Oral history interview with Anna Bailey conducted by Claytee White on March 03, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Bailey opens her interview by describing her early life, family, and dance training. She discusses moving to Los Angeles, California at age fifteen, her first dancing gigs, and touring in London, England. She also talks about her experiences as an African American dancer including issues with segregation while touring in the southern United States. Bailey then discusses her life in Las Vegas, Nevada in the 1950s, and working as a dancer at the Moulin Rouge. She describes the club, the other dancers that performed there, and how the African American community felt when the club closed. Bailey then discusses how her husband and the entertainers Josephine Baker and Frank Sinatra helped integrate Las Vegas. She ends her interview by describing the last hotel she danced at, the Flamingo, where she performed in an integrated dance line.
Oral history interview with William Bailey conducted by Betty Rosenthal on March 16, 1978 for the Ralph Roske Oral History Project on Early Las Vegas. Mr. Bailey, who came to Las Vegas, Nevada in 1955, discusses his experiences in the entertainment business. He also discusses discrimination that African-Americans experienced in Las Vegas.
Oral history interview with Hattie Canty conducted by Claytee White on February 27 and June 17, 1998 for the Las Vegas Women Oral History Project. In this interview, Hattie Canty recalls moving to Las Vegas, Nevada in the late 1960s and working as a maid for the Thunderbird Hotel and Casino and later the Maxim Hotel and Casino. Canty discusses her tenure as the Culinary Union Local 226 President during which she faced several labor challenges and went to jail at least six times while striking. Hattie also recalls how she influenced contract negotiations for the downtown hotels, improved race relations among workers, involved more members in union operations, and implemented the Culinary Training School.
Oral history interviews with Sook-ja Kim conducted by Myoung-ja Lee Kwon on February 12, 1996 and April 06, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Kim begins her interview discussing her family's background in singing in Korea and she then transitions to her and her sisters' arrival to Las Vegas, Nevada in 1959. Kim discusses their Las Vegas act, singing rock 'n' roll tunes at the Thunderbird Hotel. Kim goes on to discuss her groups' big break, performing on the Ed Sullivan Show. Kim describes how this event ignited a successful touring period for the sisters and the eventual launching of another group, the Kim Brothers, comprised of Sook-ja Kim's brothers. Kim ends the interview discussing what challenges Koreans face when moving to America and important information she thinks future Korean immigrants should know or consider.
The regional subject files include materials collected by anthropologist Katherine Spilde about Native American gaming, Native American communities in the United States, and the US and international gaming industries. The materials date from 1859 to 2015, with the bulk of materials dating from 1990 to 2010. Materials dating from the nineteenth and early twentieth centuries are a reproduction of a federal treaty and an ethnohistorical essay. The majority of the materials document Native American gaming following the passage of the 1988 Indian Gaming Regulatory Act. The papers include research and subject files created by Dr. Spilde during her employment with the National Gambling Impact Study Commission (NGISC), National Indian Gaming Association (NIGA), and Harvard Project on American Indian Economic Development (HPAIED). The materials document Native American gaming enterprises both on and off reservations, the socioeconomic impact of gaming, the political history of gaming in the US, and international gaming. The series includes socioeconomic reports, testimonies, correspondence, memos, press releases, photographs, audiovisual materials, promotional materials, brochures, fact sheets, summaries, booklets, pamphlets, advertisements, tourism materials, journal articles, legal briefs, legislative documents, court opinions, notes, presentations, conference materials, periodicals, community newspapers, and newspaper articles.
The collection contains documentation on a number of Native American nations, including the Misi-zaaga'iganiing Anishinaabeg (Minnesota Chippewa Tribe, Mille Lacs Band); Gaa-waabaabiganikaag Anishinaabeg (Minnesota Chippewa Tribe, White Earth Band); Forest County Bodéwadmi (Forest County Potawatomi Community); Ho-Chunk Nation of Wisconsin; Mashantucket Pequot Indian Tribe; Mohegan Tribe of Indians; Tulalip Tribes of Washington; Sisseton-Wahpeton Oyate of the Lake Traverse Reservation; Standing Rock Sioux Tribe of North and South Dakota; Mandan, Hidatsa, and Sahnish (Arikara) (Three Affiliated Tribes of the Fort Berthold Reservation, North Dakota); and Mississippi Band of Choctaw Indians. Other communities are also represented in the series, but to a lesser extent. In addition to materials about gaming and casinos, Dr. Spilde also collected documents, photographs, and audiovisual materials about Native American culture in general. The series documents regional and national trends in Native American gaming, and the greater gaming industry. Materials trace federal and state relationships with individual Native American nations, specifically concerning gaming enterprises.
Archival Collection
Katherine A. Spilde Papers on Native American Gaming
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Collection Number: MS-00092 Collection Name: Katherine A. Spilde Papers on Native American Gaming Box/Folder: N/A
The Christie Young Papers are comprised of Young's personal papers, journals, and photographs between 1982 and 2011. The journals document Young's arrival to Las Vegas, Nevada and her involvement in several nascent Las Vegas lesbian, gay, bisexual, transgender, and queer (LGBTQ) organizations from 1982 to 1985, such as UNLV's Lesbian and Gay Academic Union (LGAU). The collection includes materials related to her life in San Diego, California from 1985 to 1995 and typed transcripts of all journal entries that relate to the Las Vegas LGBTQ community. The collection also includes photographic slides and prints documenting Young's involvement with LGAU and events in the Las Vegas LGBTQ community.
The Jeanne Russell Janish Papers span the years 1833 through 1994 with an emphasis on 1894 to 1994. The materials of the illustrator and watercolorist include her school records, research papers, diaries, and personal correspondence. There are two original book manuscripts, dried flowers, hand-woven rugs, a variety of art supplies and tools, and approximately 140 watercolor paintings and pencil sketches of various scenes and subjects, created in China, Florida, and the American Southwest.
The Southern Nevada Chapter of the American War Mothers Organization Records (1947-1995) are comprised primarily of scrapbooks containing correspondence and minutes, numerous newspaper clippings, and photographs. Also included are pamphlets on American War Mothers organizational rituals, bylaws, history, ceremonial ephemera, flags, and a Henderson Chapter Charter. The materials also contain items relating to the North Las Vegas Chapter, the Rose Garden Chapter, and the State Chapter.
The collection consists of records of the Frontier Girl Scouts Council (FGSC) dating from 1944 until 1999. The majority of the collection dates from 1990 to 1999. It contains annual reports and publications of the FGSC, committee minutes and agenda, troop financial records, membership data, and leader training records. It also includes correspondence and publications of the Girl Scouts of the USA (GSUSA).
The Joanne de Longchamps Papers date from 1938 to 1985 and document de Longchamps' career as a poet as well as her personal life. The collection contains photocopies of her published poems, poetry journals and magazines containing her work, and photocopies of her unpublished typewritten poetry. It also contains original correspondence from Joanne de Longchamps to her mother, Ruth Cutten, as well as photocopies of her correspondence to poet Harold Witt.