Oral history interview with Judith Ann Allaire conducted by Tracye Ann Collins on March 10, 1980 for the Ralph Roske Oral History Project on Early Las Vegas. Allaire discusses her education, growing up in Las Vegas, Nevada, and politics in Nevada. Allaire also discusses the various job titles she has held, such as medical social worker, secretary, cocktail waitress, drug counselor, dancer, and teacher.

Oral history interviews with Jillian Hrushowy conducted by Joyce Marshall on October 11, 1995 and October 26, 1995 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Hrushowy describes her dance career, which started in Paris, France. Hrushowy then goes on to describe how her career moved her to Las Vegas, Nevada and the shows she performed in. Further, Hrushowy describes her performance schedule and experiences as a young dancer. Lastly Hrushowy discusses recreation activities in Las Vegas in the 1960s and 1970s.

Oral history interview with Aquiles Garcia conducted by Claytee D. White on January 10 and February 20, 2015 for the Boyer Early Las Vegas Oral History Project. Garcia discusses the political atmosphere and risks of being gay in Juan Perón’s Argentina in the 1940s, Las Vegas, Nevada life in the late 1950s and early 1960s, and his dual Las Vegas careers as a dancer and a casino dealer throughout the second half of the twentieth century.

The Carmella Rickman Papers (1955-1999) document Rickman’s career as a burlesque dancer as well as her later life in Las Vegas, Nevada. She performed primarily in Washington, D.C. and along the east coast of the United States in the 1950s and 1960s. Materials include promotional photographs of Rickman and newspaper and magazine clippings about her performances, as well as photographs and promotional material for other burlesque dancers. The collection includes one beaded costume worn by Rickman. It also includes photographs of Rickman’s life in the 1990s in Las Vegas, Nevada.

Oral history interview with Patricia Merl conducted by Claytee D. White on October 09, 2008 October 28, 2008 for the Boyer Early Las Vegas Oral History Project. In this interview, Patricia Merl discusses her career as a professional dancer, working at the famous Radio City Music Hall, moving to Las Vegas, Nevada for opportunities in dancing, and moving to Florida for new possibilities. She also discusses teaching at the Hotel School at the University of Nevada, Las Vegas and working as the Director of Gaming Outreach for the International Gaming Institute.

Oral history interview with Marjorie Pierce conducted by Andres Moses on January 17, 2006 for the Living to Dance: Tapping in Las Vegas Oral History Project. In this interview, Pierce discusses her early life in Kansas City, Missouri and becoming a dancer at a young age. She talks about moving to Las Vegas, Nevada in 1951, performing at the Desert Inn Hotel and Casino and the Dunes Hotel and Casino, and being cast in the musical Tenderloin. Pierce describes tap dancing techniques and unions for professional dancers.

Oral history interview with Estelle and Julia Elliott conducted by Vanessa Concepcion and Stefani Evans on December 2, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.

Twins Estrellita "Estelle" and Julieta "Julia" Elliott share their personal histories growing up in Cebu City, Philippines with their grandparents. They discuss moving to the United States to live with their parents after the death of their grandfather, and how they preserved their "tricultural" Castilian Spanish, Filipino, and American identities. After graduating from Stevens College, an art and academic school in Missouri, Estelle recounts marrying her husband and moving to Las Vegas where she gave birth to her daughter. Julia shares how she followed Estelle a few years later to Las Vegas, and the two women share their experiences as entertainers on the Las Vegas Strip. Both Estelle and Julia joined Minsky's Burlesque before becoming a permanent act in Siegfried and Roy's show at the Frontier Hotel. They also discuss their performances with Kirby VanBurch at the Aladdin's Abracadabra Show, dancing at the Playboy Mansion, and how Siegfried and Roy helped to diversify Las Vegas entertainment by incorporating dancers and performers of color, like the King Charles Troupe, into their shows.