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Displaying results 106251 - 106260 of 107203

Transcript of interview with Celia Rivero Grenfell by Patricia Hollard, March 31, 1977

Date

1977-03-31

Archival Collection

Celia Rivero Grenfell oral history interview

Description

On March 31, 1977, Patricia Holland interviewed Celia Rivero Grenfell (born 1926 in Las Vegas, Nevada) about her life in Southern Nevada. Grenfell first talks about her family background in Mexico and later describes her family’s restaurant business. She also describes her education, recreational activities, Downtown Las Vegas, and Helldorado. The two also discuss racial segregation and prejudice, the El Rancho Vegas, Lorenzi Park, early churches, environmental changes, early air conditioning, and Grenfell’s early work in a laundry business.

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Transcript of interview with Willie Jones, James Jones, and Jamet Jones by Robbin Mc Laurin, March 5, 1980

Date

1980-03-05

Archival Collection

Willie, James, and Jamet Jones oral history interview

Description

On March 5, 1980, collector Robbin McLaurin interviews three members of the Jones family, Willie, James, and Jamet Jones (born 1923, 1920, and 1961, respectively) in the Jones home. Mr. and Mrs. Jones were born in Forest, Mississippi, and relocated to Las Vegas, Nevada, for employment related purposes. This interview covers Las Vegas, past and present.

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Transcript of interview with Gertrude Rudiak by Claytee White, January 11, 2007

Date

2007-01-11

Archival Collection

Gertrude Rudiak oral history interview

Description

Gertrude (n?e Rightman) Rudiak was born in 1915 in North Dakota to Russian immigrants. She grew up in Wisconsin until 1924. That was the year the family drove to California via the Yellowstone Trail, a dusty, undeveloped road marked by yellow stones. In Los Angeles, her father practiced chiropractic, a holistic approach to well-being for which there was little knowledge at the time. Gertrude earned her music degree at University of California at Berkeley; a decision that did not lead to a career. She then attended a business college and got a job as a social worker in Northern California. In 1941, she met and soon married George Rudiak. It was the advent of World War II. George enlisted in the service and was assigned to Las Vegas Gunnery School (Nellis Air Force Base.) Since he had a law degree from University of California at Berkeley and passed the Nevada Bar exam, he found supplemental employment with local attorneys. Las Vegas became the Rudiaks? permanent home where they raised their five children. In this interview Gertrude recalls the stories of coming to live in Las Vegas of the 1940?s: their phone number was 1-2-3; the neighborhood they lived in longest being Scotch 80s and being part of the secular and Jewish communities.

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Transcript of interview with Dale Duane Everett by John Everett, March 7, 1980

Date

1980-03-07

Archival Collection

Dale Everett oral history interview

Description

On March 7, 1980, John Everett interviewed his father, cab driver Dale Everett (born January 29, 1924 in Danville, Illinois) at their family home in Las Vegas, Nevada. This interview covers past local historical data. During the interview, Mr. Everett discusses the weather, wildlife, and hunting. He also shares his views on prostitution and gambling in Las Vegas.

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Benilda Long Somes oral history interview: transcript

Date

2021-11-29

Archival Collection

Benilda Long Somes oral history interview

Description

Oral history interview with Benilda Long Somes conducted by Vincent Long on November 29, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Benilda discusses her life in Magalang, Philippines and her immigration to Saipan, part of the Northern Mariana Islands, as a young woman. She talks about meeting her partner, airman Robert Long, the birth of their son, and Robert's untimely death in an air crash less than a year later. Benilda shares how she and her child immigrated to the United States to be with family and their move to Las Vegas, Nevada in 2009.

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Transcript of interview with Gilbert D. Yarchever by Claytee White, 2006

Date

2006-04-03

Archival Collection

Gilbert Yarchever oral history interviews

Description

Gilbert Yarchever was one of nine siblings, born and bred in Pittsburgh, Pennsylvania. He describes the way his mother?s family was granted the last name of ?Kurfeersf" by Emperor Franz Joseph (of Austria-Hungary), explains the Seder (the Jewish observation of the exodus of Hebrews from Egypt), and tells what it was like to survive the Depression. Gilbert describes the jobs he held after high school and the government examination he took that led to his lifetime of adventure and travel. He moved to Washington, D.C., in 1940 and kept himself busy working for the government and taking classes at George Washington University, as well as working part time at Hecht Department Store and as a freelance court reporter. Following the attack on Pearl Harbor in 1941, Gilbert was sent to Africa on a merchant ship, helped smuggle Jewish survivors into Jerusalem, and was assigned the task of negotiating with Arab sheikhs for laborers to build a road. In the years after that, he worked in Europe, Panama, Alaska, Japan, and Hawaii and describes many of the jobs he was responsible for and many of the individuals he met. He also married and had children, kept up with university classes whenever he could, and collected art objects and paintings. Following his retirement in 1977, Gilbert and his family came to Las Vegas and bought a condo in Regency Towers. He did some consulting work for a couple of years, and then he and his wife began traveling around the states and going abroad. He was involved with UNLV?s EXCEL program, the music department, and the Las Vegas Art Museum. (He and his second wife Edythe presented the first major exhibition on Holocaust art at the museum.) These days Gilbert often donates pieces from his art collection to churches, synagogues, and charitable organizations.

Gilbert Yarchever was in the Navy during World War II, helped smuggle Jewish refugees into Jerusalem, worked as a civil servant in many countries, and moved to Las Vegas in 1977. He helped found the EXCEL program at University of Nevada, Las Vegas and was an art collector with his wife, Edythe Katz-Yarchever.

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Transcript of interview with JoNell Thomas by Claytee White, January 12, 2010

Date

2010-01-12

Archival Collection

JoNell Thomas oral history interview

Description

JoNell Thomas grew up in a large Utah family, went to Utah State and law school at University of Utah. She moved to Nevada in 1992; first as with the Nevada Supreme Court and then as a staff attorney with a Las Vegas firm, and currently is an attorney with the Clark County Special Public Defender's office. She and her husband, Billy Logan and their twin daughters have lived in the John S. Park Neighborhood since 2001. Their residence was constructed in 1956 on a large corner lot with lots of trees and a fifty-year-old swimming pool. JoNell offers her observations on a variety of JSP events: Stratosphere's failed rollercoaster across the Strip idea; the proposed high-rise complexes; the Monorail lack of convenience to locals; effects of dropping home prices and downturn of economy; the homeless population and closing of Circle Park. She helped create the early online community called the Downtown Neighbors website which provided information regarding , part activist, part pra

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Temple Beth Sholom

Temple Beth Sholom was the first Jewish congregation in Southern Nevada and continues to function as a religious, educational, and social center for a considerable portion of the Jewish community of Las Vegas. Previously known as the Jewish Community Center of Las Vegas, it became affiliated with the Conservative Movement and officially known as Temple Beth Sholom in 1958. The congregation originated in Las Vegas in the 1930s with a small group of families and grew to be the largest temple in Nevada during the 1960s.

Stardust Resort and Casino Photograph Collection

PH-00319

Abstract

The Stardust Resort and Casino Photograph Collection, approximately 1970 to 1979, consists of black-and-white and color photographic prints of the Stardust Hotel and Casino in Las Vegas, Nevada. The photographs depict the interior and exterior of the hotel before and after its renovation in 1975.

Archival Collection

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Photographs of Luxor signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Archival Collection

Southern Nevada Neon Survey Records

Description

Photos show Luxor signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Luxor (Las Vegas, Nev.)
Site address: 3900 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The giant black, glass, pyramid rises out of the desert as certainly one of the most unique structures. The pyramid is also accompanied by a monolithic, heavily geometric structure, finished in the same black, panels of windows. Just to the north. The front of the property is dominated by an array or Egyptian architectural landmarks such as an giant obelisk, the Sphinx, various statues of Egyptian gods and pharaohs line the multi tiered expanse of concrete and stucco. The property is pedestrian interactive, being able to pass underneath the giant obelisk, and through and beneath the giant Sphinx. The feel produced by area is appropriate for the desert environment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: On the expanse of concrete in front of Las Vegas Blvd, just north of the obelisk, a double-sided pylon sign joins the ancient composition. The pylon actually is more akin to the pylons seen at properties such as the Monte Carlo or the Mirage. It is located in the northern portion of the property on the west side of the strip-facing northwest along Las Vegas Blvd Two square posts support a two-sided square cabinet which houses a back lit advertisement and a set of crafted letters spelling the name of the establishment. Occupying the upper portion of the space between the legs another internally lit, two sided, cabinet, atop a small pair of internally lit sculpted cabinets. From a distance the cabinets look like thumbs holding up the cabinet. The shapes are graphically treated on the surfaces to look like colorful recreations of a hieroglyphic bird, the wings being the elongated portion of the cabinet. The only art attached to the cabinet is the portion designated for the head of the creature. Three sets of sculpted cornices, create borders for the different planes. The bases of the legs are treated with the ledging, the section separating the top cabinet, from the rest of the sign, and finally another set around the top crowning edge of the sign. Both sides of the top edge have a sculpted element in the very center. A flat circle, presumably a representation of the sun, flanked by two snakes are set on a pair of large wings spreading to either side. This element is ambiently lit from underneath. The text, which spells "Luxor," is composed of polished gold channel letters, with closed faces with graphic treatments in blue upon the faces. The faces are painted to appear if the letters are faceted into three dimensions. They are lit from behind with whit neon creating a halo effect around the letters. The surface of the actual structure is finished to appear as if it is constructed of limestone, utilizing false joints and seams. The south end of the property close to the street is the four-sided obelisk. The text on the obelisk is the same word treated in the same fashion, structurally and aesthetically, as the pylon sign. The only difference is that it reads vertically from top to bottom. Statuary adorn the base of the obelisk in a repeating pattern as well as it being covered in hieroglyphic patterns. A tunnel allows for the pedestrian to pass underneath the obelisk. The porte cochere is located underneath the body of the Sphinx, another use of the architecture to incorporate the pedestrian element. If you head east through the sphinx, a tunnel opens up into a small courtyard where a shuttle bus may be caught. The ceiling of the porte cochere is adorned with a circular chandelier, composed of metal representations of leafy branches radiating around a rounded center. The ends of the arms hold length-wise half cylinder lamps. The ceiling above is painted blue. The most spectacular element of the Luxor is its super powerful light in the place of the capstone at the very peak. The beam is one of the most powerful lights in the world, and can be seen from high above into the earth's atmosphere as well. The edges of the pyramid are also raceways, which can be seen in action in the dark. An animation of bulbs makes it appear as if a single bulb of light streams up the base to the very peak. The animation runs at an interval of every couple of seconds. On the very south edge of the property, actually on the southeast corner, is a sculpted, small pylon which houses a color led screen.
Sign - type of display: Neon
Sign - media: Steel; Masonry
Sign - non-neon treatments: Plaster
Sign animation: Chasing
Sign environment: Standing next to the Mandalay Bay on the west side of the southern end of Las Vegas Blvd, the Luxor's front exterior is a sprawling mass of smooth vertical planes turning into eloquent statue and stucco walls. They are interlaced with drives and signage complete with a platform at the base of the Sphinx, which is just east of where the valet and porte cochere are grounded in the base of the beasts belly. From the edge of a Platform a tram station is located and also a view of the signage can be seen as well. The Luxor's environment is a very pedestrian one as well. Being in an isolated part of the strip, the noise clutter brought about by the surging traffic is considerably better than the heart of the strip.
Sign designer: Veldon Simpson
Sign - thematic influences: The theme of the Luxor is obviously that of ancient Egypt. The Ancient Egyptian imagery is placed among the same images but represented in the shiny black glass, giving a touch of future meets the past. The image seen are some of the most commonly seen images when talking about the Ancient Egyptian culture. The Sphinx stands guard at the base of the giant black pyramid, one sign is attached to an obelisk. Various statuary adorn the entire plaza. The environment created with the motif obviously fits into the desert like dust, but still retains the surreal nature associated with the themed hotel. The aesthetics appear to be fantastic, but are a bit odd due to the arrangements and limitations on space. It does however fir into an interesting sub category of resort that is themed around a culture. Yes it is themed around a city, but the culture shines through with more dominance. Another example of this is the Imperial Palace. It is not necessarily themed after a particular city, but the architecture and imagery suggests the Asian culture.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Fascia; Porte-cochère; Neon; Steel; Masonry; Plaster

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