The Ray Cutright Collection of Winthrop A. Davis Photographs (approximately 1929-1939) consists of black-and-white photographic prints with some corresponding negatives and slides of the construction of Hoover Dam and the geographic terrain of southern Nevada during the early 1930s. Included are photographs of the geographic area around the dam site, Black Canyon, and Boulder City, Nevada. Photographs depict the construction of facilities and roads needed for the project.
The Scott Henry Photographs of the Las Vegas, Latinx Community (approximately 1983-2000) consist of 42 photographic prints depicting members of the Latinx community in Las Vegas, Nevada. Thirty-eight of the prints were used as part of a collaborative project between Scott Henry, photographer and editor for the Las Vegas Review-Journal, and Thomas Rodriguez, a prominent member of the Latinx community in Las Vegas, for an exhibit of the Las Vegas Latinx community. Henry and Rodriguez together planned who to photograph for the exhibit. The photographs demonstrate the impact that the Latinx community has on the region's political, economic, and social growth and development. A number of the photographs show early members of the League of United Latin American Citizens (LULAC), including John Mendoza, Delia Martinez, Tom Rodriguez, Bob Agonia, Corrine Gutierrez, Nick Flores, Grace Salazar, and Gus Ramos.
The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.
The Lake-Eglington Family Photograph Collection contains photographs of the Lake-Eglington Family in and around Las Vegas, Nevada from 1900 to 1976. The materials include photographs of early Las Vegas resident Olive Lake-Eglington and her family shortly after they moved to Las Vegas in 1904, as well as her eventual husband Earle Eglington after he moved to Las Vegas in 1911. The materials also include photographs of Native American artifacts, schools in Clark County, Nevada, artesian wells, the Hoover (Boulder) Dam, the Colorado River, Mt. Charleston, the Mormon Fort, the Stewart (Kiel) Ranch, the Las Vegas Ranch, and many early residents of Las Vegas.
The Ernie W. and Lucille Marleau Cragin Photograph Collection contains photographic prints, negatives, and slides depicting early Las Vegas and Boulder City, Nevada events, buildings, and people between approximately 1900 and 1950.
Eric M. Cheese interviews University of Nevada, Las Vegas (UNLV) librarian Alice Cowles Brown at the UNLV Campus Library. Born in Cleveland, Ohio, on March 10th, 1919, Brown moved to Henderson, Nevada in 1956. This interview offers an overview of life in Las Vegas and Henderson from 1956 to 1981. Brown also discusses road conditions, social structures, the educational system, support for intercollegiate sports and UNLV.