The memories and recollections of Alice Thiriot Ballard Waite provide a most interesting look at both at the Junior League of Las Vegas in the 1970s and the early days of Las Vegas. Alice recalls her childhood and young adult years after she arrived in Las Vegas at the age of five, giving the reader a rare picture of Las Vegas in the 1950s and 1960s. She was most active in the volunteer community of Las Vegas and served as Junior League President in 1964-5. Her reminiscences about the events and activities during the years while she was a Junior League member are an invaluable insight into its history. The exhibits she is sharing are an important documentation of those years after the Service League became the Junior League. She herself was a forerunner of today's Active members because she was a single, working mother while serving as the first "professional" President of the League.

Las Vegas tourists who stop to admire the Mirage volcano, the Bellagio conservatory, the Wynn Las Vegas mountain, the Encore gardens, and the iconic Welcome to Las Vegas sign’s surroundings on the Las Vegas Strip likely do not realize that in each case they have sampled a unique landscape environment conceived by Don Brinkerhoff of Lifescapes International, Newport Beach, California. It is for producing work of this caliber that in 2016 the American Gaming Association selected Brinkerhoff to be the first designer inducted into the Gaming Hall of Fame. In this interview, the Los Angeles native and son of a working-class father and an artist/schoolteacher mother, explains how he spent his youth in an owner-built house in the modest suburb of El Monte, where he tended the family truck garden. Despite earning his degree in ornamental horticulture at California Polytechnic (Cal Poly), Don felt unschooled in the arts because the small school did not teach them. To fill that educational gap, Don took his wife and four children to Europe for two years, where he affiliated with the American Academy in Rome and worked for TAC (The Architects' Collaborative) in Greece among other adventures. The family spent another six months in Hawaii, where the children attended school and Don worked with a local landscape architect. The family’s unusual work, school, and travel experience more than completed Don’s arts education and shaped his world view and that of his daughter Julie in countless ways that came to silently benefit the Las Vegas built environment. Upon returning to California in 1968, Brinkerhoff opened his Orange County office, and Lifescapes International became the “go-to” firm to create water features for condominium projects. This work led to his first hotel-casino project at a Sun City golf course condominium project in South Africa, which in turn led to a telephone call from architect Joel Bergman inviting him to become one of three candidate landscape architects to work with Steve Wynn on what would become The Mirage hotel-casino in Las Vegas. Here, Brinkerhoff speaks to his design philosophy as ninety percent problem-solving and ten percent inspiration even as he describes organizing the signature tree for The Mirage, building the Mirage volcano, taking the idea for Bellagio’s conservatory from the DuPont family’s Longwood Gardens, of creating faux banyans in the Mirage atrium, of creating the model for the Las Vegas Strip median, and of building the mountain on Las Vegas Boulevard in front of Wynn Las Vegas to conceal the Cloud at the Fashion Show Mall. While the fortunes of Lifescapes International continue to grow and succeed worldwide, both Don and Julie credit Steve Wynn and their Las Vegas work: “Las Vegas has totally changed our lives.”

On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.

Cathie and Chris Millson moved to Las Vegas with their one-year-old daughter, Nicole, in 1984 following Chris’s completion of a cardio-thoracic anesthesiology fellowship in Atlanta, Georgia. Their two other children were born in Las Vegas. Shortly after they arrived they purchased the Rancho Bel Air house where they currently reside. Cathie talks about raising her children and living in Rancho Bel Air, a gated neighborhood of custom houses, which grew to maturity after the Millsons moved in. Cathie’s memories chronicle the growth of Las Vegas from small town to large city, how a certain segment of the population lived and entertained, and how downtown revitalization has brought young people back to Rancho Bel Air to raise their families.

Interviewed by Maribel Estrada Calderón. Born in Chihuahua, Mexico in 1979, parents immigrated to US when he was pre-school age. By 1989, they had moved to Las Vegas where father got a construction job. Today, Raul is Vice President of Catering with the Station Casinos/Hotels. Married to Ace Daniels.

Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]