In this interview, Suzie discusses growing up in Las Vegas, with a strong community of friends, particularly within Temple Beth Sholom. She also talks about her real estate career, both in residential and commercial properties, highlighting some of the successes and challenges. She describes her working relationship with Milton Schwartz, as well her time working with the Greenspuns while selling advertising at the Las Vegas Sun.
Suzie Chenin was born in Cleveland, Ohio, in August of 1949. The next year, her parents, Joseph and Irene Chenin, moved the family to Las Vegas. Her father, a dentist, was stationed at Nellis Air Force Base, becoming the first Jewish dentist in the state ? and only the thirtieth overall. After graduating from Las Vegas High School, Suzie attended Arizona State University. However, she quit school and moved to Los Angeles where she got a job with a large real estate developer. This was her first foray into the industry. A few years later, back in Las Vegas, Suzie got her real estate license, eventually starting her own brokerage firm, Chenin and Associates.
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Oral history interview with Andre "Brother Dre" King conducted by Claytee D. White on July 20, 2018 for the Remembering 1 October Oral History Project. In this interview, King recalls learning judo and wrestling at an early age. After spending ten years in prison for a burglary offense, he served an additional eleven years in facilities across the state. After twenty-one years in the system, King is now a nondenominational spiritual being and once he learned about the Healing Garden for 1 October victims, he went there daily, during and immediately after the construction. King has helped many survivors and has healed himself as well, through giving love, hugs, and spiritual inspiration.
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Roscoe Wilkes was born in Bonanza, Colorado, and moved with his family to Pioche, Nevada for what his sister called a 75-year pit stop. Soon after their move to this rural Nevada town, Roscoe’s mother became a widow, raising two children during the Depression. Like many families in Pioche, the Wilkes’ made due with what they had, and were creative in sustaining their livelihoods. Roscoe has never stood still. Before enlisting in the military, Roscoe worked various jobs, as a PBX systems operator, a lead zinc miner, and grade school teacher, before enlisting. During World War II, Roscoe became a prisoner of war in Romania, and was rescued a few months later when the Germans began retreating. Returning to the United States after his release, he relocated to a base in California, and married. As soon as Roscoe was relieved of his military service, he took advantage of the then new G.I. Bill and enrolled in the University of Southern California School of Law. He immediately took his degree to Pioche, soon becoming its district attorney, and later a judge. He spent 18 years based in Seattle as a federal administrative law judge, hearing cases prosecuted by the Coast Guard. Roscoe ended his 45-year career in law in 1990, and moved to Boulder City, where four generations of Wilkes live.
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This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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Part of an interview with David Washington by Claytee White on March 18, 2009. Washington describes how he worked to serve as a role model and helped start the Black Firefighters Association, serving as President for the first two years.
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Interview with Margo Mink Colbert by Barbara Tabach on November 11, 2014. Colbert discusses her upbringing in New York and her schooling at the High School of Performing Arts and Julliard. She is a choreographer and faculty member at the University of Nevada Las Vegas.
Margot Mink Colbert was born in 1935 in New York City, to parents of different economic backgrounds who shared a Jewish immigrant heritage. She attended Julliard and studied under modern dance pioneers like Martha Graham and Jose Limon. Margot honed her skill for choreography, and took her first job in academia as a Senior Lecturer in the dance department at the University of Wisconsin-Madison. In 1991, she moved to the University of Nevada, Las Vegas to take a one-year appointment as an instructor. A year later, she was hired into a tenure track position. Margot is now a Professor at the University of Nevada-Las Vegas, assistant chairperson of and Director of Ballet in its Department of Dance. In addition, she continues to direct Ballet Mink, a dance company she founded in 1970.
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Randy Lavigne, Honorary AIA, has every reason to smile. Since 1995 she has been the Executive Director for AIA (American Institute of Architects) Las Vegas professional organization; she works daily with her daughter in a beautifully restored historic building in the heart of downtown Las Vegas; and the architects with whom she works so value her contributions they compiled and submitted documentation in order to surprise her with honorary AIA membership. In this interview, Lavigne recalls growing up in segregated Emory Gap, Tennessee, where her grandfather bought all the schoolchildren new shoes every year. She details the cross-country trip that brought her to Las Vegas in 1994 and eventually to the AIA in 1995. The bulk of the interview focuses on the building where the AIA is housed and the history of the organization. In 2008 the AIA moved from its former home at UNLV’s School of Architecture to the historic Fifth Street School in downtown Las Vegas. Lavigne discusses the history of the building and its significance to the City of Las Vegas. She reveals plans to examine the architectural history Las Vegas to celebrate the AIA Chapter’s sixtieth anniversary. She also talks about diversity in the profession, the process of licensure, publications, continuing education, organizational records, and the now-defunct auxiliary organization, the Architects' Wives League.
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Kevin T. Orrock, president of Summerlin and vice president of Master Planned Communities for The Howard Hughes Corp., has come full circle. Born in Pioche, Nevada, he spent his early years in the San Francisco Bay area and in Pittsburgh, Pennsylvania. Graduating from a small liberal arts college, he arrived in Las Vegas in 1974 with a degree in accounting and a teaching credential, finding work in the Desert Inn accounting department. Howard Hughes owned the Desert Inn, so from 1974 Orrock has consistently been in the employ of Howard Hughes, Summa Corporation, and Howard Hughes Corporation. Orrock later earned his M.B.A. at UNLV. In this interview, Orrock focuses on Summerlin, the 22,000-acre, award-winning, master-planned community on the west side of the Las Vegas Valley. He discusses Summerlin’s physical layout, its history, its development, and its future. He specifically credits Summa Corporation’s early visionaries John Goolsby and Will Lummis for having the foresight to sell some of the company’s land in order to build the financial foundation that, in turn, permitted Summerlin’s fifty-year development plan. He also talks about the development and future of Downtown Summerlin; its balance of private, charter, and public schools; and the ways the company selects its residential builders.
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