Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 7471 - 7480 of 37890

Photograph of Mary Ellen Hubbard, October 1980

Date

1980-10

Description

A portrait of a 9-year old Mary Ellen Hubbard.

Image

Postcard of Hannah Lucile Cross, 1920

Date

1920

Description

A portrait of Hannah Lucile Cross at 9 years old.

Image

Transcript of interview with Dr. James Frey by Lisa Gioia-Acres, February 14, 2007

Date

2007-02-14

Description

James Frey was born in Eureka, South Dakota, in 1941. His father worked in creamery and his mother was a registered nurse. When James was nine, the family,including his twin sister, relocated in Sioux Falls where his dad was plant manager for a dairy. He joined the YMCA in the fourth grade and ended up working for them until James attended Augustana College in Sioux Falls, graduating with a major in sociology and a minor in history. After graduation, he worked for three years at the YMCA in Sioux Falls as program director. He earned his master's degree in sociology at the University of Iowa in two years, and was hired at the YMCA in Whittier, California, where he worked for three years. While working in Whittier, James was offered a fellowship to Washington State University in Pullman. He committed to completing his doctorate in three years, and while still working on his dissertation began sending out applications. He sent one to UNLV and arrived in Las Vegas for an interview in 1974. James was hired as assistant professor of sociology at UNLV, and immediately established a survey center at the university. He also converted his dissertation into a book length manuscript and had it published, followed by other books and articles over the years. He conducted a survey on a very high-profile political race between Sheriff Ralph Lamb and his opponent, John McCarthy, which led to work for the State of Nevada, Yucca Mountain, and other entities. The survey program was eventually named the Cannon Center for Survey Research, after Senator Howard Cannon. In the course of his career, James was tenured, taught in London under a university sponsored program, spent a sabbatical in Washington, D.C., doing research, taught several classes, and served seven years as dean. He has detailed memories of the contributions of several university presidents, including Brock Dixon, Pat Goodall, Robert Maxson, Kenny Guinn, and Carol Harter. Today, Dr. James Frey and his wife of over thirty years, Carol, are both retired. He has made a smooth transition to president of his Rotary Club, Chairman of the Nevada Humanities group, and spectator at UNLV basketball and football games. He and his wife plan to stay in Las Vegas, close to their son and friends and neighbors they know and love.

Text

Transcript of interview with Nancy Houssels by Caryll Batt Dziedziak, November 18 & December 14, 1998

Date

1998-11-18
1998-12-14

Description

What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.

Text