The Jean Decock Papers (1965-1992) consist of Nevada Dance Theatre programs, programs from international dance companies, and newspaper clippings related to Nevada Dance Theatre and the University of Nevada, Las Vegas department of dance.
Archival Collection
The UNLV University Libraries Collection on Las Vegas Show Costume Design is comprised of work from several desginers who created costumes for various Las Vegas, Nevada shows. The designs are undated but appear to date from the 1940s to 1970s. The collection includes works from the following designers: Jean Devlyn, Anne Guertin, Larry Merritt, Ladd, Josephine Spinedi, Corrado Colabucci, and also includes unsigned designs from unknown artists. The collection also designs for Matt Gregory Productions. Most of the designs do not include show information.
Archival Collection
Oral history interview with Margot Mink Colbert conducted by Barbara Tabach on November 11, 2014 for the Southern Nevada Jewish Heritage Project. Colbert discusses her Jewish heritage and her background in ballet dancing. She also talks about “Transitions Trilogy,” her original story of Jewish immigration into New York and Jewish contributions to mainstream media, all expressed through dance.
Archival Collection
Oral history interview with Carole Rae conducted by Claytee D. White on March 6, 2007 for the UNLV @ 50 Oral History Project. In this interview, Rae mainly discusses her accomplishment of founding the dance department at the University of Nevada, Las Vegas (UNLV). She begins the interview by discussing her earlier years, and mentions that one of her main hobbies was sewing and not dancing. She also states that she was not an art major during her undergraduate years and was surprised when dance eventually became her career. Rae explains how she became a dance instructor and describes her specializations in different forms of dance, such as Spanish dance and ballet.
Archival Collection
Oral history interview with Paulette Morris conducted by Claytee White on January 06, 2009 for the Boyer Early Las Vegas Oral History Project. Morris opens her interview by discussing traveling around the world as a child due to her father's career with the U.S. Army Corps of Engineers. Morris then talks about the school system in Morocco and how it gave her the opportunity to study ballet. She describes her audition process with the Paris, France based revue, the Folies Bergere. Morris discusses the Bluebell Girls, Margaret Kelly ("Madame Bluebell"), costumes, and the show schedule. Morris then recalls dancing in the Lido show at the Stardust Hotel and Casino, and her experiences in Las Vegas, Nevada during the 1960s. She ends the interview discussing her return to school, her job in retail, and her final thoughts on her experiences with the Bluebell Girls.
Archival Collection
Oral history interview with Corinne Sidney conducted by Cynthia Cicero and Dedee Nave on December 13, 2013 for the Boyer Early Las Vegas Oral History Project.
Corinne Sidney shares the details of her early career, her move to Las Vegas, and her relationship with Jack Entratter. She talks about becoming a Copa Girl at the Sands Hotel and what life was like after Jack's death in 1971. Corinne shares stories of entertainers she knew, including Frank Sinatra and Antonio Morelli, but the focus of the discussion is about Jack, their "on-again-off-again" relationship, and his talent and influence in Las Vegas.
Archival Collection
Oral history interviews with Gail S. McQuary conducted by Joanne L. Goodwin on April 14, 1997, April 25, 1997 and May 28, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. McQuary opens her interviews with a discussion of her childhood and her introduction to dance in California. McQuary then talks about getting recruited to perform in Las Vegas, Nevada at the Sahara Hotel and Casino while performing at a fair. McQuary goes on to describe her dance career in Las Vegas and the other casinos where she worked. McQuary also talks about how dancing and shows in Las Vegas changed throughout the years.
Archival Collection
Oral history interview with Alice Waite conducted by Claytee D. White on July 14, 2015 for the Boyer Early Las Vegas Oral History Project. In this interview, Waite primarily discusses her time in The Rhythmettes, a female student dance group based out of Las Vegas High School in Las Vegas, Nevada during the 1950s. Waite describes the group's choreographer and coach, Evelyn Stuckey, her fellow Rhythmettes, and the performances they gave at Las Vegas High School and around the state. Waite also talks about her family history, what she likes about Las Vegas' downtown, and her career as a teacher.
Archival Collection
Oral history interview with Donna L. Miller conducted by Claytee D. White on July 15, 2015 for the Boyer Early Las Vegas Oral History Project. Miller begins by describing her early upbringing on her family's potato farm in Oregon before moving to Las Vegas, Nevada. She discusses attending Las Vegas High School, joining the Rhythmettes, the school's female dance group, and her experiences in the Rhythmettes, including where she performed and the team's coach, Evelyn Stuckey. Miller also briefly discusses working as a secretary at the Sahara Hotel and Casino and real estate in Las Vegas.
Archival Collection
The Karl Carsony Papers (1918-2011) are comprised of photographs, newspaper clippings, ephemera, and artifacts representing Karl (Schrom) Carsony's acrobatic career and personal life. The bulk of the materials in this collection date from approximately the early 1950s through the late 1970s. The materials also include vacation photographs of Karl (Schrom) Carsony and his wife, Margot Meyers. The materials also include promotional photographs, posters, and fliers for the Carsony Brothers, which was an acrobatic show consisting of Karl Carsony and his twin brothers, Joe and Bert Schrom.
Archival Collection