their vision: “We wanted to be a place that everybody liked to work for. Buildings were just tools to do something grander. They weren't an object. We had a philosophy that was not object based, it was people based.”

On March 15, 1981, Marie Carmichael interviewed Jack L. Monroe Jr. (b. 1937 in St. Helena, California) about his life in Las Vegas, Nevada and his work as a cook among many other topics. Monroe speaks initially about his time working alongside his family in the restaurant business, with his father working as a cook, his mother a waitress and himself as both a busboy and a cook. He discusses the working conditions of cooks, the competition between casino restaurants and the relationship between workers, bosses and the public. Moreover, Monroe speaks about life in Las Vegas as a youngster, the significance of YMCA, summer camps and other recreational activities, and the school system. Lastly, he talks about the changing infrastructure of the city, the paved roads and public transportation, how casinos made their profits and the attachment residents develop towards the city of Las Vegas.

F. Andrew Taylor has been a Las Vegas resident for over 20 years, moving to the city by way of New England and Georgia at the age of 28. Armed with a degree in painting from the Swain School of Design, got a job at a Laughlin casino as a caricature artist. After a brief stay in Laughlin and Bullhead City, Andrew moved to Ward I, where his girlfriend, now wife, lived. They soon moved to the Spring Valley area, where Andrew later learned through conversations with neighbors and his own research that the home sat on what was the old Stardust Racetrack. With Andrew’s move to the city came new professional opportunities. He got a job at CityLife as the in-house artist and graphic designer, what was then apart of Wick Communications. After a year, Andrew began reporting, initially working for the Sunrise/Whitney paper, and eventually working the downtown beat. Always feeling the pulse of the local arts and culture scene, he has attended First Fridays since it started, continues his own art,

Dr. Tom Wright was born and grew up in Illinois. His father finished his PhD in Chicago and then taught at Illinois College in Jacksonville. His mother suffered from arthritis and was told to seek a warmer climate, so John Wright packed up his family and moved to Las Vegas. Tom was 14, ready for high school, and his two brothers were elementary school age. Tom attended Las Vegas High School, which was close to the Crestwood community where the family had purchased their first home. He remembers that UNLV had no buildings when his dad first started teaching there. Instead, he conducted class in high school classrooms and church Sunday school rooms. Dr. Wright started off at a community college as a Geology Major, but a class with Bud Poland convinced him that history was his passion. He transferred to Pomona to continue his bachelor's degree. He spent his junior year in Peru on a study-abroad program, and that experience made him a Latin Americanist. The information he gath