Oral history interview with Claude Trenier conducted by Claytee White on February 13, 1997 for the Women's Research Institute of Nevada (WRIN). Trenier discusses joining a band at the age of twenty two in 1941 and traveling around the country. Trenier describes working in Las Vegas, Nevada; Miami, Florida; and New York City, New York. Trenier also discusses the racism he saw as an African American performer, recalling that racial discrimination was especially fervent in Las Vegas. Trenier describes how many African American musicians and performers were allowed to perform in casinos, but not reside or lounge on the properties. Trenier also discusses the Moulin Rouge and his thoughts about its sudden closure in 1955. Finally, Trenier talks about his interactions with other entertainers at the time like Duke Ellington and Nat Cole King.

Oral history interviews with Diana Saunders conducted by Joyce (Marshall) Moore on May 23, 1996, conducted by Brigid Kelly on July 22, 2002, and conducted by Joanna Goodwin on August 12, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In her interviews Saunders discusses her dance career in New York City, New York. Saunders discusses working on Broadway and touring internationally in Europe and Australia as a dancer. Saunders discusses working at the Dunes in Las Vegas, Nevada and her experiences as a dancer in Las Vegas. Saunders also talks about the lengths dancers had to go through to be successful.

Oral history interview with Jackie Brantley conducted by Claytee White on October 27, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Brantley begins her interview by briefly discussing her family history and parents' jobs in Las Vegas, Nevada in the late 1940s. Brantley then goes on to discuss segregation in Las Vegas. She discusses segregation on the Strip, and in pools, schools, and nightclubs. Afterwards, Brantley discusses her career experiences working for the Clark County School District and her management position at the Desert Inn Hotel and Casino in the early 1970s.

Oral history interview with Betty Bunch conducted by Joyce (Marshall) Moore on January 09, 1996 and February 07, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Bunch discusses the origins of her dance career and the places her pursuit of this career took her. Bunch discusses the various shows she performed in both in the United States and Europe, and describes the differences between a dancer and a showgirl. Bunch describes the responsibilities and rights of dancers, their contracts, and their leisure activities. Finally, Bunch also discusses her personal life including two of her marriages.

Oral history interview with DeeDee Jasmin conducted by Claytee White on March 19, 1998 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Jasmin opens the interview discussing her life growing up on the Westside of Los Angeles, California. Jasmin goes on to discuss her pursuit of a dance career as a youth. Jasmin got her first big break playing in the comedy musical Sugar Hill and after her high school years she starred in movies before moving to Las Vegas, Nevada in 1955. Jasmin describes her excitement meeting East Coast dancers during her stay in Las Vegas. Jasmin also discusses her interactions with the many famous actors, dancers, singers, and musicians she met during her career.

Oral history interview with Kim Krantz conducted by Joyce (Marshall) Moore on February 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Krantz begins her interview discussing her transition from an east coast dancer to a Las Vegas, Nevada dancer. Krantz discusses the performing scene at the time and the general distaste dancers had for showgirls. Krantz goes on to discusses the details of nudity in performances and the relationships show directors like Harold Minsky and Donn Arden had with their performers. Krantz also discusses her experiences as a dancer and her opinions about the treatment of African American dancers.