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Heidi Sarno Straus oral history interview

Identifier

OH-01628

Abstract

Oral history interview with Heidi Sarno Straus conducted by A. D. Hopkins on April 04, 1999 for the Las Vegas Review-Journal First 100 Oral History Project. In this interview, Straus discusses her personal history and the life of her father, Jay Sarno. She recalls living at Caesars Palace Hotel and Casino in Las Vegas, Nevada and describes what it was like living in casinos with her family. Straus discusses the opening of Circus Circus Hotel and Casino and hosting parties in the hotel rooms as a teenager. Lastly, Straus talks about the changes in her fathers’ hotels in Las Vegas.

Archival Collection

Photograph of Jay Sarno on the set of "Diamonds Are Forever," 1971

Date

1971

Archival Collection

Description

Jay Sarno in costume on the set of the 1971 motion picture "Diamonds Are Forever." Sarno had a brief role in the film, which was shot, in part, at Sarno's Circus Circus in Las Vegas, Nevada.

Image

Terry Cavaretta St. Jules and Rejean St. Jules oral history interview

Identifier

OH-03431

Abstract

Oral history interview with Terry Cavaretta St. Jules and Rejean St. Jules conducted by Claytee D. White on May 02, 2018 for the Boyer Early Las Vegas Oral History Project. In this interview, Terry discusses her upbringing and early interest in trapeze performance. She remembers performing with her siblings, touring with her family, and arriving to Las Vegas, Nevada in 1968. Terry talks about performing at the Circus Circus Hotel and Casino and Las Vegas production shows at the time. Later, Rejean recalls arriving to Las Vegas in 1982 as an acrobat and juggler. He describes performing in the Lido, the Folies, and Jubliee shows. Lastly, Terry and Rejean discuss their career in production shows.

Archival Collection

Photographs of Slots a Fun signs, Las Vegas (Nev.), 2002

Date

2002
2017-09-01

Description

Photos show Slots a Fun signs at night and during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2880 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Slots a' Fun is located on the south side of the Circus Circus parking lot, but it is on residence now. The small building stretches west with the mouth of the building being an open mouth facing the east. The external signage is located on the elongated north face of the building, and the gaping east entrance. The north side is comprised of gold painted, crafted raceways with various text signage. The entrance is adorned with various internally lit cabinets as well as a marquee adorned pediment, located within the front face of the entrances overhang. The entrance is considerably small, sandwiched between flamboyant properties such as the Westward Ho and the Circus Circus.
Sign condition: Structure 4 Surface 4 Lighting 4 The structural integrity is good as well the lighting. The surface is starting to show some signs of wear, but not very much at all.
Sign form: Fascia
Sign-specific description: The main entrance faces east and contains an interesting array of signage. The front is highlighted by two giant pillars. The are uniquely designed as inverted, tapered cones supporting the barrel vaulted cantilevered overhang. Near the top portion of the column a backlit message box cuts through the pole dividing it into two apparent sections. Bordered on all edges with gold polished raceways with incandescent bulbs, the box is animated in a chasing pattern. A top the poles on the north and south sides a polished aluminum, circular cabinet, has red, backlit plastic containing the words "Slots A' Fun" in white text. These cabinets are outlined in red neon. The edges of the apparent recess are lined with incandescent bulbs Each vault contains a long bank of large incandescent sphere's, arranged in single file. Along the front of the cantilevered overhang we have an entablature running the length of building. Gold raceways run horizontally along the top and the bottom with rows of triple incandescent bulbs. In the center of the pediment, white channel letters painted red on the inside, with incandescent bulbs filling the interior space of all of the characters. Each letter is also outlined in neon. The rest of the interior space of the facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Under that, a polished gold aluminum banner with various assorted neon letters and advertisements is displayed. Since the "Slots A' Fun" used to be part of the Circus Circus it is closely integrated into the environment and even with the signage. Upon the northeast corner of the building a sign for the Circus Circus is perched on the top of the roofline facing north/south. Facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Moving around to the north face of the building, an array of signage is present headed west along the wall. Along the stucco facade we have overhangs of different dimensions. On these three overhangs we have gold channels in the shape of a continuous curly cue or rope shape. These raceway channels are lined on the inside with incandescent bulbs. The first one, furthest east, is a good length, and smaller in height than the others. The pattern loops eight times along the front. One single loop of the rope shape is located on the return width of the overhang as well. No text is incorporated with this overhang. The second curling raceway is over a wider, shallower depth. The overhang, is much larger in size and supports cursive pan channel letters painted red and outlined with red neon. The letters spell "Casino" in a continuous script text. The third overhang is the largest of the trio, and serves as the main entrance for this face of the building. It is in direct proximity to the actual Circus Circus building and the blazing signage, and porte cochere. This overhang is lower to the ground than the other two but projects further out. Channel letters spell "Slots A' Fun" in the front face of the overhang located in the center. The channel letters are painted red and lined on the interiors with red neon as well. This text is block instead of script. Flanking either side of the text there is the curling channels. The face of the building rises upward from the ground and meets the bottom edge of the overhang, with a continuous radius vault. The surface of the wall is surfaced with a gold reflective material. Just below the text of the overhang is a red steel cabinet, that is internally lit. The red painted steel box has a red plastic with a red plastic face with white lettering. The block text reads "Entrance." The sides are sculpted with a radius space reduced out of the sides of the cabinet. The edges of the face are lined with incandescent bulbs. Below the cabinet a red, vinyl, awning extends out over the doors, and a pedestrian path. A small portion of the main structure still extends west with one more loop on the face of the building.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, oscillating
Notes: All of the raceways chase each other. This includes all of the different aspects which are lined with incandescent bulbs.
Sign environment: The Slots A Fun has the unique position of being in between the Westward Ho and the Circus Circus. It was at one time part of the Circus Circus, so it essentially blends in with its environment. The south side of the building literally resides touching the Westward Ho.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of Slots a Fun can be regarded as the heavy influence from its initial design based on the Circus Circus. In that respect it would be linked to a circus theme. The almost surrealistic swelling of the tile laden columns on the east face of the building as well as the curly cue raceways suggest a busy excitement usually associated with the extravaganza of the circus. To that end, the interaction with the Las Vegas environment would suggest the theme of a party. Such influence of the same element of theming can be seen in the umbrella shapes and chasing action of the neighboring Westward Ho. Several elements of the facade suggest different trends as well. The eastern overhang's vaulted dome is surfaced with the highly reflective polished gold aluminum. The entrance on the northern face incorporated with the surfacing with a golden reflective surface. The trend of using the reflective surface to further perpetuate the luminescence is used highly in the flanking properties. The use of the raceways is a unique function, not repeated on any other property.
Sign - artistic significance: Some unusual elements that have not been repeated can be found in this lesser-known example of sign art.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Masonry; Graphics; Paint

Mixed Content

Photograph of Jay Sarno on the set of "Diamonds Are Forever," 1971

Date

1971

Archival Collection

Description

Jay Sarno in costume with two unidentified men on the set of the 1971 motion picture "Diamonds Are Forever." Sarno had a brief role in the film, which was shot, in part, at Sarno's Circus Circus in Las Vegas, Nevada.

Image

Ronnie Bank oral history interview

Identifier

OH-02205

Abstract

Oral history interview with Ronnie Bank conducted by Lael Byrd on November 30, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Bank discusses his personal history and growing up in Las Vegas, Nevada. He talks about his employment at the Las Vegas Hilton (currently Westgate Las Vegas Resort and Casino) and Circus Circus Hotel and Casino. Bank then describes nightlife and entertainment on the Strip in the 1980s, discrimination at night clubs, and West Las Vegas entertainment. He goes on to describe the riots following Rodney King’s death, the challenges with interracial relationships, and why families began moving away from the Westside. Lastly, Bank discusses working as a disc jockey (DJ) in Las Vegas, African American radio stations, and the development of the Westside.

Archival Collection

Vadeem Volansky, Anastasia Popovich, and Amdrei Skoro oral history interview

Identifier

OH-02755

Abstract

Oral history interview with Vadeem Volansky, Anastasia Popovich, and Amdrei Skoro conducted by Jan Biggerstaff in approximately 2008 for the Let;s Runaway and Join the Circus Oral History Project. In this interview, Volansky reflects upon his upbringing in Ukraine, his entrance into circus college, and his competitions before moving to Las Vegas, Nevada to perform in shows such as Mystere. Popovich discusses her upbringing in Las Vegas, Nevada, while her father worked in a show at the Circus Circus. She reflects upon having the show animals at home, how she trained for the circus, and eventually worked in the theater at the Aladdin, later Planet Hollywood. Skoro discusses his upbringing in Chelyabinsk, Russia, military operations before the city name was changed to Ozersk, and his entrance into circus school. Digital transcript available; no audio recording.

Archival Collection

Transcript of interview with Nora Luna by Maribel Estrada Calderón, November 7, 2018

Date

2018-11-07

Archival Collection

Description

Nora Luna (1971 - ), the daughter of Mexican immigrants, recalls her growing up experience in the Las Vegas Valley. During her childhood, she and her siblings frequently persuaded their father to take them out to eat to the Circus Circus buffet. She enjoyed playing the carnival games at the Circus Circus. She attended Las Vegas High School. In 1994, she graduated from UNLV with a degree in criminal justice. Her education inspired her to work with the community’s youth. She tutored children at the Y.M.C.A. of Southern Nevada. Luna also worked for a program, Anahuac, which sought to deconstruct some of the myths that often prevent Latinos from attending college. In Reno, Nevada she worked with non-profit organizations to implement evidence-based practices for youth development. Luna has worked for Nathan Adelson Hospice as the Director of Diversity and Grant Funding since 2008. She seeks to find culturally competent care for Latinos and ensures that the hospice provides informational r

Text

Photograph of the exterior of Slots-A-Fun Casino, Las Vegas, Nevada, circa 1973

Date

1973

Archival Collection

Description

The northeast exterior and marquee of Jay Sarno's Slots-A-Fun Casino. The fountains in front of Sarno's Circus Circus are partially seen to the right. Street Address: Las Vegas Boulevard

Image