Oral history interview with Rainier Spencer conducted by Sarah Buckner on April 27, 2015 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Spencer discusses his personal history and arriving to Las Vegas, Nevada in 1997. He talks about his experience as a professor at the University of Nevada, Las Vegas (UNLV) and his involvement regarding diversity issues at UNLV. Spencer then discusses the novel Imitation of Life by Fannie Hurst and how he uses the issues of racism in that story to describe the notion of biological race, social race, and the idea that race is socially constructed. Later, Spencer recalls teaching civil rights courses and how he dealt with students who had misconceptions about the course subjects. Lastly, Spencer talks about his favorite pieces of literature to use in his courses.

Oral history interview with Thalia Dondero conducted by Claytee D. White on 2014 March 6 and April 2 for the Boyer Early Las Vegas Oral History Project. In her interview Dondero discusses community organizing in early Las Vegas, Nevada during the 1960s. Dondero also talks about her time in the state legislature.

Oral history interview with Lance Burton conducted by Barbara Tabach on September 17, 2020 for the Boyer Early Las Vegas Oral History Project. Lance discusses his personal and professional histories and how he came to be a headliner at the Monte Carlo in Las Vegas. He also discusses his recent affairs after retiring from performing on the Strip in 2010. Subjects discussed include: Lance Burton Theater; International Brotherhood of Magicians

Oral history interview with Rodrigo Vazquez conducted by Nathalie Martinez and Barbara Tabach on May 24, 2021 for the Latinx Voices of Southern Nevada Oral History Project.

Rodrigo was raised in a mixed status Mexican family. He was born in Mexico and immigrated to the United States at the age of three, later becoming a citizen when he was in the 8th grade. Rodrigo is currently a graduate student worker for the Latinx Voices Oral History Project and reflects on what he has learned. He also discusses what the past year of the Coronavirus pandemic has been like for him.

Subjects discussed include: Latinx and Mexican identities, COVID-19 era, and Latinx Voices Project oral historian

Oral history interview with Lee Murialdo conducted by Kim Burco on February 26, 1979 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Murialdo discusses the history of Las Vegas, Nevada as it pertains to casinos and city growth. Murialdo describes the initial founding of the city and origins of the name "Las Vegas," entertainment on the Las Vegas Strip, and the different games available to play in casinos. Murialdo also describes the construction of the Flamingo Hotel and Casino, as well as the construction of the Hoover (Boulder) Dam. Murialdo goes on to discuss her novel and why she decided to move to Las Vegas.

Oral history interview with Howard Wasden conducted by Gillian Collins on an unknown date in the 1970s for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Wasden discusses arriving in Las Vegas, Nevada in 1925 and working for the railroad. Wasden explains how the railroad was a predominant economic asset for Las Vegas at the time. He then describes living on the Westside "Old Town", education in Las Vegas, attending the University of Nevada, Reno, and eventually becoming a teacher. Lastly, Wasden discusses the population growth, development of the Las Vegas Strip, and his role as principal of West Charleston School.

Oral history interview with Kim Krantz conducted by Joyce (Marshall) Moore on February 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Krantz begins her interview discussing her transition from an east coast dancer to a Las Vegas, Nevada dancer. Krantz discusses the performing scene at the time and the general distaste dancers had for showgirls. Krantz goes on to discusses the details of nudity in performances and the relationships show directors like Harold Minsky and Donn Arden had with their performers. Krantz also discusses her experiences as a dancer and her opinions about the treatment of African American dancers.