The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.
On March 18, 1978, collector Bill Hitchcock interviewed Della Coates (b. June 17th, 1919 in Birmingham, Alabama) at her home in Las Vegas, Nevada. In the interview, Della Coates discusses her time working for the telephone company. She also speaks about the changes in education and about changes throughout Las Vegas.
On February 29, 1980, Annie Shum interviewed Lilly Fong about her experiences as an educator and resident in Southern Nevada. Born in Superior, Arizona in 1926, Fong would eventually move to Las Vegas after marrying her husband, Wing Fong. Prior to this move, she received her education in both China and Arizona; she later completed her master’s degree in education at the University of Nevada, Las Vegas (UNLV). In the interview, Fong talks briefly about her background and eventual move to Las Vegas. She describes how her educational career started at the historic Fifth Street School as a third grade teacher in 1950. Fong also lists several organizations of which she was a part, including the Parent Teacher Association (PTA) and the American Association of University Women (AAUW). Fong also mentioned that she and her husband opened their own Chinese restaurant, Fong’s Garden, on East Charleston Boulevard in 1955. Later in the interview, Fong describes her campaign for the Nevada State Board of Regents in 1974 where she would make several accomplishments in the development of UNLV, including the building of its Fine Arts Complex. Fong later talks about Chinese traditions in which she would take part as well as her life in China from 1930 to 1937. The interview concludes with Fong’s thoughts on the Asian Studies program at UNLV and her personal perspective on religion.