The Eileen Brookman Papers date from 1934 to 2002 and document Brookman's personal life and political career. Brookman was active in the Las Vegas Jewish community. Personal papers include programs from B'nai B'rith, scrapbook materials, correspondence, and photographs. The collection includes documentation from the White House Conference on Aging. She served several terms in the Nevada State Assembly from 1967 to 1977 and again from 1987 to 1989. Political materials include legislative information, bumper stickers, election returns, and newspaper clippings.

The Jay Sarno Photograph Collection (1947-1983) contains photographs from hotel and casino developer Jay Sarno. The photographs primarily depict Sarno and his family. The photographs also depict some of Sarno's development projects, including Circus Circus, Caesars Palace, and the Grandissimo. The photographs depict construction of the hotels, events, and famous figures.

The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.

The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.

The Scott Henry Photographs of the Las Vegas, Latinx Community (approximately 1983-2000) consist of 42 photographic prints depicting members of the Latinx community in Las Vegas, Nevada. Thirty-eight of the prints were used as part of a collaborative project between Scott Henry, photographer and editor for the Las Vegas Review-Journal, and Thomas Rodriguez, a prominent member of the Latinx community in Las Vegas, for an exhibit of the Las Vegas Latinx community. Henry and Rodriguez together planned who to photograph for the exhibit. The photographs demonstrate the impact that the Latinx community has on the region's political, economic, and social growth and development. A number of the photographs show early members of the League of United Latin American Citizens (LULAC), including John Mendoza, Delia Martinez, Tom Rodriguez, Bob Agonia, Corrine Gutierrez, Nick Flores, Grace Salazar, and Gus Ramos.

The Donna Andress Papers (1890-2021) contain the personal papers of Donna Andress, a longtime resident and activist in Southern Nevada. Materials include correspondence and newspaper clippings from the Nevada Welfare Committee, on which Andress served as chairperson during the 1970s, in addition to pamphlets and newsletters from various Nevada historical organizations and committees. The papers reflect her involvement with community organizations throughout Southern Nevada.

The Charley Henchis Papers (approximately 1945-1987) document the career of international cabaret show producer Charley Henchis and the shows he produced in Las Vegas, Nevada and Beirut, Lebanon. Materials include Henchis' business files which includes correspondence, files on specialty acts, photographs, and press about Henchis. Shows represented in this collection includes La Parisienne which was performed at the Dunes Hotel in Las Vegas in 1960 before moving to Casino du Liban in Beirut. Other shows represented in this collection that were produced for Casino du Liban includes Mais Oui, S'il Vous Plait, Flash!, and Hello!. Additional materials include press and publicity files, music arrangements and scores, recordings of musical numbers used for the productions, and film footage of shows and production reels. Also included is film footage of the Charley Ballet, Henchis' dance troupe who were featured in his shows.