Oral history interviews with Fluff LeCoque conducted by Joyce Marshall on May 05, 1992 and May 21, 1992 for the UNLV University Libraries Oral History Collection. In these interviews, LeCoque discusses her early life in Montana and her career as a dancer. She talks about moving to Las Vegas, Nevada in 1947, singing at the Last Frontier Hotel with the Chuck Gould Orchestra, and traveling around the world in a dance troupe. LeCoque remembers performing at the Moulin Rouge in Los Angeles, California and working with Donn Arden. Later, LeCoque recalls dancing in Lido in Paris at the Thunderbird Hotel and becoming a theater company manager for Hallelujah Hollywood! at the MGM Grand Hotel-Casino. Lastly, LeCoque talks about integration of African American dancers in production shows.

Oral history interview with Norma de la Cerna Tolbert conducted by Claytee D. White on June 25, 2013 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Tolbert discusess her career as a professional dancer from the age of fifteen. She begins by describing her early childhood in Houston, Texas, moving to Chicago, Illinois where she began to study dance, and leaving home at fifteen years old to go to Atlantic City, New Jersey to dance in professional productions. Tolbert then discusses moving to Las Vegas, Nevada in 1955, performing at the Moulin Rouge, and living in the Berkley Square community where they built new housing for the dancers. She also discusses performing at the Dunes Hotel and Casino, the African American community of Las Vegas, and the closing of the Moulin Rouge.

The Liz Elliott Lieberman Papers are comprised of materials from approximately 1970 to 1989 documenting Lieberman's career as a dancer in Reno and Las Vegas, Nevada performing in shows such as Hello, Hollywood, Hello at the MGM Grand Reno, Zing at Harrah's Reno, and EFX at the MGM Grand Las Vegas. The collection includes a scrapbook, newspaper clippings, and ephemera documenting her work in Hello, Hollywood Hello. Other materials include newspaper clippings, ephemera, and photographs from Zing and EFX.

Oral history interview with Rene de Haven conducted by Nancy Hardy on August 2, 2003 for the Boyer Early Las Vegas Oral History Project. Rene de Haven discusses his career as a dancer in shows in Las Vegas, Nevada and in Los Angeles, California as well as acting in movies and being a choreographer.

The Maria Pogee Papers (1942-2019) document the life and career of Argentinian born dancer, choreographer, and actress, Maria Pogee. Pogee worked extensively in Argentina, Chile, Lebanon, around the United States and in Las Vegas, Nevada. Materials include press clippings, show programs, correspondence, and photographs representing Pogee's entertainment career such as her work in the stage production of Peter Pan and choreography for Juliet Prowse and Shirley MacLaine. Other materials includes various unproduced show concepts with designs, storyboards, and scripts that she worked on with costume designer José Luis Viñas. Materials also include scrapbooks documenting her dance career dating from 1952 to 2009 which contain original correspondence, programs, photographs, and newsclippings. Materials also document Pogee's life and career outside of entertainment including her work directing fashion shows, operating a tourism company, and as a yoga instructor.

Oral history interview with Judith Ann Allaire conducted by Tracye Ann Collins on March 10, 1980 for the Ralph Roske Oral History Project on Early Las Vegas. Allaire discusses her education, growing up in Las Vegas, Nevada, and politics in Nevada. Allaire also discusses the various job titles she has held, such as medical social worker, secretary, cocktail waitress, drug counselor, dancer, and teacher.

Oral history interviews with Jillian Hrushowy conducted by Joyce Marshall on October 11, 1995 and October 26, 1995 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Hrushowy describes her dance career, which started in Paris, France. Hrushowy then goes on to describe how her career moved her to Las Vegas, Nevada and the shows she performed in. Further, Hrushowy describes her performance schedule and experiences as a young dancer. Lastly Hrushowy discusses recreation activities in Las Vegas in the 1960s and 1970s.