Oral history interview with Michael Bryant conducted by Claytee D. White on August 05, 2013 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Bryant details life in the Westside community of Las Vegas, Nevada, his personal history, and life as an African American in Las Vegas. He describes his upbringing in Las Vegas, his father's high-end clothing store, and race relations between the African American and white communities of the city. Bryant also discusses casinos and other Las Vegas attractions, such as the presence of famous celebrities like Frank Sinatra and Muhammad Ali, as well as discussing the development of the Westside community. Julia Walton was also present for this interview.

Oral history interview with Elaina Blake conducted by Claytee D. White and Stefani Evans on September 19, 2016 for the Building Las Vegas Oral History Project. Blake discusses being the first woman elected to head the Las Vegas Chamber of Commerce. She also discusses serving as vice chairman and chairman of the Clark County Planning Commission. Blake then talks about her involvement with the United Way, saving the YMCA from closure, and the Focus School Project in 1989. She then discusses working with major local builders such as Pageantry Homes, Heers Brothers, and Christopher Homes. Blake lastly discusses creating Blake and Associates and becoming became a real estate developer.

Oral history interview with Morse Arberry conducted by Brittany Thompson and Andrew Thomas on November 20, 2015 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Arberry discusses his personal history and moving to Las Vegas, Nevada in 1958. He talks about his father's employment at the Nevada Test Site and the issues of segregation at the time. Arberry recalls attending the Westside School and talks about school integration. He then describes his career in legislation, working on bills to improve the integration process, and the impact that the University of Nevada, Las Vegas (UNLV) had on the level of education among adults in the community. Lastly, Arberry discusses the West Las Vegas community, the significance that religion had on African Americans, and the increase of law enforcement in the area.

Oral history interview with Cleophis Williams conducted by Claytee D. White on April 27, 2010 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview Cleophis Williams discusses moving to Las Vegas, Nevada, marrying her husband Tom Williams, having nine children, and family life in the historic Las Vegas neighborhood the Westside.

Oral history interview with Neil H. Holmes conducted by Laura Bell on February 12, 1975 for the Ralph Roske Oral History Project on Early Las Vegas. Holmes covers the construction of Boulder (Hoover) Dam and Las Vegas, Nevada’s living conditions in 1931.

Oral history interview with Harvey Diederich conducted by K.J. Evans on January 4, 1999 for the Las Vegas Review-Journal First 100 Oral History Project. Diederich first discusses his background and education in journalism and later discusses the relationship between the Las Vegas News Bureau and hotel/casino publicists. Diederich then discusses some of his specific projects, such as those dealing with celebrities. Diederich also mentions some of the individuals he has worked for and the various cities he has travelled to for work.

Oral history interview with Junell Bowman conducted by Anna Huddleston on March 09, 2014 for the Boyer Early Las Vegas Oral History Project. Bowman begins by describing her early history as a singer in California, performing on the radio, different orchestras, and nightclubs before marrying her husband and moving to Las Vegas, Nevada in 1958. Bowman discusses becoming a sketch artist after managing an unsuccessful business, doing portraits and caricatures of people in the casinos, at conventions, and on the Las Vegas Strip. She talks about the celebrities and entertainers she met and did caricatures for while working at casinos like the Stardust and Riviera, and the amount of work that went into being a professional sketch artist.