From left to right, Arthur Smith, Cyril Wengert, and Major M. Sweeney pose together in a office as their picture is being taken. Included with the photograph is paperwork from UNLV's "Help Us Write History."
Four topless female dancers in beaded bikini costumes with partial long skirts, arm bands and bracelets, with tall feathered headdresses, and five female dancers in beaded bikini costumes with sheer beaded long skirted dresses, sheer face veils, and small tiara headdresses surround a male and female pair of dancers at the center of the stage. The male dancer is wearing beaded tights, gloves, beaded ankle cuffs, and hat. The female dancer is topless, and wearing a beaded fringe-style skirt, beaded ankle cuffs, arm band, bracelet, and beaded tiara. The audience is seated on either side of a runway. A cutout of the Buddhist Deity Amoghapasha (Six Arms) is visible in the background.
Six topless female dancers in beaded bikini costumes with partial long skirts, arm bands and bracelets, with tall feathered headdresses, a male dancer is standing on a three-tiered platform and is wearing beaded tights, gloves, beaded ankle neck collar and cuffs, and hat. He is standing in front of a cutout of the Buddhist Deity Amoghapasha (Six Arms). Another female dancer is standing on the floor facing the male dancer, and wearing sheer beaded pants and bikini top, beaded ankle cuffs, arm band, bracelet, and beaded tiara. The audience is visible in the foreground.
Three female and two male dancers in white fringed bikini costumes with arm bands, fur ankle cuffs, and large feather headdress dancing in front of a teepee.
Three female and two male dancers in white fringed bikini costumes with arm bands, fur ankle cuffs, and large feather headdress dancing in front of a teepee. Two female dancers in similar costumes are visible waiting in the wings. Two male photographers are visible. One is on the stage, the other is in the audience section.