Oral history interview with Lilly Fong conducted by Lisa Fremont on May 06, 1995 for the UNLV University Libraries Oral History Collection. In this interview, Fong discusses her family background and their immigration story to the United States in the early 1910s. She talks about her husband’s interest in the restaurant business and the opening of their restaurant, Fong’s Garden, in Las Vegas, Nevada in 1955. Fong remembers being elected as Regent for the University of Nevada, Las Vegas (UNLV), the increase of students attending the College of Southern Nevada, and advocating to keep UNLV’s Tonopah Hall as a dormitory building for students. Fong talks about completing a master’s degree from UNLV in 1982, state university funding, and her involvement with the Chinese community in Las Vegas.

Oral history interview with Sylvester Collier conducted by Claytee D. White on May 17, 2017 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Collier discusses his early life in Dallas, Texas. He talks about his interest in art, joining the United States Air Force in 1951, and being sent to Nellis Air Force Base in Las Vegas, Nevada. Collier recalls attending the University of Nevada, Las Vegas (UNLV), earning a master’s degree in education, and teaching art classes in the Clark County School District (CCSD). Later, Collier discusses starting the Left of Center Art Gallery, and describes some of his art pieces. Lastly, Collier talks about his experience as an African American artist.

Oral history interview with Iona Thompson conducted by Lisa C. Krueger on March 08, 1978 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Thompson discusses different aspects of life in Las Vegas, Nevada during World War II. Thompson describes the rationing of food and fuel, as well as the increased military presence in Las Vegas and how that affected the city. Thompson also describes how Las Vegas has changed since the 1940s, prominent locations in the city such as Lorenzi Park and McCarran Field, and pollution caused by the chemical and metal plants in Henderson, Nevada. Lastly, she talks about flight and bombing trainings in Las Vegas and working at the Las Vegas Army Gunnery School.

Oral history interview with Inez Rambeau conducted by Jane Ellsworth Olive on March 26, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Rambeau begins by discussing her family's history in gambling, specifically how her family ran a casino in Louisiana before it was legalized there. Rambeau then discusses her career as the director of sales at the Riviera Hotel & Casino and the convention sales business, as well as efforts to transform Las Vegas into a convention city. She also talks about her boss, Elmo H. Ellsworth, and how he generated interest in Las Vegas with clients and encouraged the city's development.

Oral history interview with Richard Schlegel conducted by Dennis McBride on June 03, 2006 for the Las Vegas Gay, Lesbian, Bisexual and Transgender Archives Oral History Project. In this interview, Schlegel discusses his involvement with Equal Rights Nevada (ERN) and the petition to amend the Nevada Constitution that prevented same-sex marriages in the early 2000s. He talks about the approach that ERN took to campaign against the petition and the role that the Coalition for the Protection of Marriage had at the time. Schlegel then describes the Marriage Protection Pledge, his experiences managing a campaign supporting marriage rights for gay couples, and explains how the outcome of the petition affected the Las Vegas, Nevada gay community.

Oral history interview with David Becker conducted by Claytee D. White and Barbara Tabach on May 15, 2018 for the Remembering 1 October Oral History Project. In this interview, Becker recalls being on a three-day assignment at the Route 91 Harvest Country Music Festival across from the Mandalay Bay Resort in Las Vegas, Nevada. Thinking the gunfire was produced by malfunctioning equipment, he took photos of the scattering crowd. Moments later, in a now silent venue, he realized he captured a horrific massacre. Becker recalls photographing people leaving the venue as they performed acts of heroism, helping the fallen or the slow to reach safety. He discusses how difficult it is to comprehend the acts of that night, and how his photojournalist instincts allowed him to capture such devastating images.