Search Results
Fred Houghton Papers
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Abstract
The Fred Houghton Papers (1909-1998) consist of Houghton’s legal and personal files on his Blue Chip Ranch property in Las Vegas, Nevada. The materials include legal cases, maps, reports, and correspondence concerning water access on the property, and his work with the Las Vegas Well Users Association, which primarily contains correspondence in conjunction with Las Vegas's water politics. The collection also contains court cases during the 1930s when Houghton worked as a lawyer in Chicago, Illinois, as well as legal files for his time as a public defender for the State of California. The personal files in the collection primarily consist of correspondence, banking records, diaries, and notebooks.
Archival Collection
Jonathan S. Sparer, FAIA oral history interview
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Abstract
Oral history interview with Jonathan S. "Jon" Sparer, FAIA conducted by Stefani Evans and Claytee D. White on August 29, 2016 for the Building Las Vegas Oral History Project. Sparer discusses his involvement in the Jewish, and LGBTQ+ communites, and his career as an architect in Las Vegas, Nevada. He also talks about working on projects that included The Mirage Hotel and Casino, the Congregation Ner Tamid, and The Center (The Gay and Lesbian Community Center of Southern Nevada).
Archival Collection
Arturo Ochoa interview, April 9, 2019: transcript
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Archival Collection
Description
On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building
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Transcript from interview with Rabbi Yocheved Mintz by Barbara Tabach, March 11, 2015
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Archival Collection
Description
During this oral history, Rabbi Yocheved Mintz weaves the journey of her life before and during her move to Las Vegas. She recalls thinking the "whole world was Jewish" growing up in Cleveland, Ohio, and discusses finding a community in Las Vegas, and becoming a rabbi in 2004.
Yocheved (nee Porath) Mintz is a native of Cleveland, Ohio, where she grew up surrounded by Jewish tradition and teachings. Her grandfather was Rabbi Israel Porath and inspiration to become the family?s first female rabbi. She was ordained in May 2004. The next year she became the second spiritual leader of Valley Outreach Synagogue, now known as P?nai Tikvah. She soon was known as a tireless and inspirational rabbi for the entire Jewish community of Las Vegas. After eleven years, on June 17-18, 2016, Rabbi Mintz?s life and dedication to being Jewish were celebrated. She transitioned to be Rabbi Emerita/Senior Educator. Before moving from Chicago to Las Vegas in 1999 she was abundantly busy with raising four sons she had with her husband the late Dr. Alan Mintz (1938-2007). However, she also managed to pursue her education, become an interior designer, and co-found with her friend Etty Dolgin, a Jewish education consulting firm called Kesher Team. Yet there was a lingering goal to become a rabbi. Throughout her life, Yocheved eagerly studied various approaches to living a Jewish life. So once she had settled into Las Vegas, she began her commute to Los Angeles to study at the Academy for Jewish Religion, a trans-denominational seminary. She interned at Temple Beth Sholom and has been involved in Jewish education locally and nationally. She has served as the first president of the Las Vegas Board of Rabbis and on the Interfaith Council of Southern Nevada.
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Interview with Lafayette "Lafe" H. Dana, June 20, 2005
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Archival Collection
Description
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Photographs of MGM Grand signs, Las Vegas (Nev.), 2002
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Archival Collection
Description
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass
Mixed Content
Brittany Castrejon oral history interview: transcript
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Archival Collection
Description
Oral history interview with Brittany Castrejon conducted by Claytee D. White and Barbara Tabach on November 9, 2017 for the Remembering 1 October Oral History Project. In this interview, Brittany Castrejon details her experiences during the evening of the 2017 mass shooting in Las Vegas, Nevada. She describes the Route 91 Harvest Festival set-up and details the events of that night, which she experienced alongside her 14-year-old cousin and a few friends. Castrejon tells her story of trying to find safety from the chaos during the entire ordeal, eventually finding refuge for the remainder of the night at the Tropicana hotel. She ends the interview by discussing her adjustment to life after the shooting and her post-traumatic stress disorder, as well as what she has learned from the experience.
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Rocio Rodríguez-Martinez oral history interview: transcript
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Archival Collection
Description
Oral history interview with Rocio Rodríguez-Martinez conducted by Elsa Lopez and Monserrath Hernández on June 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Rocio shares her personal history growing up in Bogotá, Colombia and how she immigrated to the United States. She talks about motherhood, her Latina identity, and her experiences raising her daughter in Los Angeles and Las Vegas with her husband. Rocio also discusses her employment history and how she was able to achieve her professional goals of becoming a Spanish and English teacher for the Clark County School District (CCSD)'s Family and Community Engagement Services (FACES) program. Her interview is conducted in Spanish. Subjects discussed include: Bogotá, Colombia; El Salvador; Family and Community Engagement Services (FACES).
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Bill Willard Photograph Collection
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Abstract
The Bill Willard Photograph Collection depicts Las Vegas, Nevada, hotels and casinos in Las Vegas, the Las Vegas Valley, and Laughlin, Nevada from 1905 to 1919 and from 1940 to 1999. The photographs primarily depict hotels and casinos in Las Vegas, including the Sahara Hotel, Circus Circus Hotel and Casino, MGM Grand Las Vegas Hotel and Casino, Caesars Palace, Flamingo Hotel, and the Aladdin Hotel. The photographs also depict students at Nevada Southern University (predecessor of the University of Nevada, Las Vegas), the city of Las Vegas, industrial plants in Henderson and Apex, Nevada, and events in Laughlin, Nevada.
Archival Collection
North Las Vegas Bicentennial Committee Photographs and Drawings of Kiel Ranch
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Abstract
The North Las Vegas Bicentennial Committee Photographs and Drawings of Kiel Ranch document the buildings on Kiel (Kyle) Ranch in 1974. As part of the commemoration of the United States bicentennial, the North Las Vegas City Council elected to restore Kiel Ranch, which was one of the first non-indigenous settlements in the Las Vegas Valley. The materials include black-and-white photographs of Kiel Ranch as it was in 1974 as well as architectural drawings of planned renovations to the main house, the Brown House, the foreman's house, and the ranch hands' house.
Archival Collection