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Marlena Shaw oral history interview

Identifier

OH-03367

Abstract

Oral history interview with Marlena Shaw conducted by Claytee D. White on December 12, 2017 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Shaw discusses her early life in New Rochelle, New York and growing up in a musical family. She talks about her initial interest in singing, her career as a jazz singer, and performing with Count Basie in Las Vegas, Nevada. Shaw recalls recording her first studio album, and the discrimination she faced as an African American musician. Shaw describes performing at the Sands Hotel and Casino, touring around the world, and working with multiple recording labels. Later, Shaw remembers performing with Sammy Davis Jr. Lastly, Shaw discusses the significance of spirituality in her life, and her first time performing with a symphony orchestra.

Archival Collection

Tommy Nelson oral history interview

Identifier

OH-01375

Abstract

Oral history interview with Tommy Nelson conducted by Art Rader on November 29, 1974 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Nelson discusses the history of Boulder City, Nevada and his career as a musician. He describes moving to Boulder City in 1932 and working as a laborer on the construction of Hoover Dam (Boulder Dam). Nelson describes life in the city during the construction of the dam, how the dam was built, and how Boulder City has changed. Nelson continues, talking about being a trumpeter, performing in various orchestras in Las Vegas, Nevada casino shows, and for injured United States service members during World War II.

Archival Collection

Ruth Poirier oral history interview

Identifier

OH-03593

Abstract

Oral history interview with Ruth Poirier conducted by Joanne Goodwin on February 05, 2003 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Poirier opens her interview by discussing her partner Doris Pressler, who had passed away before the interview. She describes Doris' upbringing, her role in the first band at the Roseland Ballroom in New York, and explains how an all-women band in the 1930s and 1940s was a phenomenon. Poirier then discusses her own history, including how she became involved in music and all-women bands, and how she met Doris. Poirier describes in detail the importance of music to her family, the types of music she played, and what it was like to be a musician during the Depression. She talks about her relationship with Doris and recalls early interactions with other gay youths. Poirer ends her interview explaining why she and Doris decided to settle in Las Vegas, Nevada, and describes their impressions and involvement with the local LGBTQ+ community.

Archival Collection

George Durkin oral history interview

Identifier

OH-03927

Abstract

Oral history interview with George Durkin conducted by Claytee D. White on July 26, 2024 for the Boyer Early Las Vegas Oral History Project. In this interview, Durkin describes his childhood in Schenectady, New York, where he first became interested in music. After college, Durkin enrolled in a master's program at the University of Nevada, Las Vegas (UNLV) and worked at Strip locations behind some of the great entertainers in the industry. While at UNLV, he studied with composer, arranger, and musician Don Hannah, and became a life-long friend of his son, Paul Hannah. Durkin explains that while he currently works in real estate, he still plays in shows when possible and is a regular percussionist for the Las Vegas Philharmonic. Over the years, Durkin played for many entertainers in Las Vegas, including Robert Goulet, Dorothy Hamill, Julio Iglesias, Dionne Warwick, Liberace, Joan Rivers, Sammy Davis, George Burns, and many more. Digital audio available; no transcript available.

Archival Collection

Hyman Gold Papers

Identifier

MS-00496

Abstract

The Hyman Gold Papers (1935-2004) primarily document the career of Las Vegas, Nevada performer Hyman Gold, and consist of newspaper clippings from various engagements, correspondence, and fliers. Materials also include handwritten musical scores and reel to reel tapes, both from his personal and professional life.

Archival Collection

Eddie Hall Holzman oral history interview

Identifier

OH-02101

Abstract

Oral history interview with Eddie Hall Holzman conducted by Lisa Gioia-Acres on October 02, 2008 for the All That Jazz Oral History Project. Holzman begins the interview talking about his growth as a musician while living and performing in New Jersey and New York. He also discusses his time playing while enlisted in the military, until he moved to Las Vegas, Nevada in 1947 where he played in a jazz band. Holzman also describes working as a card dealer at the Thunderbird Hotel and Casino, the Desert Inn Hotel and Casino, and the El Rancho Hotel and Casino. He also details the music scene in Las Vegas from the 1950s through the end of his playing career.

Archival Collection

Si Zentner Collection of Music Scores

Identifier

MS-00487

Abstract

The Si Zentner Collection of Music Scores consists of copyright agreements and original music scores from the career of musician Si Zentner. The manuscripts span from 1957 through 1996.

Archival Collection

Kim Sisters Photographs

Identifier

PH-00299

Abstract

The Kim Sisters Photographs depict the Korean entertainers the Kim Sisters in Las Vegas, Nevada and South Korea from 1950 to 1988. The photographs depict the Kim Sisters performing, gambling in Las Vegas, and with their family members.

Archival Collection

Claude, Buddy, and Skip Trenier oral history interview

Identifier

OH-03347

Abstract

Oral history interview with Claude, Buddy, and Skip Trenier conducted by Betty Rosenthal on March 10, 1978 for the UNLV University Libraries Oral History Collection.

In this interview, Claude, Buddy, and Skip Trenier, members of the musical group "The Treniers", discuss their experiences performing on the Las Vegas Strip as Black men. They share their group's history playing music at the Flamingo Hotel and Casino and other establishments in Las Vegas, Nevada beginning in 1948. Their discussion covers not only their performing careers but also their experiences with desegregation, racism, and discrimination in the city of Las Vegas.

Claude, Buddy, and Skip Trenier share their accounts of both being a popular act in Las Vegas, requested by out-of-towners from New York and Chicago, and also how they were nearly fired for refusing to play music when noticing customers of color being treated unfairly at their shows. The trio talk about how they could not enter casinos from the front entrance, how most casinos did not formally desegregate until after 1960, and how there were very few Black entertainers, musicians, or dancers during the mid-20th century with a few notable exceptions including Sammy Davis Jr.

Archival Collection

Anthony J. Franchini Papers

Identifier

MS-00754

Abstract

The Anthony J. Franchini Papers date from 1915 to 1996 and contain the personal and professional papers of Anthony Franchini, a musician and composer. The collection contains newspaper clippings, personal correspondence, Franchini's United States Army records, sheet music, personal photographs, and a scrapbook compiled by Franchini.

Archival Collection