When Mr. Elmer Hilsinger arrived from the Los Angeles area in 1942, to work as a Refractory Inspector in the Engineering Department at Basic Magnesium Incorporated (BMI), little did he know the town site would grow to be known as Henderson, Nevadain a few short decades. Mr. Hilsinger’s oral history provides a glimpse of the work being done by women at BMI, including women working as chemists, truck drivers, and secretaries. His words attest to the strong work ethic demonstrated by women at the plant during the “war work” period. Through Mr. Hilsinger’s story, we are also provided with an account of what daily life was like for a married couple, including Mr. Hilsinger’s life with his wife who worked as a waitress at Anderson Camp. In addition, Mr. Hilsinger’s oral history touches on the evolution of safety rules within the plant, the transition from the American Federation of Labor Union to the Congress of Industrial Organizations Union, and the role prostitution played during the tim

In the early summer of 1972, Patsy and Chuck Rosenberry packed the car to begin their journey from Hattiesburg, Mississippi to Las Vegas. Patsy’s two teenage children (plus a friend) crowded into the back seat as Chuck eased behind the wheel. He and Patsy had just recently married and he was taking his new family to their new home in southern Nevada. Chuck was a nuclear technologist at the Nevada Test Site and a kind, patient man that Patsy would have followed anywhere. As it turned out, Las Vegas was a wonderful fit and the family would thrive in their new hometown of Las Vegas. The children attended Valley High School; the family eventually bought into a house in the Paradise Valley area; and from 1978 to 1999 Patsy enjoyed working with a growing cardiovascular group. Chuck censored his work-talk like most Test Site employees, but Patsy recalls with pride his concern for safety and how he always felt the public did not have correct information. She also remembers the fun of partic

F. Andrew Taylor has been a Las Vegas resident for over 20 years, moving to the city by way of New England and Georgia at the age of 28. Armed with a degree in painting from the Swain School of Design, got a job at a Laughlin casino as a caricature artist. After a brief stay in Laughlin and Bullhead City, Andrew moved to Ward I, where his girlfriend, now wife, lived. They soon moved to the Spring Valley area, where Andrew later learned through conversations with neighbors and his own research that the home sat on what was the old Stardust Racetrack. With Andrew’s move to the city came new professional opportunities. He got a job at CityLife as the in-house artist and graphic designer, what was then apart of Wick Communications. After a year, Andrew began reporting, initially working for the Sunrise/Whitney paper, and eventually working the downtown beat. Always feeling the pulse of the local arts and culture scene, he has attended First Fridays since it started, continues his own art,

Ernie Hensley, an accomplished African American musician, was born in Washington D.C. on March 14 1940, the son of Ernest W. Hensley Jr. and Gladys Barbara Hensley. Both of his parents worked for the federal government in the nation's capital. Ernest W. Hensley Jr., was an employee at the Department of Defense and Gladys Barbara Hensley mother, who was an excellent pianist and drum major, ultimately set her musical career aside to provide for her family and worked for the National Labor Relations board. At the age of seven, after finding a saxophone in his grandmother's attic, Ernie embarked on his musical journey. He took lessons at the Modem School of Music in Washington D.C. Eventually acquired proficiency with the clarinet and the flute through long hours of practice. Ernie attended a historically black school, Armstrong High School in D.C., until he was transferred to integrated McKinley High School in 1954 following the Brown v. Board of Education ruling. Ernie recalls his experience in a new desegregated environment. After High School in 1957, Ernie joined the Air Force as a member of the 511th Air Force Band. In 1959 he resettled in France to play saxophone for the Air Force Band. Emie ultimately made a career in the Air Force. He had countless experiences of performing around Europe and in Washington D.C. at places like Constitution Hall. A dream came true when Emie was honored to become a member of the "Airmen of Note," the premier jazz ensemble for the United States Air Force. He retired from the Air Force in 1979. Because of his distinguished career in the United States Air Force, Emie had a number of opportunities once he retired from the military. He moved to Las Vegas in 1979 at age 39 and after living in area for just a few weeks, Emie started working with Johnny Haig 3 nights a week. Shortly thereafter, Emie found a long-term home working with Jimmy Mulidore's group at the Hilton for nearly a decade until 1995. Throughout Ernie's lifetime he has been fortunate to work with notable musicians such as Andy Williams, Sammy Davis Jr., Somers, Juliet Prowse, Steve an Eydie and his good friend Sarah Vaughn. Emie, along with his wife Carolyn, a retired UNLV faculty member, still resides in Las Vegas.

On March 2, 1980, Steven E. Pilgram interviewed river runner, Georgie Clark (born on November 13, 1910 in Chicago, Illinois) at Sambo’s Coffee Shop in Las Vegas, Nevada. This interview is an in-depth discussion about the Colorado River area, including changes, and new rules and regulations. Georgie also recalls working as a real estate agent and as a ferry command, civil servant in World War II.

Kimberly Harney-Moore and her three siblings were raised in the John S. Park Neighborhood in the 1960s and 1970s. Their parents, Tim and Kathleen Hamey, were educators. A nostalgic feeling for the neighborhood remains; perhaps, rekindled when she had close friends buy a house across the street from her childhood home. In this interview, Kimberly talks about the inviting character of the area's architecture, mentions a few names of neighbors she babysat for, and fondly recalls her job at Luv-Its Custard shop. There was a time when she would drive through the old neighborhood and be saddened by the lack of upkeep and the changes, but today it is a place being reborn to a new generation. Note: Tim Harney and Kathleen Harney, Kimberly parents, are also participants in the Voice of the Historic John S. Park Neighborhood oral history project.

Andrew (Drew) Levy was born and raised in Las Vegas, Nevada, where his family became prominent civic and real estate leaders. His grandfather was Harry Levy, a former Las Vegas City Commissioner, and his father Alvin Levy was a former councilman. Drew is always proud to say that he never left Las Vegas and of partnering with his father in the Levy Realty Company. While growing up, Drew it was easy for a teenager to enjoy the perks that could accompany his family?s civic persona?such as casino shows, events and meeting early Las Vegas casino executives like Moe Dalitz. After graduation from Clark High School, Drew attended Arizona State University. It was in Tempe that he met Debbie Cheek, his future wife. When Debbie arrived in Las Vegas, she enrolled at the University of Nevada, Las Vegas, where she finished her degree and started her accounting practice. She ran her business for ten years before opening Art Starts Here, an art school. In the 1990s, Debbie?s passion for art led her to be involved in the creation of First Friday, a local monthly art festival. She also teaches a summer art camp for the Adelson Educational Campus. Drew and Debbie became deeply involved in the many Jewish congregations in Las Vegas. Blossoming first at Temple Beth Sholom where they were married in 1980, Debbie sat on the preschool board and oversaw the temple board, while Drew was the advisor for the youth group. The couple later joined Congregation Ner Tamid where Drew was congregation president from 1999 to 2000 and Debbie was board treasurer in 2001. Debbie includes stories of her conversion to Judaism and keeping kosher. In this interview, Drew and Debbie Levy reflect on changes they see in Las Vegas, from when Drew was a kid to the times they raised their own daughters, Sarah and Jenna, here. Looking at the larger picture of the city, they describe booms in the real estate market and growth in the artistic and cultural aspects of Las Vegas. They provide a perspective of the growth of the local Jewish community.