Oral history interview with Edwin "Tony" Wuehle conducted by David Schwartz on December 21, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Wuehle discusses his early life in Hettinger, North Dakota and his career as an educator. He recalls his first experiences playing poker, participating in home poker games while living in Michigan’s Upper Peninsula, and using a pseudonym as a player. Wuehle then talks about writing a book, founding the Gamblers Book Club Press in Las Vegas, Nevada, and writing for religious publications. Later, Wuehle explains the tension between participating in religion and playing poker. He describes Las Vegas poker rooms during the 1960s and 1970s and shares his thoughts on online poker. Lastly, Wuehle discusses why casinos use prop players and his efforts to organize a poker tournament to raise funds for Bay de Noc Community College in Michigan.

The Las Vegas Jazz Society Records (approximately 1975-2003) are comprised of organizational records including meeting agendas, minutes, and membership statistics of the Las Vegas Jazz Society (LVJS). Included in the collection are issues of the LVJS's newsletter Jazz Notes, promotional materials, blank membership applications, correspondence, information on other regional jazz societies, and photographic prints depicting various events and festivals. A portion of this collection documents LVJS's involvement in saving the KUNV 91.5 FM radio station.

The Alan Copeland Music Scores are original handwritten music scores arranged by American composer Alan Copeland from approximately 1936 to 2004. Copeland worked with various musicians and groups, such as Les Brown, the Modernaires, and Sarah Vaughn.

The UNLV Libraries Collection of Boyd Gaming Promotional Materials and Reports includes annual reports, clippings, financial reports, a press kit, press releases, and promotional materials for Boyd Gaming Corporation in Las Vegas, Nevada, dating from 1986-2009.

The Nan Doughty Photograph Collection (1870-1987) consists of approximately 960 black-and-white and color photographic prints, black-and-white photographic negatives, and black-and-white and color photographic slides, taken by Nanelia Doughty, family members, and friends.