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Leila Walker Gregory Papers

Identifier

MS-00218

Abstract

The Leila Walker Gregory Papers (1920-1979) consists of newspaper clippings and handwritten notes regarding the murder of Reed Walker, Leila's second husband who was Chief Building Inspector for Las Vegas, Nevada. Included are also notes and Mormon genealogy information on Leila and her third husband, Arthur Gregory, Gregory's diplomas, and correspondence.

Archival Collection

Ernest Clary Papers on Basic Magnesium, Inc. Engineering Plans

Identifier

MS-00044

Abstract

The Ernest Clary Papers on Basic Magnesium, Inc. Engineering Plans (1941-1944) contain an essay written by Clary formalizing the engineering process in building Basic Magnesium, Inc. (BMI). Also included are maps of the area around the plant and site maps of the main BMI structures.

Archival Collection

Transcript of interview with Gwen Walker by Claytee White, July 15, 2014

Date

2014-07-15

Description

Gwendolyn K. Walker arrived in North Las Vegas in 1962 from Houston, Texas, as a five-year-old with her parents, two brothers, and her cousins. The Walker family at first moved to a rented house on D Street, and Gwen attended Kit Carson Elementary School for first grade. Her mother enrolled in nursing school, so she sent Gwen back to Delhi, Louisiana, to be raised by her grandmother. In Delhi Gwen picked cotton with her aunt while she was in the second grade. Gwen returned to North Las Vegas to live with her mother and complete elementary school at Jo Mackey before matriculating to J. D. Smith Elementary School for junior high school and then to Clark High School. Later she attended UNLV. Gwen and her mother joined Saint James Catholic Church at H Street and Washington Avenue, but after she returned from Delhi she joined Second Baptist Church, where she became close with a cohort of friends that remained strong even as she experienced racism and bullying and love for the first time.

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Kings Row Trailer Park Neon Survey document, September 14, 2017

Date

2017-09-14

Description

Information about the Kings Row Trailer Park sign that sits at 3660 Boulder Hwy.
Site address: 3660 Boulder Hwy
Sign owner: Kings Row Trlr Pk Inc
Sign details: This property is still functioning as a mobile home park along Boulder Highway. They are one of the largest RV parks in Southern Nevada and within a close distance to downtown and Boulder Station Casino. They advertise that they have some of the best deals in town as well as about 200 spaces available. They have been operating in Las Vegas for more than 60 years.
Sign condition: 5 - in great condition, well maintained
Sign form: Roadside pole with a message center and directional elements
Sign-specific description: This sign is made up of many different small cabinets. The top is a painted crown that is plastic and backlit. This sits on top of a red minimal arrow sign that points to the direction of the trailer park. This sign has yellow incandescent light bulbs lining the edge with "Kings Row" painted in white paint on the top of the sign, "Trailer Park" painted in bold yellow text in the center, and the text is outlined with neon tubes. The cabinet under this is a long, red trapezoid with "OVERNITES" painted on it in bold white text that is also outlined with neon tubes. Under this is what appears to be an iron flourish on top of another plastic backlit sign. This sign as "RV SPACES" painted on it in bold red text over yellow paint, "INDOOR HOMES TRAILERS CAMPING" in bold red text against a white background, and "MOBILE HOME SPACES POOL REC HALL" in bold red text against a yellow background. Under this is another iron flourish. Following that sign is a plastic backlit reader board. Under that is a plastic backlit sign with "CAMPERS" in white text and underlined against a red background. Finally, there is another plastic sign in the shape of an arrow with "Kings Row" in a light blue script, "ENTRANCE " in red, and "TRAILER PARK" in black inscribed on it.
Sign - type of display: Neon, incandescent, backlit
Sign - media: Steel and Plastic
Sign - non-neon treatments: Paint
Sign environment: This property sits along Boulder High way and near many other RV rental businesses. It is also down the street from Boulder Station Hotel & Casino.
Sign - date of installation: Possibly c. 1962
Sign - date of redesign/move: Current sign not the original, which was a long rectangular shape cabinet
Sign - thematic influences: This sign is very unique to the RV park. To emphasize the "Kings Row" theme, the crown perched on the top of the sign is designed to help with this. Much of this sign is used to tell motorists and pedestrians what the property has.
Sign - artistic significance: This sign is elaborate. There are many different elements to this sign overall. This sign is that there is a crown to signify the royal theme of this property, possibly as a way to differentiate from other RV park signs around town.
Survey - research locations: Kings Row website, assessor's website
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-14
Sign keywords: Neon; Incandescent; Backlit; Steel; Plastic; Paint; Pole sign; Roadside; Directional; Reader board

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Bunkhouse Saloon Neon Survey document, August 23, 2017

Date

2017-08-23

Description

Information about the Bunkhouse Saloon sign that sits at 124 S 11th St.
Site address: 124 S 11th St
Sign owner: 11th Street Tavern LLC and Jillian is the manager (no last name found)
Sign details: This location opened in 1953, but has recently reopened under new ownership. This location is known for their concert venue as well as their southern style bar food.
Sign condition: 3-4- some fading in the plastic so it does not show as clear as an image as it could.
Sign form: Pylon
Sign-specific description: This sign has a black steel base with a sign box on top. This sign box is steel but has wood renderings on the sides of it. The sign box contains a back lit plastic sign that is red with yellow lettering that states "The Bunkhouse Saloon" in a swirly western font. Below this is a reader board.
Sign - type of display: Backlit plastic sign and reader board
Sign - media: Steel, wood and plastic
Sign - non-neon treatments: Plastic backlit sign and readerboard
Sign environment: This location is downtown on East Fremont across the street from PublicUs and a food market.
Sign - thematic influences: Their saloon theme is portrayed in the font on their sign. This theme could also pay homage to the early Las Vegas and Old West theme with the saloon idea.
Survey - research locations: Asessor's Page, Bunkhouse website http://www.bunkhousedowntown.com/about/ and google images.
Survey - research notes: Tried to contact manager for information on sign but no response.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-23
Sign keywords: Pylon; Plastic; Backlit; Steel; Reader board

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Transcript of interview with Dr. Catherine Bellver by Caryll Batt Dziedziak, November 13, 1995

Date

1995-11-13

Description

Dr. Catherine Bellver is a woman with tenacity. How else could one describe her drive to create the Women's Studies Program spanning fifteen years? As a faculty member in the Department of Foreign Languages, Dr. Bellver first joined the Women's Studies steering committee in 1979. In the following decade, the committee oversaw the formation of the Women's Studies Program, including: procuring administrative and faculty support, creating bylaws and course criteria, critiquing proposed cross-listed courses, and selecting course offerings. During that period she also worked with a volunteer group to create and staff the first Women's Center on campus. In the early Nineties, she played an instrumental role in the presentation of four public colloquia that addressed key issues pertaining to women. Dr. Bellver acted as interim director of the Women's Studies Program while overseeing the search for a permanent director. She continued to remain involved with the Women's Studies program, serving as faculty member on several committees. She has also worked in the Women's Caucus on the regional and national levels of the Modem Languages Association Dr. Bellver is currently Distinguished Professor of Spanish in the Department of Foreign Languages at the University of Nevada, Las Vegas. Her work has appeared in journals such as Anales de la Literature Espanola Contemporanea, Hispanic Review, Hispanofila, Insula, Journal of Interdisciplinary Studies, Monographic Review/Revista Monografica, Revista de Estudios Modernos, Revista Hispanica Moderna, Romance Notes and Romanic Review. Dr. Bellver's participation in the creation of the Women's Studies Program illustrates how critical institutional and social progress can result from the commitment of a determined group of individuals. Her decades of involvement in creating an academic arena for the study of women and gender issues underscores the significance of women's contributions to the history of Las Vegas. In addition to the history of the Women's Studies Program at the University of Nevada Las Vegas this interview contains information regarding the creation of the first Women's Center on campus.

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Transcript of interview with Dr. Lonnie D. Spight by Dr. David Emerson, May 8, 2007

Date

2007-05-08

Description

Dr. Lonnie D. Spight grew up in northern Colorado, earned his bachelor's degree at Colorado State University, and his PhD at University of Nevada Reno. His interest in astronomy dates from his early years on the farm in Colorado, star-gazing in the fields at night. Before coming to UNLV, Lonnie worked for the Department of Defense on scattering cross sections and explosions. Working between Los Alamos and the Test Site, he was often in Las Vegas and had met most of the physicists at the university. He was invited midterm to take over a physics class for a faculty member who had fallen ill, and was offered a job the following fall of 1970. In the seventies when Dr. Spight arrived, the physics department was located in trailers, and the university campus was mostly desert. Lonnie served as chair of the department on several occasions, and was responsible for insisting that faculty members get involved in research, no matter how tight the budget. He worked on solar energy and far-field microwave analysis, and helped set up safety standards for the new laser technology. One of Dr. Spight's interests outside of physics is a love for classical music. He was a volunteer "Deejay" for 12 years with KNPR once it got started in 1980. Meanwhile, after 37 years with UNLV Lonnie retains his enthusiasm and love for teaching. Today he teaches quantum mechanics and hopes that one day he will be able to teach a particle physics course which ties together cosmology, the beginning of the universe, fundamental cutting edge physics, quarks, gluon plasmas, and more. He has the course materials ready to go and is looking forward to many more years at UNLV.

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Photograph of Judy Bayley and Senator Howard Cannon at one of the trailrides, Las Vegas, Nevada, circa 1968-1971.

Date

1969 to 1971

Description

Judy Bayley and Senator Howard Walter Cannon at one of the trailrides, circa 1968-1971. Senator Cannon is pinning a ribbon on Judy Bayley. Judith “Judy” Bayley, namesake of the Judy Bayley Theatre at the University of Nevada, Las Vegas, was once known as “The First Lady of Gambling.” Judy and her husband Warren “Doc” Bayley opened the Hacienda Hotel and Casino on October 17, 1956. After Warren’s unexpected death from a heart attack on December, 26, 1964, Judy Bayley took over the ownership and operations of the Hacienda. By doing so, she became the first woman in Nevada history to be the sole owner and operator of a hotel-casino. An avid horsewoman, as a publicity campaign, Judy started “The Hacienda Trailrides.” Which some considered the social event of the year. The first trailride was held in December, 1968 to commemorate Pearl Harbor. The ride began at the Valley of Fire State Park and Ended in Overton, Nevada. Judy donated all proceeds from the trailride to benefit the local Veterans of Foreign Wars. Four Trailrides were held over the next four years, leaving from Tule Springs (now Floyd Lamb State Park), and from the Hacienda itself before they were discontinued after her death. After Judy’s death from cancer on December 31, 1971, the Hacienda was sold in 1972. The Hacienda’s doors closed to the public on December 10, 1996. The hotel was imploded on December 31, 1996 on the 25th anniversary of Judy Bayley’s death, and was broadcast on the Fox news network as part of their New Year’s Eve 1996 telecast. In March 1999, it was replaced with the Mandalay Bay Hotel and Casino.

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