Oral history interview with Irene Tabor conducted by Claytee D. White on July 03, 2014 for the West Charleston Neighborhoods: an Oral History Project of Ward 1. In this interview, Tabor discusses growing up in Honolulu, Hawaii, her father’s employment with the Federal Bureau of Investigation (FBI), and moving to Las Vegas, Nevada in 1947. She talks about being a teenager in Las Vegas, attending Las Vegas High School, and the businesses on Fifth Street. Tabor recalls her employment at the Dunes Hotel and Casino as a wardrobe artist for showgirls. Lastly, Tabor discusses activities she participated in as part of the Girl Scouts, her involvement in the sorority Beta Sigma Phi, and changes in Las Vegas.

Oral history interview with Kim Krantz conducted by Joyce (Marshall) Moore on February 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Krantz begins her interview discussing her transition from an east coast dancer to a Las Vegas, Nevada dancer. Krantz discusses the performing scene at the time and the general distaste dancers had for showgirls. Krantz goes on to discusses the details of nudity in performances and the relationships show directors like Harold Minsky and Donn Arden had with their performers. Krantz also discusses her experiences as a dancer and her opinions about the treatment of African American dancers.

The Donn Arden Papers (1910s-1990s) document Arden's sixty-plus years in the entertainment industry working in showrooms and nightclubs all over the world including Paris, France, Las Vegas, Nevada, New York, New York, and Los Angeles, California. Donn Arden worked as a choreographer, producer and director known for creating extravagant production shows that combined spectacular scenery and disaster with sequined and feathered showgirls. The collection is comprised of production notes, programs, photographs, posters, sheet music, correspondence, costume design sketches, press clippings, and magazine articles.

The Tom Hansen Collection on the Jubilee! stage show documents his work as choreographer from 1995 to 2012. The files include programs, set designs, lyrics, programs, badges, business cards, photographs, costume drawings, and audiovisual tapes of the Jubilee! auditions and rehearsals.

The Joyce Moore Papers (1958-2019) contain documents relevant to the life and career of Joyce Moore, a longtime resident of Las Vegas, Nevada. The collection contains Rancho High School yearbooks, and awards and grants from when Moore was a student at the University of Nevada, Las Vegas in the early 1990s. Materials include research papers, event posters, photographs, and business cards related to Moore's work as an archivist in the University of Nevada, Las Vegas Special Collections and Archives. The collection also contains photocopied newspapers and handwritten notes related to research done on the Las Vegas sewage system and local hospitals for Moore's academic papers.

The William F. Harrah College of Hospitality Records (1970-2016) contain documents pertaining to the College of Hospitality at the University of Nevada, Las Vegas. Materials include student projects, manuscript drafts by Jerome (Jerry) Vallen, brochures and promotional material, newsletters, and magazines. Also included are photographs of casino and hospitality industry workers and hospitality related events. Also included are publicity photographs of entertainers as well as models and showgirls in beauty pageants and at casinos. It is presumed that these photographs werey used for creating Premier: The Magazine of the UNLV Harrah College of Hospitality.

Oral history interview with Nancy Williams conducted by Joyce Marshall on June 13, 1996 for the UNLV University Libraries Oral History Collection. In this interview, Williams talks about her early life and career as a dancer. She describes moving to Las Vegas, Nevada in 1948, organized crime in Las Vegas casinos, and segregation of African American entertainers at the time. Williams remembers riding horses to and from casinos, the American Guild of Variety Artists (AGVA) union, and early showgirl costumes. Lastly, Williams talks about retiring from dancing and establishing a school of dance in Las Vegas.