The collection is comprised of a short documentary film, Forever in Our Hearts (2018), that highlights the Healing Garden, a memorial established after the 1 October shooting at the Route 91 Harvest music festival in Las Vegas, Nevada. The film is comprised of photographs taken by Tanya Olson, a graduate of the University of Nevada, Las Vegas (UNLV). Olson created the film as a way to memorialize the 1 October shooting.
The Las Vegas Land & Water Company Records from the Las Vegas Valley Water District (1918-1989) are primarily comprised of contracts, correspondence, and maps that document the establishment of a water distribution system in Las Vegas, Nevada that would provide water using the state's Colorado River allocation. The records include water main extension agreements, correspondence, and bills of sale for water main construction, as well as articles and correspondence documenting the groundwater shortage in Las Vegas. The collection also includes maps for water distribution systems and pipelines throughout the Las Vegas Valley.
The UNLV Libraries Collection of Circus Circus Hotel and Casino Promotional Materials and Reports includes annual reports, financial reports, newspaper and magazine clippings, press kits, press releases, and promotional materials for the Circus Circus hotel and casinos in Las Vegas, Nevada, and Reno, Nevada, dating from 1972 to 2006.
Includes meeting agenda and minutes with additional radio questionnaire, minutes for the June 1, 1979 Appropriations Board, and Executive Board nominations.
Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]