Oral history interview with Gerald Connor conducted by James Bonnell on February 22, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Connor first discusses moving to Las Vegas, Nevada and serving as a pilot in the United States Air Force. He then discusses his education at the University of Nevada, Las Vegas and his church membership. Topics that Connor discusses during the interview also include changes in the school district and properties located in Downtown Las Vegas and the Las Vegas Strip, his political activity within the Democratic Party, the Helldorado Parades, and the early atomic tests at the Nevada Test Site.

Oral history interview with Richard Caldwell conducted by Melvin Thompson on March 11, 1981 for the Ralph Roske Oral History Project on Early Las Vegas. The interview begins with Caldwell discussing his family and what brought him to Las Vegas, Nevada. He then discusses him working at the Nevada Test Site. Other topics discussed include the hotels and casinos that were built on the Strip, his experience working at some of those properties, and the way of life in Las Vegas in the 1940s and 1950s. The interview finalizes with Caldwell’s account of the Westside of Las Vegas and African American entertainers who came to town to perform.

Oral history interview with Jonathan S. "Jon" Sparer, FAIA conducted by Barbara Tabach on March 04, 2015 for the Southern Nevada Jewish Heritage Project. Sparer discusses his career as an architect of many major Las Vegas, Nevada hotels and casinos. He also talks about designing the Congregation Ner Tamid and The Center for the Lesbian, Gay, Bisexual, and Transgendered (LGBT) community.

Oral history interview with Therese Thomas conducted by Dennis McBride on March 13, 1995 for the Boulder City Library Oral History Project. In the interview, Thomas discusses her early life in Thistle, Utah before moving to Las Vegas, Nevada in approximately 1931, where her father worked on the Hoover Dam (Boulder Dam) construction. Thomas then talks about her early schooling in Boulder City, Nevada, her experiences as a swing and dance band musician, Block 16 in the Clark Las Vegas Townsite, and her memories of Las Vegas hotels and casinos. Other subjects Thomas covers include Las Vegas entertainers, entertainment venues, and women in the music industry during the 1930s.

The Charles Aplin Photograph Collection (approximately 1935-1955) consists of black-and-white photographic prints and negatives. The images primarily depict the Fraternal Order of Eagles, Las Vegas, Nevada chapter events and members. Also included are images of Las Vegas, Helldorado parades, and Conrad H. Mann, former president of the Fraternal Order of Eagles.

Oral history interview with Janet Savalli conducted by Irene Rostine on September 21, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Savalli begins her interview by discussing her move to Las Vegas, Nevada as a child in 1945. Savalli then goes on to discuss her 46 year long career at the Southern Nevada Telephone Company. She describes rising through the company starting as an operator and ending as a community relations coordinator. Savalli discusses the company's merger with Sprint and the changes this brought about including the creation of a union and wage and benefits changes. Savalli ends her interview by talking about atomic testing, and how the testing grew to be a part of Las Vegas culture at the time.

Oral history interview with Ashley “Ms. Aye Vee” Vargas conducted by Laurents Bañuelos-Benitez on October 30, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Vargas discusses her experiences growing up on the east side of Las Vegas, Nevada. She describes experiences with racial boundaries, the issue of colorism in the Latinx community, and dealing with Puerto Rican stereotypes. Vargas then talks about her involvement with Student Organization of Latinos (SOL), the Puerto Rican community in Las Vegas, and elaborates on how Puerto Rican culture has been influenced by American culture. Lastly, Vargas discusses the meaning behind her poems, raising awareness about certain issues in the Latinx community, and how Las Vegas is going through an artistic renaissance.