Oral history interview with Claude, Buddy, and Skip Trenier conducted by Betty Rosenthal on March 10, 1978 for the UNLV University Libraries Oral History Collection.

In this interview, Claude, Buddy, and Skip Trenier, members of the musical group "The Treniers", discuss their experiences performing on the Las Vegas Strip as Black men. They share their group's history playing music at the Flamingo Hotel and Casino and other establishments in Las Vegas, Nevada beginning in 1948. Their discussion covers not only their performing careers but also their experiences with desegregation, racism, and discrimination in the city of Las Vegas.

Claude, Buddy, and Skip Trenier share their accounts of both being a popular act in Las Vegas, requested by out-of-towners from New York and Chicago, and also how they were nearly fired for refusing to play music when noticing customers of color being treated unfairly at their shows. The trio talk about how they could not enter casinos from the front entrance, how most casinos did not formally desegregate until after 1960, and how there were very few Black entertainers, musicians, or dancers during the mid-20th century with a few notable exceptions including Sammy Davis Jr.

The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.

African Americans in Las Vegas: a Collaborative Oral History Project event roundtable conducted by Claytee D. White on January 18, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this panel event, Jean Childs, Joe Neal, Jackie Brantley, LaVerne Ligon, and Ramon Savoy discuss their early lives and explain how they arrived to Las Vegas, Nevada. Childs talks about her father’s business, the Penguin Club, and the history of African Americans in the gaming industry. She talks about her involvement with the Economic Opportunity Board (EOB) and the Head Sstart federal program. Savoy remembers the foundation of Las Vegas Sentinel-Voice and the challenges of distributing weekly publications during the late 1950s. Neal recalls his first political campaign, being a chairman for the EOB, and becoming a Nevada State Senator. Later, Brantley describes the 1971 consent decree, discrimination against African American workers in the gaming industry, and her career in hotel management. Ligon remembers her career as a dancer, being a part of an all-African American dance line, and integration in the entertainment industry.

Oral history interview with Denise Miller conducted by Deborah Whicker on March 02, 1981 for the Ralph Roske Oral History Project on Early Las Vegas. Miller discusses the dance community in Las Vegas, Nevada. Miller also talks about the significance that the arts had in Las Vegas and how it changed throughout the years.

The Jean Decock Papers (1965-1992) consist of Nevada Dance Theatre programs, programs from international dance companies, and newspaper clippings related to Nevada Dance Theatre and the University of Nevada, Las Vegas department of dance.

The Donn Arden Papers (1910s-1990s) document Arden's sixty-plus years in the entertainment industry working in showrooms and nightclubs all over the world including Paris, France, Las Vegas, Nevada, New York, New York, and Los Angeles, California. Donn Arden worked as a choreographer, producer and director known for creating extravagant production shows that combined spectacular scenery and disaster with sequined and feathered showgirls. The collection is comprised of production notes, programs, photographs, posters, sheet music, correspondence, costume design sketches, press clippings, and magazine articles.

Oral history interview with Margot Mink Colbert conducted by Barbara Tabach on November 11, 2014 for the Southern Nevada Jewish Heritage Project. Colbert discusses her Jewish heritage and her background in ballet dancing. She also talks about “Transitions Trilogy,” her original story of Jewish immigration into New York and Jewish contributions to mainstream media, all expressed through dance.