Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

On November 3, 1978, Jane P. Kowalewski interviewed Mazie Martin Jones (born in Las Vegas, Nevada) about her father, Doctor Roy Martin, the first doctor to own a private practice in Las Vegas. Jones explains how her father first arrived in Nevada and his different investments in real estate, hospitals, and hotels. She goes on to explain her father’s hotel pursuits after retiring from medicine in the late forties.

During the early 1970s, the boom of Las Vegas included many single people following family who had already settled there. Among those was Martin (Marty) Wilner. Marty?s parents were Leo and Mickey Wilner. Leo moved to Las Vegas to become the Executive Director at Temple Beth Sholom, the only synagogue in town. Marty, who was born and raised in California, had recently earned his doctorate in psychology at the University of Houston. He became a counselor at UNLV. Not long after, Marty met Linda at a Jewish Singles event. Linda was a divorced, mother of three children, who had moved from California to find comfort in living near her parents. Robert Wilner is one of her three children. He was adopted by Marty and works with his mother in the real estate business. In this interview, they recall together the Las Vegas of the 1970s. For Robert, he remembers his bar mitzvah, and growing up with Jewish friends under the careful eye of his grandparents. As an adult, he has enjoyed a successful career as a real estate agents working with his mother. For Linda, the success of real estate was being part of one of the most robust housing markets in the country. She and Robert recall an extensive list of visionaries who developed the valley, as well as the inherent challenges of water, unions and maintaining their high level of ethics.

Interview with Arthur "Art" Marshall by Claytee White on February 11, 2014. In this interview, Marshall

Arthur Marshall was born in 1929 in Cleveland, Ohio. He met his wife, Jayn in 1953, and the couple moved to Las Vegas where she already lived with her family. Art joined his father-in-law in the family's retail clothing business. Art Marshall took over the retail clothing business with his brother-in-law, Herb Rousso, and expanded operations as Marshall-Rousso stores. Art quickly became very active in the Jewish community upon arriving in Las Vegas. He served as president at Temple Beth Sholom, and worked with other Jews in the city, many who owned and managed the hotels at the time, to build a strong Jewish community in Las Vegas. He served as the chairman of Nevada State Bank and spent 12 years on the Nevada Gaming Commission.

In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where