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Charlotte Mugleston Kelly oral history interview

Identifier

OH-02145

Abstract

Oral history interview with Charlotte Mugleston Kelly conducted by Claytee D. White on August 07, 2014 for the Boyer Early Las Vegas Oral History Project. In this interview, Mugleston Kelly discusses attending Las Vegas High School and being a dancer in the Rhythmettes, Las Vegas High School's female dance group. She describes Evelyn Stuckey, the coach for the group, the performances the Rhythmettes had at different venues, and life in Las Vegas during the 1950s. Mugleston Kelly also talks about owning and operating liquor stores and bars with her husband, how Las Vegas has changed, and her family history.

Archival Collection

Alice Key oral history interview

Identifier

OH-01015

Abstract

Oral history interview with Alice Key conducted by Claytee D. White on February 17 and March 24, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview Alice Key discusses being a chorus line dancer at the Cotton Club in Culver City, California and then moving to Las Vegas, Nevada after her dancing career ended. She then talks about working as a reporter, her involvement with the civil rights movement in Las Vegas, and creating the first all-black television show in the country: Talk of the Town.

Archival Collection

Pete Menefee oral history interview

Identifier

OH-02654

Abstract

Oral history interview with Pete Menefee conducted by Su Kim Chung on April 14, 2016 for the Boyer Early Las Vegas Oral History Project. Menefee begins the interview by talking about his childhood in San Diego, California, where he took dancing classes starting at the age of ten. He discusses working as a dancer on shows starring Dick Van Dyke, Terry Gar, Goldie Hawn, and Elvis. Menefee recalls working in shows and musicals including Bye Bye Birdie, Fair Lady, and Viva Las Vegas. He describes his evolution as a costume designer and stage designer from his childhood creating miniature stages of Disney shows to creating costumes for shows on the Las Vegas Strip, Nevada. He also talks about surviving the MGM Grand fire in 1980.

Archival Collection

Jerry Jackson oral history interview

Identifier

OH-02277

Abstract

Oral history interview with Jerry Jackson conducted by Su Kim Chung on February 12, 2015 for the Boyer Early Las Vegas Oral History Project. In this interview, Jackson discusses his career as a dancer, choreographer, costume designer, and producer of shows in Las Vegas, Nevada and around the world. Jackson describes dancing at the Desert Inn, Moulin Rouge, Tropicana, and touring with production shows. He then recalls living in Las Vegas from the 1950s through the 1970s and compares the quality of show production throughout the years. He talks about his career with the production Folies-Bergere

Archival Collection

Margaret Kelly Collection on the Bluebell Girls

Identifier

MS-00604

Abstract

The Margaret Kelly Collection on the Bluebell Girls (1935-1997) includes personal scrapbooks created by Margaret Kelly, programs from international shows featuring the Bluebell Girls dance troupe, and photographs of the Bluebell Girls. The scrapbooks include newspaper clippings covering Kelly's work at the Folies-Bergère and Lido de Paris, Paris, France, and her long career as creator and manager of the world famous Bluebell Girls. Also included are materials from 1958 about the Bluebell Girls shows in Las Vegas, Nevada.

Archival Collection

Betty Bunch oral history interview

Identifier

OH-00137

Abstract

Oral history interview with Betty Bunch conducted by Joyce (Marshall) Moore on January 09, 1996 and February 07, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Bunch discusses the origins of her dance career and the places her pursuit of this career took her. Bunch discusses the various shows she performed in both in the United States and Europe, and describes the differences between a dancer and a showgirl. Bunch describes the responsibilities and rights of dancers, their contracts, and their leisure activities. Finally, Bunch also discusses her personal life including two of her marriages.

Archival Collection

Juliana Chen oral history interview

Identifier

OH-03849

Abstract

Oral history interview with Juliana Chen conducted by Cecilia Winchell and Stefani Evans on March 21, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.

In this interview, Juliana Chen shares her upbringing in Hunan, China and her experiences as a teenager training to become a professional ballet dancer. She discusses her rigorous training and troupe career that ended when Chen sustained a knee injury. With a desire to try something new while still being able to perform, Chen immigrated to Vancouver, Canada and began practicing magic. Chen shares that although she didn't know anyone or speak English, she practiced her craft and broadened her knowledge by joining professional organizations including the International Brotherhood of Magicians. After winning several magic competitions, Chen performed on the Las Vegas Strip at Caesar's Palace and the Riviera Hotel and Casino. She shares her current professional pursuits, her connection to the Las Vegas magician community, and her thoughts on Chinese culture and cuisine.

Archival Collection

Maria LaCavera Papers

Identifier

MS-01139

Abstract

The Maria LaCavera Papers (1947-2017) contain the papers of professional dancer Maria LaCavera. The collection documents the career of LaCavera dancing in Las Vegas, Nevada at the Flamingo Hotel in 1947, and the Last Frontier Hotel in 1949 as one of the Ramona Girls dancing in the Danny O'Neil Varieties Act. Materials include photographs of LaCavera and other Ramona Girls, newspaper clippings, correspondence, LaCavera's American Guild of Variety Artists (AGVA) employment contracts, Fabulous Las Vegas magazines, and hotel receipts. Other items of note include photographs of the 1949 Helldorado parade, a Frontier Hotel Ramona Room menu, and Frontier Hotel ephemera. There is also a copy of a self-published biography of LaCavera, written by her daughter-in-law Kristin Meyer entitled From Bon-Air to the Last Frontier. The collection also contains the digital images used to illustrate the book.

Archival Collection

Ffolliott "Fluff" LeCoque Papers

Identifier

MS-00826

Abstract

Collection is comprised of Ffolliott "Fluff" LeCoque's professional and personal papers (1879-2015), documenting her life and career working as a dancer and later as company manager for Las Vegas entertainment productions; most notably the long-running Jubilee! show produced by Donn Arden for the MGM Grand and Bally's Hotel-Casinos. Materials include personal letters, drawings, professional papers, newspaper clippings, photographs, magazines, commericially produced sheet music, and related ephemera.

Archival Collection

Shirley Allen oral history interview

Identifier

OH-03305

Abstract

Oral history interview with Shirley Allen conducted by Nancy Hardy on June 21, 2003 for the Las Vegas Oral History Project. In this interview, Allen discusses moving to Las Vegas, Nevada with her family and starting dancing professionally while attending university. Her first job was at the Riviera in 1964, working as a showgirl. She explains that the work was not difficult and they were not asked to do anything inappropriate, but they did have to pay for their own cocktail dresses and accessories. She also explains that she was a "covered dancer" in the beginning but by the late 1960s she had to "uncover" (work topless) to be employed. She then talks about working in Pzazz! '68 at the Stardust Resort Hotel and Casino, after auditioning for Fluff LeCoque, Donn Arden's company captain. She also talks about her impression of Miss Bluebell and Donn Arden. She spends some time talking about what life was like backstage, relations between the girls, and meeting celebrities, her first experience with topless dancing in Lido de Paris, and how the backstage dressing areas were assigned and the difficulty of fast changes between sets. Later, she talks about things that can go wrong, from forgeting choreography to the more serious issue of the HIV/AIDS epidemic that swept through the shows in the 1980s.

Archival Collection