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Bunkhouse Saloon Neon Survey document, August 23, 2017

Date

2017-08-23

Description

Information about the Bunkhouse Saloon sign that sits at 124 S 11th St.
Site address: 124 S 11th St
Sign owner: 11th Street Tavern LLC and Jillian is the manager (no last name found)
Sign details: This location opened in 1953, but has recently reopened under new ownership. This location is known for their concert venue as well as their southern style bar food.
Sign condition: 3-4- some fading in the plastic so it does not show as clear as an image as it could.
Sign form: Pylon
Sign-specific description: This sign has a black steel base with a sign box on top. This sign box is steel but has wood renderings on the sides of it. The sign box contains a back lit plastic sign that is red with yellow lettering that states "The Bunkhouse Saloon" in a swirly western font. Below this is a reader board.
Sign - type of display: Backlit plastic sign and reader board
Sign - media: Steel, wood and plastic
Sign - non-neon treatments: Plastic backlit sign and readerboard
Sign environment: This location is downtown on East Fremont across the street from PublicUs and a food market.
Sign - thematic influences: Their saloon theme is portrayed in the font on their sign. This theme could also pay homage to the early Las Vegas and Old West theme with the saloon idea.
Survey - research locations: Asessor's Page, Bunkhouse website http://www.bunkhousedowntown.com/about/ and google images.
Survey - research notes: Tried to contact manager for information on sign but no response.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-23
Sign keywords: Pylon; Plastic; Backlit; Steel; Reader board

Text

Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, March 10, 2000

Date

2000-03-10

Description

Includes meeting minutes and agenda. CSUN Session 30 (Part 1) Meeting Minutes and Agendas.

Text

Transcript of interview with Dr. Lonnie D. Spight by Dr. David Emerson, May 8, 2007

Date

2007-05-08

Description

Dr. Lonnie D. Spight grew up in northern Colorado, earned his bachelor's degree at Colorado State University, and his PhD at University of Nevada Reno. His interest in astronomy dates from his early years on the farm in Colorado, star-gazing in the fields at night. Before coming to UNLV, Lonnie worked for the Department of Defense on scattering cross sections and explosions. Working between Los Alamos and the Test Site, he was often in Las Vegas and had met most of the physicists at the university. He was invited midterm to take over a physics class for a faculty member who had fallen ill, and was offered a job the following fall of 1970. In the seventies when Dr. Spight arrived, the physics department was located in trailers, and the university campus was mostly desert. Lonnie served as chair of the department on several occasions, and was responsible for insisting that faculty members get involved in research, no matter how tight the budget. He worked on solar energy and far-field microwave analysis, and helped set up safety standards for the new laser technology. One of Dr. Spight's interests outside of physics is a love for classical music. He was a volunteer "Deejay" for 12 years with KNPR once it got started in 1980. Meanwhile, after 37 years with UNLV Lonnie retains his enthusiasm and love for teaching. Today he teaches quantum mechanics and hopes that one day he will be able to teach a particle physics course which ties together cosmology, the beginning of the universe, fundamental cutting edge physics, quarks, gluon plasmas, and more. He has the course materials ready to go and is looking forward to many more years at UNLV.

Text

Photograph of Judy Bayley and Senator Howard Cannon at one of the trailrides, Las Vegas, Nevada, circa 1968-1971.

Date

1969 to 1971

Description

Judy Bayley and Senator Howard Walter Cannon at one of the trailrides, circa 1968-1971. Senator Cannon is pinning a ribbon on Judy Bayley. Judith “Judy” Bayley, namesake of the Judy Bayley Theatre at the University of Nevada, Las Vegas, was once known as “The First Lady of Gambling.” Judy and her husband Warren “Doc” Bayley opened the Hacienda Hotel and Casino on October 17, 1956. After Warren’s unexpected death from a heart attack on December, 26, 1964, Judy Bayley took over the ownership and operations of the Hacienda. By doing so, she became the first woman in Nevada history to be the sole owner and operator of a hotel-casino. An avid horsewoman, as a publicity campaign, Judy started “The Hacienda Trailrides.” Which some considered the social event of the year. The first trailride was held in December, 1968 to commemorate Pearl Harbor. The ride began at the Valley of Fire State Park and Ended in Overton, Nevada. Judy donated all proceeds from the trailride to benefit the local Veterans of Foreign Wars. Four Trailrides were held over the next four years, leaving from Tule Springs (now Floyd Lamb State Park), and from the Hacienda itself before they were discontinued after her death. After Judy’s death from cancer on December 31, 1971, the Hacienda was sold in 1972. The Hacienda’s doors closed to the public on December 10, 1996. The hotel was imploded on December 31, 1996 on the 25th anniversary of Judy Bayley’s death, and was broadcast on the Fox news network as part of their New Year’s Eve 1996 telecast. In March 1999, it was replaced with the Mandalay Bay Hotel and Casino.

Image

Photographs of O'Shea's signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the O'Sheas Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3555 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: O'Shea's Casino is located just north across a small driveway from the Flamingo. The small but busy facade is a small, yet busy stop along the Las Vegas Strip. The exterior signage consists of two corner signs, a blade sign, hanging off of the west face of the building, a main entrance sign, backlit screens as well as various images laden with neon. All of these create a flashing display of luminescence all just above the pedestrian's head.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: O'Shea's Casino is located just north across a small driveway from the Flamingo. O'Shea's theme and signage is influenced by Irish culture and imagery, integrated into the forms of signage along the Las Vegas Strip. The building design itself is influenced by traditional European housing imagery, generalized with other elements of architecture also. One example of this is the coloring, exposed wooden beams and narrow rooflines over treated windows, which suggest styles seen in classic European architectural imagery. Examples of other elements such as sculpted windowsills and exterior molding are more akin to neoclassical than the Irish pub or cottage. A small blade sign hangs in the center of the structure facing north /south. Attached off of the building by two poles, the double sided cabinet is designed with a circular portion at the top that transforms along it's bottom edge into length portion of the "blade" that continues down to a rounded bottom. The Circular portion serves as the "O" in O'Shea's. The exterior of the signs width is finished in a polished gold aluminum surface. The top portion continues into a full circular space in the front where the backlit image of the O'Shea's leprechaun mascot resides in it's center. The image has a circular green neon border at the edge of the cabinet and is set into a field of incandescent bulbs, which occupy the remaining space in the face of the "O". Incandescent bulbs also run around the edge of a face on a gold raceway. Channel letters run vertically down the face of the blade spelling the remaining "Sea's" of the title. Each letter is filled with incandescent bulbs, and bordered on it's exterior in green neon. The remainder of the space, which comprises the surface of the sign, is a green material. The entire edge of the rest of the sign is also bordered with incandescent bulbs. Below the blade sign, the main entrance for the establishment is denoted by the large, arched, marquee logo, and wall sign for the casino. The arch shape is bordered by gold polished raceways, with the interior space where the O'Shea's logo is written in a bowed, horizontal arrangement with the "O" and "S" being the biggest letters in this group. The same back-lit leprechaun figure which is present in the blade sign, in seen in the "O" of the logo. The letters are of channel design and filled with incandescent bulbs. Gold scrollwork adorns the green background above and on the sides of the logo. An entablature, running the length below the arch, reads "casino" in channel letters filled with incandescent bulbs and bordered with green neon. The orange background in contained on the bottom edge with a gold polished raceway, which sharply curves into a downward point at the very center. All the raceway edges of the sign are lined with incandescent bulbs. Flanking the wall on either side of the main entrance are two backlit message centers with vinyl lettering. They also are bordered with incandescent bulbs, strewn upon polished raceways. To the south toward the Flamingo Casino, a corner marquee sign faces toward the southwest. The message center on the right of the main entrance essentially continues its shape wrapping in radius fashion all the way around the corner. As the entablature wraps the corner, the color changes to a section of black, containing the channel letters hung at a slight angle, spelling the words " Hall of Fame," in cursive text. Small stars in channel design adorn the black background. On the left of the text, O'Shea's is painted in red paint, in a cursive script at a similar angle as the premier text. Neon is shaped over the surface of the letters to allow it to be spelled in light. The word "Casino" is spelled on the right hand side, and treated in the same fashion. A top the black portion of pediment, the sign continues with it's corner finishing, rounded marquee, containing the text, "Magic & Movie," in a three lined arrangement. Putting the two signs together the appropriate title for the advertisement of the attraction is read "Magic and Movie Hall of Fame." The channel letters on the top portion are filled with neon and treated white on the interiors. The edge of the cabinet is treated with white bull nose borders, sandwiching a field of pink holding two tubes of contoured neon. At the peak of the sign a small element reminiscent of a fan, created using a multi layered box, uses different levels receding into space, with the center blade at the front of the sign. The sections are lined with gold raceways and incandescent bulbs, with the center blade being horizontally striped with tubes of neon. Two small gold finished gargoyle statues flank either side of the theatre-esque entrance. Underneath the overhang created by the corner sign, polished aluminum element creates a sloping drum shape above the door. This drum is divided into sections by gold polished raceways. The flat portion, which returns to the ceiling of the overhang is adorned with painted images of clovers, encircled in rings of green neon. This section is reminiscent of the top section of the corner drum of the Barbary Coast. The black pediment along the south portion of the building., abruptly changes to the orange color seen on the main entrance. Along the south wall section of the pediment green pan channels in the shape of clovers hang, lined on the interior with neon. A small sign denoting parking is also present. Another corner entrance is located on the north end of the property, facing northwest. It too has the rounded corner entrance and logo sign. Slightly different than the main entrance, the same "Casino text and structure is seen on the orange pediment above the door, as well as the channel logo with the mascot located in the letter "O." A three-sectioned panel with swooping wings and an arched center creates the field for the main logo. A more busy section of two dimensional scrollwork sits below the neon filled text. The wings of the top section a recessed panels with checkerboard design behind that. Each side of the entire top section is book ended with two small square posts. Three small miniature spires line the very top, and the same inverted drum shape sits underneath the door. Street posts reside on the sidewalk outside.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Chasing, flashing, oscillating
Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip.
Sign environment: Being essentially part of the Flamingo, O'Shea's is only separated by a small drive, producing the easy traffic flow from the north entrance of the former. The north of O'Shea's on the immediate vertical explosion of the front tower/porte cochere of the Imperial Palace. It is easy to say that O'Shea's is sandwiched in between two giants, assuming its place as the charming gap between the Flamingo and the Imperial Palace which is quite a bit more pedestrian friendly. Traveling north on the east side of the strip, O'Shea's is not hard to miss at all
Sign - date of installation: Original date of installation 1989. The southwest, and northwest corner signage were added at a later date
Sign - thematic influences: O'Shea's centers around the theme of the Irish pub, utilizing various imagery to get support the design. The color green is used extensively in the main signs color scheme while the ever-popular image of the folkloric leprechaun illuminated it a cartoon form upon the pylon. The green pan channels, which are shaped like shamrocks, are place along the exterior wall, an obvious reference to the St. Patrick's Day Holiday as well a reference to good luck. ( example: the four-leaf clover, luck of the Irish.) Luck is something synonymously associated with an industry such as gaming. Gold is also used extensively with the exterior referencing the infamous pot of gold associated with the lore of leprechauns. The actual structure itself is constructed with elements which suggest a European rustic cottage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic

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