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Displaying results 96581 - 96590 of 98091

Lorenzo Romans Papers

Identifier

MS-00173

Abstract

The Lorenzo Romans Papers (1875-1965) are comprised of photographs, newspaper clippings, a family photograph album, a diary, a diploma, and related ephemera. The materials were owned by Lorenzo Romans, a California real estate developer who moved to Las Vegas late in life after a short visit to Helen Stewart's Las Vegas Rancho in 1894.

Archival Collection

Carole Terry's "Germans in Las Vegas" Oral History Project

Identifier

OH-00143

Abstract

Carol Terry's "Germans in Las Vegas" Oral History Project (2007) contain the oral histories conducted by Terry while researching for a chapter on Germans in Las Vegas, Nevada for The Peoples of Las Vegas book. Terry interviewed over 60 individuals and the collection contains the printed transcripts and audiocassettes from each interview.

Archival Collection

Photographs of Maxim signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

Transcript of interview with Ray Cutright, April 22, 1981

Date

1981-04-22

Description

On April 22, 1981, Ray Cutright (born 1902 in French Creek, West Virginia) provided brief a narrative-style oral history about his work as a boater in the Colorado River during the building of Hoover Dam. Cutright talks about his experiences in operating a boat that carried both tourist passengers and workers to and from the site of the Hoover Dam. He also provides a few specific experiences, including what it was like navigating the river.

Text

University of Nevada, Las Vegas (UNLV) 7th commencement program

Date

1970-06-11

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Text

Letter and envelope from Mary Etta Syphus, Provo, Utah to John M. Bunker, Logan Utah

Date

1894-03-23

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.

Text

Photographs of Boulder Station sign, Las Vegas (Nev.), March 27, 2017

Date

2017-03-27
2017-09-27

Description

The Boulder Station Hotel and Casino sign sits at 4111 Boulder Highway. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 4111 Boulder Hwy
Sign owner: Stations Casino Company
Sign details: This location opened in 1991 and is considered a locals casino. They have a similar train station theme to a few of the other Stations Casino properties used to have. This location also holds a movie theater.
Sign condition: 5- still in very good condition and lights up very brightly at night still
Sign form: Pylon, Porte cochere and semi-decorated shed
Sign-specific description: The main pylon sign has a two white steel bases with a reader board on the bottom, a plasma t.v. screen on top of the reader board and the main portion of the sign with their logo above. Their main logo is a green train front with a yellow neon trim with curved maroon ovals on it stating "Boulder Station" and "Hotel-Casino" underneath it in channeled white letters that contain flashing incandescent. The porte cochere sign above their valet is in a rainbow shape stating "Boulder Station" in sparkling incandescent. With red letters underneath stating "Hotel" in red neon. Also on the main hotel tower there are the same "Boulder Station" letters in incandescent lights outlined in red neon as well. Also the word "Casino" is also in incandescent lights on the side of the building. There are also LED lights that are chasing outlining the whole building making a semi-decorated shed look.
Sign - type of display: Neon, Incandescent, LED, LED plasma screen
Sign - media: Steel and plastic for reader board
Sign - non-neon treatments: Reader board and Plasma screen
Sign animation: Flashing incandescents and Chasing LED lights
Sign environment: This location is on Boulder Hwy on the way to Henderson/Boulder City. This location is near a residential areas and is a neighbor to a Motel 6.
Sign - date of installation: Has been up since at least 2007
Sign - thematic influences: Their train theme is portrayed well in their pylon sign. Also the train theme could be considered an homage to early Vegas history as a railroad stop.
Sign - artistic significance: The pylon sign is very similar to the Fiesta Rancho sign which is also a station casino with the reader board and plasma screen. This sign is almost identical in design to the old Palace Station sign.
Survey - research locations: Palace Station sign. Surveyor Notes 1. Research locations (archAsessor's page, Boulder Station website https://boulderstation.sclv.com/ , Station's Casino website https://www.sclv.com/, google maps satellite/ road view
Survey - research notes: Station's Casinos have 10 casinos in Las Vegas and have been present in the community for the past 40 years.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-27
Sign keywords: Pylon; Porte-cochère; Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Chasing; Plasma display

Mixed Content

Fayle Family Papers

Identifier

MS-00404

Abstract

The Fayle Family Papers (1895-1998) document the family's personal and business interests in Goodsprings, Nevada and Las Vegas, Nevada. The collection contains mining documents, business records, and photographs from Leonard Fayle’s work with the Las Vegas Valley Water District, where he documented reservoirs, dams, and both abandoned and functioning mines. The photographs also include family members, vacations, and Southern Nevada fraternal organization pictures.

Archival Collection

Fayle Family Photographs

Identifier

PH-00113

Abstract

The Fayle Family Photographs depict the Fayle Family in Southern Nevada and California from 1888 to 1990. The photographs primarily include family photographs of Leonard Fayle, Anna Louise Trapnell Fayle, Leonard Fayle’s parents George Fayle and Jean Henderson Fayle, Leonard Fayle’s siblings George Arthur Fayle and Jean Nevada Fayle, and Leonard and Anna Fayle’s children Jane and Edward Fayle. The photographs also depict the Nevada towns of Las Vegas, Goodsprings, and Jean, including railroad operations, mining, milling, and hauling freight. The collection includes a leather-bound photograph album containing images of the Fayle Family and the Yount Family.

Archival Collection

Robert Scott Hooper Photographs [UNPROCESSED]

Identifier

PH-00459

Abstract

This collection is unprocessed; see the access note for additional information. The Robert Scott Hooper Photographs (approximately 1960-2019) consist of photographic negatives, positives, prints, Polaroids, 16mm films, videos, business records, correspondence, drawings, and ephemera. The collection was created by prolific photographer Robert Scott Hooper and his longtime business partner and wife, Theresa Holmes. The couple's life and business was based in Las Vegas, Nevada. Hooper's work focused on the female form, encompassing many areas of interest including sexual entertainment, modeling, pornography, and Las Vegas entertainment. Hooper was a contributing photographer with Playboy and Vegas Visitor magazines. Hooper also photographed many celebrities, Las Vegas production shows, notable events like hotel implosions, and the development of the Las Vegas Strip, including early time-lapse work on the Luxor Hotel and Casino and The Venetian. This collection also includes business records, model contracts, and correspondence.

Archival Collection