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Transcript of interview with George Gilbert by Ruth Guidi, February 10, 1975

Date

1975-02-10

Description

On February 10, 1975, Ruth Guidi interviewed George Gilbert (born 1931 in Southgate, California) about his life in Nevada. George first talks about his education in Las Vegas and his family background. He also talks about times during World War II, the shopping facilities available to those in Las Vegas, the casinos that existed, the churches that were built, and the Helldorado parades. The two also discuss social clubs, politics, the atomic testing, environmental and social changes, the Mormon Fort, Hoover Dam, and the first movie theaters.

Text

neo000058-004

Date

2017-09-21

Description

Sign animation: Chasing, flashing, oscillating
Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.

Transcript of interview with Nancy Horden by Ward Murashige, February 26, 1980

Date

1980-02-26

Description

On February 26, 1980, collector Ward Murashige interviewed Nancy Horden (born February 7th, 1921 in Las Vegas, Nevada) in James Dickenson Library at the University of Nevada, Las Vegas. The interview covers Nancy’s family background, and life in Nevada, including home life, recreation, and hobbies. During this interview, Nancy also discusses local development, and the social and environmental changes that have occurred over the span of her lifetime in Las Vegas, Nevada.

Text

Transcript of interview with Mae Farei by Martha Jane Cunningham, February 24, 1980

Date

1980-02-24

Archival Collection

Description

On February 24, 1980, Martha Cunningham interviewed her aunt, Mae Farei (born 1909 in Illinois), about her experiences living in Nevada. Farei first talks about the development of the Downtown and Strip areas. She then discusses work at the Twin Lakes Lodge and Stardust as a housekeeper, and she later mentions some of the recreational activities available to those in Nevada. She also mentions the importance of Nellis Air Force Base and expresses her appreciation for living in Southern Nevada.

Text

Tony Wuehle Collection

Identifier

MS-00522

Abstract

The Tony Wuehle Collection documents the activities of freelance writer, college president, and poker expert Edwin "Tony" Wuehle of Michigan and Las Vegas, Nevada, between the years of 1950 to 2007. The collection consists of copies of Wuehle's regular columns, newsletters, and special articles as they were published in various journals and newspapers, especially those related to poker, the International Home and Private Poker Player's Association (IH3PA), education administration, and religious concerns.

Archival Collection