Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 76531 - 76540 of 79294

Leon Carter, Sr. Photographs

Identifier

PH-00443-DEACCESSIONED

Abstract

This collection has been removed from the University of Nevada, Las Vegas Libraries Special Collections and Archives' holdings by request of the donor. The collection was returned to the donor. Please contact special.collections@unlv.edu for further information.

The Leon Carter, Sr. Photographs (approximately 1948-2019) primarily contain photographic prints documenting Leon Carter, Sr.'s life living in Las Vegas, Nevada. Included are photographs of Carter, his brother John L. Carter, members of the Carter family, and snapshots from the Helldorado Days parade in the mid-1960s. The collection includes a photograph of Carter as a table dealer, a facsimile photograph of Carter when he played baseball in Canada in the early 1950s, and his yearbook portrait. Materials also include a brochure from Carter's political campaign running for County Commissioner in 1972, and a 1989 certificate of appreciation to Carter from the Las Vegas Breakfasters Lions Club.

Archival Collection

Transcript of interview with Steve Keener by David G. Schwartz, October 7, 2016

Date

2016-10-07

Description

Steve Keener was born in Bridgeton, New Jersey and received his bachelor’s degree in finance at Stockton University. With a background in electronics from his service in the military, Keener started in the gaming industry as a slot technician at Tropicana Atlantic City in 1981 where he worked on and conducted preventative maintenance on some of the early stepper slot machines. He would eventually promote to the positions of lead technician and slot technical manager before moving to Dover Downs Hotel & Casino in Delaware in 1997 where he is now assistant vice president of casino operations. The interview with Steve Keener begins with his discussion of his background in the slot positions at both properties. Keener also discusses dealing with customers, what customers are looking for in casinos, and which qualities make good and bad slot managers. He later discusses what makes a good slot floor, particularly when considering denomination and type of slot machine, and he also describes the process of working with vendors to get those machines onto the floor. Keener later discusses the biggest changes in the gaming industry, specifically the expansion of video over stepper, server-based gaming, and the increase in riverboat gaming. He also mentions the role of free play in slots and provides his opinion on what he believes the future of slots will look like with skill-based and 3D gaming being introduced into slot machines. The interview concludes with Keener’s answer to the question of whether he gambles, and he provides his advice to young people who want to get into slot operations as a career.

Text

Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated

Mixed Content

Baepler, Donald

Dr. Donald Baepler was born in Edmonton, Alberta, Canada in July of 1932. The family moved to Springfield, Illinois in 1936, where his father was president of Concordia Seminary. Donald decided at the age of seven that he wanted to pursue a Ph.D. in ornithology, not an unusual goal in his family. By the time he graduated high school, he knew that he wanted to attend Carlton College in Minnesota to study under Olin Sewall Pettingill. He followed world-famous ornithologist and artist George Sutton to Michigan and then to Oklahoma to complete his doctorate.

Person

Rosenfeld, Ben, 1904-1996

Ben Rosenfeld was born circa 1904 in Starokonstantinov, Volynia Gubernia, in the Russian Empire. Ben, born Boruch Rosenfeld, arrived at Ellis Island in July of 1913. He traveled with his older half-sister and brother immigrating separately from his father and other half-sister who had already landed in Philadelphia in 1912. Ben’s mother, Rivka, never did immigrate, and it is assumed she died during the interim between the two sailings of her family.

Person

Neal, Joe, 1935-2020

Joseph M. Neal Jr. was born July 28, 1935. Senator Joe Neal shares many memories of his childhood in Mound, Louisiana. He recalls his mother leaving him and his older brother Willie with a woman named Bea so that she could go to Alexander to get a job. He and Willie were ages 2 and 4, respectively, and were frequently left on their own. Willie would leave periodically for hours at a time and come back with food. He eventually took Joe to meet the couple who were supplying the meals, Mary and Gowens Prayder.

Person