Oral history interview with Juliana Chen conducted by Cecilia Winchell and Stefani Evans on March 21, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Juliana Chen shares her upbringing in Hunan, China and her experiences as a teenager training to become a professional ballet dancer. She discusses her rigorous training and troupe career that ended when Chen sustained a knee injury. With a desire to try something new while still being able to perform, Chen immigrated to Vancouver, Canada and began practicing magic. Chen shares that although she didn't know anyone or speak English, she practiced her craft and broadened her knowledge by joining professional organizations including the International Brotherhood of Magicians. After winning several magic competitions, Chen performed on the Las Vegas Strip at Caesar's Palace and the Riviera Hotel and Casino. She shares her current professional pursuits, her connection to the Las Vegas magician community, and her thoughts on Chinese culture and cuisine.

Marvin Sedway letter & public survey

Oral history interview with Nick Robone conducted by Claytee D. White and Barbara Tabach on December 21, 2017 for the Remembering 1 October Oral History Project. In this interview, Nick Robone, born and raised in Nevada, details his process of healing after being shot during the 2017 Las Vegas mass shooting at the Route 91 Harvest music festival. He discusses the events of that Sunday night and how he has learned to view life in a more positive light. Robone mentions various coping mechanisms that have helped him, including being open about his experience and talking about it with other survivors as well as pursuing his passions.

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.

Oral history interview with Christian Chan conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 06, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Chan begins by describing her childhood in Hong Kong and later moving to San Francisco, California with her family, then to Las Vegas, Nevada in 1965. She recalls attending Sunrise Acres and Roy Martin Middle School before graduating from Valley High School as valedictorian. In college, Chan attended the University of Nevada, Las Vegas (UNLV) and graduated with a degree in engineering. After college, she found work in the Las Vegas Valley Water District and became the first woman engineer. During her five years there, she excountered subtle sexism for the first time. Chan continues the interview by describing her work while she lived in California, as well as her years internationally living in the Philippines as well as Ecuador. Throughout the interview, Chan touches on topics ranging from identity, to her impressions of the different generations, discrimination, and the growth of Las Vegas.