Oral history interviews with Jerry Cade conducted by Dennis McBride on various dates in February, May, June, July, and November of 2003 for the Las Vegas Gay Archives Oral History Project. In these interviews, Cade recalls his early life in Kermit, Texas, his education, his Methodist upbringing, and understanding his sexuality during high school and college. He then talks about traveling to Spain in January 1976 where he met his first romantic partner. Cade then describes moving to Las Vegas, Nevada in 1981 to work at the Community Health Centers of Southern Nevada. He also discusses other relationships he had since moving to Las Vegas, his political activism, working on the first American Medical Association panel to study AIDS in 1983, and his first AIDS patient in August 29, 1985. Cade then elaborates on the history of AIDS in Las Vegas, AIDS support and advocacy groups in Las Vegas, the public perception of AIDS and the gay community, and the repeal of Nevada's sodomy law.

African Americans in Las Vegas: a Collaborative Oral History Project event roundtable conducted by Claytee D. White on January 18, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this panel event, Jean Childs, Joe Neal, Jackie Brantley, LaVerne Ligon, and Ramon Savoy discuss their early lives and explain how they arrived to Las Vegas, Nevada. Childs talks about her father’s business, the Penguin Club, and the history of African Americans in the gaming industry. She talks about her involvement with the Economic Opportunity Board (EOB) and the Head Sstart federal program. Savoy remembers the foundation of Las Vegas Sentinel-Voice and the challenges of distributing weekly publications during the late 1950s. Neal recalls his first political campaign, being a chairman for the EOB, and becoming a Nevada State Senator. Later, Brantley describes the 1971 consent decree, discrimination against African American workers in the gaming industry, and her career in hotel management. Ligon remembers her career as a dancer, being a part of an all-African American dance line, and integration in the entertainment industry.