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Fremont Hotel and Casino additions and alterations: architectural drawings, image 066

Date

1967-12-01

Description

Architectural sheet for the Fremont Hotel and Casino from flat file 001b of the Martin Stern Architectural Records. This sheet contains the first floor plan depicting existing conditions.

Fremont Hotel and Casino additions and alterations: architectural drawings, image 067

Date

1967-12-01

Description

Architectural sheet for the Fremont Hotel and Casino from flat file 001b of the Martin Stern Architectural Records. This sheet contains the second floor plan depicting existing conditions.

Fremont Hotel and Casino additions and alterations: architectural drawings, image 068

Date

1967-12-01

Description

Architectural sheet for the Fremont Hotel and Casino from flat file 001b of the Martin Stern Architectural Records. This sheet contains the basement floor plan depicting existing conditions.

Fremont Hotel and Casino additions and alterations: architectural drawings, image 069

Date

1967-12-01

Description

Architectural sheet for the Fremont Hotel and Casino from flat file 001b of the Martin Stern Architectural Records. This sheet contains demolition and construction specifications, notes, and the sheet index.

Transcript of interview with Brian Block by Diane Spero, February 27, 1979

Date

1979-02-27

Description

Diane Spero interviews her neighbor, Brian Block, born in Chicago in 1945, about the construction business, community planning, architectural design, and his personal feelings in regards to the development of the Las Vegas area. Block also discusses legalized gambling, politics, mass transit problems, and other social and environmental changes in Nevada.

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Transcript of interview with Jonathan Sparer by Stefani Evans and Claytee White, August 29, 2016

Date

2016-08-29

Description

Jonathan “Jon” Sparer of Las Vegas, Nevada, is a retired architect who is active in the local Jewish and LGBTQ communities. He grew up on Long Island, New York, in the hamlet of Woodmere, where his father was an importer. After graduating in Architecture from Ohio State University in 1977 Jon moved to Los Angeles, California, where he worked first with architect Jack Chernoff, then with architect Bob Barnett until 1981, when he accompanied his future wife and college classmate who worked for Martin Stern to Las Vegas. Stern sent her to open a field office to supervise the reconstruction of the MGM Grand after it burned in November 1980. Once in Las Vegas, Jon began working for architect Homer Rissman on Steve Wynn’s future project, The Mirage. Although Jon switched firms, he continued working on The Mirage and other Wynn projects with Marnell Corrao, where he would stay until 2001. Ironically, Jon’s original supervisor at Marnell Corrao was his future husband, architect John R. Klai II; Klai’s subordinate in turn was Jon’s Spring Valley neighbor. After Jon left Marnell in 2001, he became a founding principal architect at YWS Design & Architecture. Although he has retired from full-time architecture, Jon has since designed the Temple for Congregation Ner Tamid (pictured above) and The Center (Las Vegas's gay, lesbian, bisexual, transgender, queer community center). Jon remains active in the AIA Las Vegas Chapter as the incoming president as well as serving as a board member for Jewish Family Services Agency and The Center.

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Transcript of interview with Julie Brinkerhoff-Jacobs by Stefani Evans, September 30, 2016

Date

2016-09-30

Description

When Julie Brinkerhoff-Jacobs talks about the landscape architecture firm her parents, Barbara and Don Brinkerhoff, began in their home in 1958, she brightens and leans in. Since joining her parents’ firm in 1982, Julie gradually assumed responsibility for Lifescapes International’s sales, marketing, financial management, and strategic planning and serves as President and Chief Financial Officer. Here, Brinkerhoff-Jacobs talks of her life before joining and outside of Lifescapes: her family; her youth; her charity, HomeAid; her leadership activities; and her personal interests. Her focus, though, is Lifescapes and the Las Vegas people and the iconic projects that not only altered the ways that visitors perceive Southern Nevada but also changed the business of Lifescapes. “Not just in Las Vegas, but around the world people hire us because of what we've done in Las Vegas.” For Julie, one of the greatest joys of working alongside her parents was discovering them as peers—learning to know them as two people who “chose to live an incredibly artistic life together.” Her mother passed in 2014, but Julie and her father continue to work with and learn from each other.

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Transcript of interview with Thomas J. Schoeman by Stefani Evans and Claytee D. White, July 18, 2016

Date

2016-07-18

Description

Architect Thomas J. Schoeman was born in 1949 in Brooklyn, New York, and was the first of his four siblings to graduate high school and attend college. Schoeman attended Nassau Community College and then transferred to the University of New Mexico in the early 1970s, from which he graduated in 1974. After spending his first five years out of college working as an architect in New Mexico, Schoeman received a job offer from Jack Miller and Associates (later, JMA Studio) and moved to Las Vegas, Nevada, in 1979. He stayed with JMA for many years, eventually becoming partner, president, and Chief Executive Officer. While at JMA, Schoeman designed, among many other iconic Las Vegas buildings, the original UNLV Dickinson Library, the Nevada Power building, One Queensridge Place, and World Market Center as well as expansions to McCarran International Airport and the Las Vegas Convention Center. Before he retired at age 62, Schoeman negotiated the sale of JMA to Baker International, an engineering and architectural firm, for which he worked for a short time as architectural director of. He also arranged for Baker International to agree to donate many early JMA records to Special Collections at UNLV Libraries. In his retirement he designs multifamily dwellings and other buildings that will help create community and revitalize Downtown Las Vegas.

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Transcript of interview with Bill Snyder by Claytee White, November 21, 2008

Date

2008-11-21

Description

In 1978 Bill Snyder came Las Vegas for a heavyweight championship fight between his homeboy, Larry Holmes and Ken Norton. During that visit, he saw cranes dotting the cityscape so he returned home and proposed that the family move across country and settle in the desert. His wife, Joy, gave him a year. And as they say, the rest is history. And what am amazing history it is. In this interview, Bill Snyder talks about his life from its beginning in Easton, Pennsylvania, where he discovered the challenge of architecture first by perusing books in the library and then by hands-on construction experience. But his love of art built the foundation to this treasured craft that has allowed him to design homes, office buildings, airport terminals and the McCaw School of Mines on the campus of McCaw Elementary School in Henderson, NV. The projects that Mr. Snyder seems to prize most are those that include the imagination of children. The people who shaped his life are introduced and the impact of his military training is wonderfully expressed. His connection with young people is paramount throughout the oral history that is beautifully documented with images of many of the projects that displayed children's art in an exciting way. Bill and Joy are the parents of two sons. Dana age 36, lives with his wife Christine in Hollywood, California, and works as a voice actor best known for his role as Master Shake on the cartoon Aqua Teen Hunger Force. Their younger son, Mike age 31, owns The Krate, a clothing, music, and art shop in Santa Cruz, California, where he lives with his wife Mandy and daughter Maya. A husband, father, sports car enthusiast, runner, thinker and lover of teaching and trusting young people, Bill Snyder is a brilliant architect and manager of people. He is dyslectic and never expected a school to be named in his honor but the William E. Snyder Elementary School was dedicated in 2001 with overwhelming community support. One of his current goals is to dream an architectural project that rivals the McCaw School of Mines for his own school. I trust that you will learn to love architecture in a different and very profound way as you read this interview just as I did during my conversation with Bill.

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Confetti: set design drawings

Date

1982 to 1984

Archival Collection

Description

Series IV. Professional work outside the United States: show production materials -- Europe, Mexico, and the Bahamas shows: production materials -- Princess Hotel Grand Bahama Island

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