Oral history interviews with James Dean Leavitt conducted by Claytee D. White on September 27 and October 4, 2022 for the Boyer Early Las Vegas Oral History Project. In this interview, Leavitt recalls his role in establishing a medical school at the University of Nevada, Las Vegas (UNLV), now known as Kirk Kerkorian School of Medicine. Leavitt was elected to the Board of Regents in 2004 while Jim Rogers was interim Chancellor of the Nevada System of Higher Education (NSHE), and he suggested the creation of an ad hoc committee Health Science Center Committee. In 2009, Leavitt became Chairman of the Board of Regents, Dan Klaich became Chancellor, and in the following year, Dr. Mark Doubrava joined the board. In May 2014, the planning dean was hired, Dr. Barbara Atkinson, and the UNLV School of Medicine was officially established on August 22, 2014.

Oral history interview with Ronald Marshall conducted by Barbara Tabach on March 14, 2012 for the Boyer Early Las Vegas Oral History Project. In this interview, Marshall talks about living and working on the Walking Box Ranch outside of Las Vegas, Nevada when it was owned by Rex Bell, Sr. and Clara Bow. He discusses moving with his mother, younger brother, and step-father from Tucson, Arizona when his step-father was hired as ranch manager by the Bell's, the kind of work they did on the ranch, from building fences and a windmill to herding and branding cattle. He also discusses his friendship with Rex Bell, Jr. and how the Bureau of Land Management's decision to reduce cattle grazing impacted the business. Fianlly, he spends time identifying and discussing various cattle brands and farming implements for the interviewer.

Oral history interview with Ida M. Harris conducted by Claytee D. White on March 25, 2004 for the Boyer Early Las Vegas Oral History Project. In this interview, Harris discusses moving to Las Vegas, Nevada as a young women in 1920. She talks about parties she attended, her employment in retail and accounting, the Rose Bowl Parade, Helldorado, the construction of Hoover Dam and Boulder City, Nevada, and riding events she participated in as a member of the women's riding group The Lariettes. She also mentions local sights, the outdoor movie theatre, the early casinos, and the Las Vegas Jockey Club racetrack. She also identifies numerous individuals in photographs.

Oral history interview with Catherine Buchanan conducted by Claytee D. White on March 26, 1997 as part of the UNLV University Libraries Oral History Collection. In this interview, Buchanan speaks at length about her child and young adulthood in Louisiana and explains how she moved to Las Vegas, Nevada in 1971. She discusses her first job as a maid at the Landmark Hotel and Casino and how she applied to the Teamsters Union to move into front desk work in the hotels, which led to a job at the Sahara Hotel and Casino. She then talks about discrimination and the small percentage of African Americans in the more "visible" jobs at the hotels.

The Sean Clark Collection of Las Vegas Entertainment Ephemera (approximately 1940-2004) contains a variety of material relating to different eras of Las Vegas, Nevada entertainment. Included in the collection are newspapers about the 2004 re-release of Howard Hughes' "Two Arabian Nights" film, and draft articles about 1960s entertainment leaders Jack Entratter and George Sidney. Also included in the collection are original photographs of Corinne Sidney with Jack Entratter and others in the 1960s, and Sidney's father's political advertisements that show her as a young girl. A newspaper clipping about Edthye and Lloyd Katz, a 1979 ShoWest award to the couple, and a Huntridge Theater poster document the couple's work in the entertainment industry in the 1960s and 1970s.

Oral history interviews with Vassili Sulich conducted by Gerald A. Villa on March 23 and May 4, 2002 for the UNLV University Libraries Oral History Collection. In these interviews, Sulich recalls his upbringing and his experiences as a child during World War II, his study of ballet, and the beginning of his professional life with several ballet companies in France. He then recounts his move to Las Vegas, Nevada in 1964 to produce the Folies Bergere (Las Vegas) at the Tropicana Hotel and Casino, a position he held for nine years. In 1972 he began teaching ballet at the University of Nevada, Las Vegas (UNLV) and formed the Nevada Ballet Theatre. He continues talking about his philosophy of dance, the changing perspective of male ballet dancers, and the process of working as the artictic director of a ballet company, and the extreme toll constant practice and performance have on the physical and emotional state of dancers. Finally, he discusses his resignation from the Nevada Dance Theatre and a ballet he choreographed in his mother's memory.

Ken Hanlon oral history interview conducted by Cynthia Cicero on January 17, 2014 for the UNLV University Libraries Oral History Collection. In this interview, Hanlon discribes his background, talking about his childhood in Maryland, his early interest in music, and the opportunity to study with the same band teacher through middle and high school. He talks about starting to play a baritone horn before switching to the trombone, his early experiences playing with dance bands, starting private lessons, and eventually matriculating to the Peabody Conservatory of Music in Baltimore, Maryland. He continues, relating his five years teaching middle-school music after graduating from college, and his decision to move to Las Vegas, Nevada in 1968 to seek work as a full-time musician. After talking about some of the difficulties he faced finding work, he discusses his time in a road band and deciding to apply to teach at the University of Nevada, Las Vegas (UNLV). He explains that he was hired to teach as an adjunct in 1970 and two weeks later was offered the job of department chair, a role he held for 16 years before moving into university administration. During this period he continued to perform, playing trombone in the Sands Hotel and Casino house band under the direction of Antonio Morelli. Finally, he discusses Morelli at more length, and concludes by talking about endowments for music education and the Arnold Shaw music collection at the Arnold Shaw Center at UNLV.