The Carmella Rickman Papers (1955-1999) document Rickman’s career as a burlesque dancer as well as her later life in Las Vegas, Nevada. She performed primarily in Washington, D.C. and along the east coast of the United States in the 1950s and 1960s. Materials include promotional photographs of Rickman and newspaper and magazine clippings about her performances, as well as photographs and promotional material for other burlesque dancers. The collection includes one beaded costume worn by Rickman. It also includes photographs of Rickman’s life in the 1990s in Las Vegas, Nevada.

The Central Credit, Inc. Records (1956-1987) contain meeting minutes, employee records, business ledgers, newspaper clippings, membership applications, photographs, and reports. Also included are incorporation papers, a Code of Ethics, Credit Law, Tod Early's personal calendars/diaries, and audiovisual materials. Central Credit, Inc. had branches in Reno, Las Vegas, and Lake Tahoe, Nevada, and also in London.

The Dottie Dee Dancers Collection (approximately 1940-2002) is comprised of newspaper clippings and photographs documenting the career of Dorothy (Dalton) Tomlin who led a line of dancers known as the Dottie Dee Dancers. The dancers performed in nightclubs in Las Vegas, Los Angeles, San Francisco and other western cities. Other items in the collection include scans of the original costume drawings by Hollywood costume designer Lloyd Lambert that were created for the Dottie Dee Dancers, and the transcripts of a 2002 oral history of Dottie and her husband, Donald Tomlin.

The Tony Costa Sheet Music and Music Scores (1936-1995) consists of printed sheet music and hand-written scores composed by entertainer, songwriter, and Las Vegas, Nevada orchestra conductor Tony Costa.

This collection is comprised of publicity and promotional materials documenting the Caesar's Palace Hotel and Casino Resort and the Circus Circus Hotel and Casino Resort. Both resorts were a result of hotel and casino developer Jay Sarno. There is a small amount of material on Sarno in the collection such as newspaper clippings, a press release, and a copy of Sarno's FBI investigation file. The collection includes property records, magazine and newspaper clippings, informational brochures from the two properties, press kits, and a small amount of correspondence. It also includes a prospectus and stock offerings for Sarno's never-realized Grandissimo Hotel and Casino resort that would have been built on Interstate 15 to the west of the Las Vegas Strip.

The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions. Audio and video recordings include interviews with museum staff and local news coverage of events. Also included are architectural floor plans for the Sahara West Library, which was used as a gallery space for LVAM. Digital files in this collection include recordings and presentation slides from LVAM lectures with curators and artists. Other digital files include photographs from LVAM events and workings files from LVAM staff.

The Center Stage, Inc. Records (1994 to 2008) are comprised of photographs, bylaws, correspondence, meeting minutes, publicity, scripts, programs, cast lists, and video cassettes of a number of the productions. Center Stage Theater Inc. was the first LGBT theater company in Las Vegas, Nevada.